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Home › Mantras › Dakshinamoorthy Mantra
Medha Dakshinamoorthy Dakshinamoorthy Mantra: four-armed Lord Dakshinamoorthy teaching four sages beneath a banyan tree
Dakshinamoorthy, as worshipped in our consecrated sanctum
Mantra · Shiva as silent teacher. For memory and understanding.

Dakshinamoorthy Mantra

ॐ नमः श्रीदक्षिणामूर्तये

Also known as Dakshinamurthy Mantra

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Dakshinamoorthy is

Dakshinamoorthy is Śiva in his aspect as the silent, south-facing preceptor who transmits the highest knowledge without uttered speech. Seated beneath the banyan, youthful yet primordial, he forms the cinmudrā with his right hand while the left rests upon the thigh or holds a palm-leaf manuscript. The four mind-born sons of Brahmā—Sanaka, Sanandana, Sanātana and Sanatkumāra—sit before him as the first disciples. In temple architecture his shrine occupies the southern wall of the sanctum, confronting the direction of Yama and thereby declaring that knowledge of the Self stands beyond death. He is the ādī-guru from whom every authentic teaching lineage traces its descent, distinct from Naṭarāja the dancer, Bhairava the fierce guardian, or Ardhanārīśvara the united form. Contemplation of this mūrti is bound to the stilling of mental proliferation and the recognition that the knower, the known and the means of knowledge are one.

Silence Beneath the Banyan

The episode is preserved in the tradition surrounding Ādi Śaṅkara’s Dakṣiṇāmūrti Stotram. At the dawn of a cycle of creation the four Kumāras issued from Brahmā’s mind already mature in austerity yet still unsettled by the riddle of multiplicity and liberation. They wandered the three worlds seeking a teacher equal to their doubt. On a Himalayan slope they beheld a youth seated in perfect stillness under an ancient banyan, his body turned toward the south. That youth was Śiva as Dakshinamoorthy. No word passed his lips; the teaching was given entirely through the cinmudrā and the unbroken silence of his presence. In that silence the Kumāras’ questions dissolved, and they beheld the non-dual Self directly. Śaṅkara later sang that the universe itself is the city reflected in the mirror of consciousness, and that the silent guru awakens the disciple to this recognition. South-facing shrines throughout the Tamil country and beyond continue to mark the place where speech ends and knowledge begins.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ नमः श्रीदक्षिणामूर्तये
Tamilௐ நமஃ ஶ்ரீதக்ஷிணாமூர்தயே
Teluguఓం నమః శ్రీదక్షిణామూర్తయే
Kannadaಓಂ ನಮಃ ಶ್ರೀದಕ್ಷಿಣಾಮೂರ್ತಯೇ
Malayalamഓം നമഃ ശ്രീദക്ഷിണാമൂര്തയേ
EnglishRoman transliterationoṃ namaḥ śrīdakṣiṇāmūrtaye
“Salutations to the glorious south-facing teacher”
ॐ
oṃ — the praṇava
नमः
namaḥ — salutations
श्रीदक्षिणामूर्तये
śrīdakṣiṇāmūrtaye — to the glorious Dakshinamoorthy

More Dakshinamoorthy mantras

Dakshinamurti Gayatri

The verse in the Gayatri metre, asking for understanding as well as presence.

DevanagariSanskrit & Hindiॐ दक्षिणामूर्तये विद्महे ध्यानस्थाय धीमहि तन्नो धीशः प्रचोदयात्
Tamilௐ தக்ஷிணாமூர்தயே வித்மஹே த்யாநஸ்தாய தீமஹி தந்நோ தீஶஃ ப்ரசோதயாத்
Teluguఓం దక్షిణామూర్తయే విద్మహే ధ్యానస్థాయ ధీమహి తన్నో ధీశః ప్రచోదయాత్
Kannadaಓಂ ದಕ್ಷಿಣಾಮೂರ್ತಯೇ ವಿದ್ಮಹೇ ಧ್ಯಾನಸ್ಥಾಯ ಧೀಮಹಿ ತನ್ನೋ ಧೀಶಃ ಪ್ರಚೋದಯಾತ್
Malayalamഓം ദക്ഷിണാമൂര്തയേ വിദ്മഹേ ധ്യാനസ്ഥായ ധീമഹി തന്നോ ധീശഃ പ്രചോദയാത്
EnglishRoman transliterationoṃ dakṣiṇāmūrtaye vidmahe dhyānasthāya dhīmahi tanno dhīśaḥ pracodayāt
“Om. May we know Dakshinamurti; may we meditate on the one who abides in meditation. May that Lord of the intellect inspire our minds.”
ॐ
oṃ — the sacred syllable Om
दक्षिणामूर्तये
dakṣiṇāmūrtaye — to Dakshinamurti, the south-facing form of Shiva as teacher
विद्महे
vidmahe — may we know
ध्यानस्थाय
dhyānasthāya — to the one established in meditation
धीमहि
dhīmahi — may we meditate on
तन्नो
tanno — that (one) ... us (tat + naḥ)
धीशः
dhīśaḥ — the lord of the intellect (dhī + īśa)
प्रचोदयात्
pracodayāt — may he inspire / impel (our minds)

Source: Dakshinamurti Gayatri, from the Gayatri collections (Linga Purana, Mantra Maharnava, Gayatri Mahatantra) compiled on sanskritdocuments. Other Dakshinamurti Gayatris also exist.

Dakshinamurti Dhyana (Mauna-vyakhya)

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiमौनव्याख्याप्रकटितपरब्रह्मतत्त्वं युवानं वर्षिष्ठान्तेवसदृषिगणैरावृतं ब्रह्मनिष्ठैः । आचार्येन्द्रं करकलितचिन्मुद्रमानन्दरूपं स्वात्मारामं मुदितवदनं दक्षिणामूर्तिमीडे ॥
Tamilமௌநவ்யாக்யாப்ரகடிதபரப்ரஹ்மதத்த்வம் யுவாநம் வர்ஷிஷ்டாந்தேவஸத்ருஷிகணைராவ்ருதம் ப்ரஹ்மநிஷ்டைஃ । ஆசார்யேந்த்ரம் கரகலிதசிந்முத்ரமாநந்தரூபம் ஸ்வாத்மாராமம் முதிதவதநம் தக்ஷிணாமூர்திமீடே ॥
Teluguమౌనవ్యాఖ్యాప్రకటితపరబ్రహ్మతత్త్వం యువానం వర్షిష్ఠాన్తేవసదృషిగణైరావృతం బ్రహ్మనిష్ఠైః । ఆచార్యేన్ద్రం కరకలితచిన్ముద్రమానన్దరూపం స్వాత్మారామం ముదితవదనం దక్షిణామూర్తిమీడే ॥
Kannadaಮೌನವ್ಯಾಖ್ಯಾಪ್ರಕಟಿತಪರಬ್ರಹ್ಮತತ್ತ್ವಂ ಯುವಾನಂ ವರ್ಷಿಷ್ಠಾನ್ತೇವಸದೃಷಿಗಣೈರಾವೃತಂ ಬ್ರಹ್ಮನಿಷ್ಠೈಃ । ಆಚಾರ್ಯೇನ್ದ್ರಂ ಕರಕಲಿತಚಿನ್ಮುದ್ರಮಾನನ್ದರೂಪಂ ಸ್ವಾತ್ಮಾರಾಮಂ ಮುದಿತವದನಂ ದಕ್ಷಿಣಾಮೂರ್ತಿಮೀಡೇ ॥
Malayalamമൌനവ്യാഖ്യാപ്രകടിതപരബ്രഹ്മതത്ത്വം യുവാനം വര്ഷിഷ്ഠാന്തേവസദൃഷിഗണൈരാവൃതം ബ്രഹ്മനിഷ്ഠൈഃ । ആചാര്യേന്ദ്രം കരകലിതചിന്മുദ്രമാനന്ദരൂപം സ്വാത്മാരാമം മുദിതവദനം ദക്ഷിണാമൂര്തിമീഡേ ॥
EnglishRoman transliterationmaunavyākhyāprakaṭitaparabrahmatattvaṃ yuvānaṃ varṣiṣṭhāntevasadṛṣigaṇairāvṛtaṃ brahmaniṣṭhaiḥ | ācāryendraṃ karakalitacinmudramānandarūpaṃ svātmārāmaṃ muditavadanaṃ dakṣiṇāmūrtimīḍe ||
“I praise Dakshinamurti. He is young, yet he makes the truth of the supreme Brahman plain by teaching in silence. Aged sages, his disciples, steady in Brahman, sit around him. He is the foremost of teachers, his hand held in the gesture of knowledge (chin-mudra); his form is bliss, he delights in the Self, and his face is joyful.”
मौनव्याख्याप्रकटितपरब्रह्मतत्त्वं
maunavyākhyāprakaṭitaparabrahmatattvaṃ — who reveals the truth of the supreme Brahman through silent exposition
युवानं
yuvānaṃ — youthful
वर्षिष्ठान्तेवसदृषिगणैः
varṣiṣṭhāntevasadṛṣigaṇaiḥ — by groups of very aged sages who are his disciples
आवृतं
āvṛtaṃ — surrounded
ब्रह्मनिष्ठैः
brahmaniṣṭhaiḥ — (sages) established in Brahman
आचार्येन्द्रं
ācāryendraṃ — the foremost of teachers
करकलितचिन्मुद्रम्
karakalitacinmudram — whose hand forms the chin-mudra, the gesture of knowledge
आनन्दरूपं
ānandarūpaṃ — whose form is bliss
स्वात्मारामं
svātmārāmaṃ — who delights in his own Self
मुदितवदनं
muditavadanaṃ — with a joyful face
दक्षिणामूर्तिम्
dakṣiṇāmūrtim — Dakshinamurti
ईडे
īḍe — I praise

Source: Dhyana verse 1 of the meditation verses traditionally recited before the Dakshinamurti Stotram of Adi Shankaracharya. Some editions read ānandamūrtiṃ for ānandarūpaṃ.

Dakshinamurti Pranama (Nidhaye sarvavidyanam)

The verse of salutation, recited before or after japa.

DevanagariSanskrit & Hindiनिधये सर्वविद्यानां भिषजे भवरोगिणाम् । गुरवे सर्वलोकानां दक्षिणामूर्तये नमः ॥
Tamilநிதயே ஸர்வவித்யாநாம் பிஷஜே பவரோகிணாம் । குரவே ஸர்வலோகாநாம் தக்ஷிணாமூர்தயே நமஃ ॥
Teluguనిధయే సర్వవిద్యానాం భిషజే భవరోగిణామ్ । గురవే సర్వలోకానాం దక్షిణామూర్తయే నమః ॥
Kannadaನಿಧಯೇ ಸರ್ವವಿದ್ಯಾನಾಂ ಭಿಷಜೇ ಭವರೋಗಿಣಾಮ್ । ಗುರವೇ ಸರ್ವಲೋಕಾನಾಂ ದಕ್ಷಿಣಾಮೂರ್ತಯೇ ನಮಃ ॥
Malayalamനിധയേ സര്വവിദ്യാനാം ഭിഷജേ ഭവരോഗിണാമ് । ഗുരവേ സര്വലോകാനാം ദക്ഷിണാമൂര്തയേ നമഃ ॥
EnglishRoman transliterationnidhaye sarvavidyānāṃ bhiṣaje bhavarogiṇām | gurave sarvalokānāṃ dakṣiṇāmūrtaye namaḥ ||
“Salutation to Dakshinamurti: the treasury of all learning, the physician for those sick with worldly existence, the teacher of all the worlds.”
निधये
nidhaye — to the treasury, storehouse
सर्वविद्यानां
sarvavidyānāṃ — of all branches of knowledge
भिषजे
bhiṣaje — to the physician
भवरोगिणाम्
bhavarogiṇām — of those afflicted by the disease of worldly existence (saṃsāra)
गुरवे
gurave — to the teacher
सर्वलोकानां
sarvalokānāṃ — of all the worlds
दक्षिणामूर्तये
dakṣiṇāmūrtaye — to Dakshinamurti
नमः
namaḥ — salutation, I bow

Source: Dhyana verse 4 of the meditation verses traditionally recited before the Dakshinamurti Stotram of Adi Shankaracharya. Popular prints sometimes start the verse with gurave sarvalokānāṃ instead.

The syllable people get wrong

The long ū in the syllable mūr of dakṣiṇāmūrtaye is the point at which many recitations falter. It is commonly shortened to a brief u, producing “murtaye” instead of the full, sustained mūr that the dignity of the name requires. The lips must remain rounded for the entire length of the vowel before releasing into the following ta.

When Dakshinamoorthy is chanted

Weekday. Thursday

Festival. Guru Pūrṇimā receives special observance at Dakshinamoorthy shrines, and in numerous South Indian Śiva temples the Thursday pūjā is dedicated to this form alone.

Questions

The southern direction is traditionally assigned to Yama and the realm of the departed. By orienting his body southward the silent teacher confronts the fear of mortality at its symbolic source and demonstrates that knowledge of the Self is not subject to death. Temple āgama therefore places his image on the southern exterior wall of the garbhagṛha in almost every major Śiva temple of the Tamil country, Karnataka and Andhra, so that the devotee circling the sanctum meets the guru precisely when turning toward the south.
The cinmudrā joins the tip of the thumb and the index finger to form a circle while the other three fingers remain extended. The circle signifies the seamless identity of the individual self (jīvātman) with the supreme Self (paramātman); the three extended fingers stand for the three bodies or the three guṇas that are transcended in that recognition. Because Dakshinamoorthy teaches without speech, the gesture itself becomes the entire lesson, a visual statement that liberation is the simple recognition of what already is.
The vaṭa-vṛkṣa, with its aerial roots that descend and take fresh hold in the earth, serves as a living emblem of the guru-paramparā, the unbroken succession of teachers springing from one source. Scriptural accounts locate the original instruction of the Kumāras beneath such a tree; the cool shade represents the stillness of knowledge that shelters the seeker from the heat of saṃsāra. In bronze and stone the tree is often carved with meticulous detail above the seated figure, its roots framing the silent assembly.
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