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Home › Mantras › Chanda Bhairava Mantra
Rudra (Shiva) Chanda Bhairava Mantra: white Chanda Bhairava with bow, arrow, sword and ritual bowl seated on a peacock mount
Chanda Bhairava, as worshipped in our consecrated sanctum
Mantra · Third Bhairava. For control of anger and impulse.

Chanda Bhairava Mantra

ॐ ह्रीं चण्डभैरवाय नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Chanda Bhairava is

Chanda Bhairava is the third of the eight Bhairavas in the classical Ashta Bhairava sequence, emerging after Ruru and before Krodha. The name Chanda, from the root that yields caṇḍa, denotes fierce heat, sudden intensity and the ungoverned blaze of impulse. Agamic descriptions give him a tawny or flaming-red complexion, hair that rises like smoke, and attributes that include the sword, trident, skull-cup and goad; his vahana is recorded in several paddhatis as a peacock. Stationed in the southern quarter of the mandala, he embodies the raw surge of wrath before it is either squandered or steadied. Tradition therefore places him at the precise point where anger first becomes visible as a force, yet the texts never convert that placement into a promise of mastery for the one who utters his name.

The Third of the Eight

Chanda Bhairava is known chiefly through the lists of the eight Bhairavas rather than through a narrative of his own. In the standard Ashta Bhairava sequence he stands third, after Ruru and before Krodha, and his seat is the southern quarter, between Ruru in the south-east and Krodha in the south-west. Each of the eight is given a mount: Ruru rides the ox, Chanda the peacock and Krodha the eagle. His name comes from caṇḍa, fierce or hot, the quality the tradition sees in him. No separate legend of his origin is widely told. What tradition holds of him is his position in the circle, his mount and the fierce quality his name declares, and in the full Ashta Bhairava rite he is honoured in turn at his own quarter.

The mantra, in six scripts

The seed mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ ह्रीं चण्डभैरवाय नमः
Tamilௐ ஹ்ரீம் சண்டபைரவாய நமஃ
Teluguఓం హ్రీం చణ్డభైరవాయ నమః
Kannadaಓಂ ಹ್ರೀಂ ಚಣ್ಡಭೈರವಾಯ ನಮಃ
Malayalamഓം ഹ്രീം ചണ്ഡഭൈരവായ നമഃ
EnglishRoman transliterationoṃ hrīṃ caṇḍabhairavāya namaḥ
“The words offer the seed-syllable hrīṃ and salutation addressed to Chanda Bhairava.”
ॐ
oṃ — the open primordial syllable
ह्रीं
hrīṃ — the hrīṃ seed of radiant shakti
चण्डभैरवाय
caṇḍabhairavāya — to Chanda Bhairava (dative)
नमः
namaḥ — salutation

The syllable people get wrong

The retroflex ṇḍ cluster in चण्ड is almost always flattened to a dental “nd,” so that Caṇḍa becomes the everyday English “Chanda.” The tongue must curl back for the ṇ; failure to do so collapses the name’s internal heat into a softer, ordinary sound that no longer matches the fierce caṇḍa the texts intend.

When Chanda Bhairava is chanted

Weekday. Monday

Questions

The standard Ashta Bhairava lists give each of the eight a distinct mount: the ox for Ruru, the peacock for Chanda and the eagle for Krodha. The peacock therefore serves as the ready mark of the third Bhairava in images and in the directional rite, distinguishing him from the forms on either side of him.
The Sharada Tilaka and related digests assign the tawny-to-flaming red hue specifically to Chanda as the chromatic sign of caṇḍa—heat that has become visible. The colour is not shared with Ruru’s smoky blue or Krodha’s darker, wrathful tone; it remains the signature of the moment when impulse first flares into sight, before any later steadying or dissipation. Dhyana verses simply restate the red body without converting the description into an instruction for the reciter.
The standard Ashta Bhairava placement stations Chanda in the southern quarter, after Ruru in the south-east and before Krodha in the south-west. The placement is cartographic rather than moral: it fixes the third position in the circle so that the ritualist can locate the correct lamp, colour and weapon set when the full Ashta Bhairava rite is performed.
Not sure a mantra is enough?

Have your chart read before you decide

Chanting is yours to do, and free. But which deity your situation calls for — and whether a mantra alone is the right response — depends on your chart. Sometimes it is; sometimes it is not.

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