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Home › Mantras › Adivo Alladivo
Sudarshana Adivo Alladivo: young Annamacharya on the pilgrim path pointing in joy to the seven golden hills of Tirumala, shaped like the hoods of Shesha
The young Annamacharya, climbing with the pilgrims, points to the seven hills as they come into view
Mantra · Annamacharya's Telugu song that points to the Tirumala hill itself

Adivo Alladivo

अदिवो अल्लदिवो हरिवासमु पदिवेल शेषुल पडगलमयमु

Also known as Adivo Alladivo Sriharivasamu

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Adivo Alladivo is

Adivo Alladivo is a Telugu sankirtana by Tallapaka Annamacharya (1408-1503), the poet of the Venkateswara temple at Tirumala, and its opening words mean 'There it is, look, over there'. The song never describes Venkateswara's image. Every line points at the hill. The pallavi calls it Hari's home, a mountain made of the hoods of ten thousand Sheshas, the serpent on whom Vishnu rests. The first charanam names the Venkata hill as higher than all others, a wonder even to Brahma and the gods, and the lasting home of the sages, and ends with two plain commands: see it, bow to it. The second turns to Seshachala close at hand, with golden peaks that are wholly the Supreme. The third calls the hill the place of liberation and the wealth of Sri Venkatapati, and closes on it as the most purifying of all purifying things.

A song for the first sight of Seshadri

Annamacharya was born at Tallapaka, near Rajampet in present-day Andhra Pradesh. According to tradition, at sixteen he cut his finger while gathering grass, took the pain as a sign that only the Lord gives lasting shelter, and left the family fields to follow a band of pilgrims walking to Tirumala, about a hundred kilometres away. The account written by his grandson Chinnanna, the Annamacharya Charitra, places the Lord's appearance to him at that age and says he began composing at the Lord's command. Popular tradition holds that this song broke out of him on the climb, at the moment the seven hills came into view, which would explain why it praises the mountain and not yet the image at the top. One early scholarly printing gives the song the heading 'Seshadri darshanamu', the sight of the Shesha hill, and sets it among the passages on his vision. Thousands of his songs survive because they were engraved on copper plates and kept inside the Tirumala temple, where they lay unnoticed until 1922. This song is on the fourth plate.

The mantra, in six scripts

DevanagariSanskrit & Hindiअदिवो अल्लदिवो हरिवासमु पदिवेल शेषुल पडगलमयमु
Tamilஅதிவோ அல்லதிவோ ஹரிவாஸமு பதிவேல ஶேஷுல படகலமயமு
Teluguఅదివో అల్లదివో హరివాసము పదివేల శేషుల పడగలమయము
Kannadaಅದಿವೋ ಅಲ್ಲದಿವೋ ಹರಿವಾಸಮು ಪದಿವೇಲ ಶೇಷುಲ ಪಡಗಲಮಯಮು
Malayalamഅദിവോ അല്ലദിവോ ഹരിവാസമു പദിവേല ശേഷുല പഡഗലമയമു
EnglishRoman transliterationadivō alladivō harivāsamu padivēla śēṣula paḍagalamayamu
“There it is, look, there it is: the home of Hari, a hill made of the hoods of ten thousand Sheshas.”
అదివో
adivō — there it is
అల్లదివో
alladivō — there it is, over there
హరివాసము
harivāsamu — the dwelling of Hari
పదివేల
padivēla — of ten thousand
శేషుల
śēṣula — Sheshas (the divine serpent)
పడగలమయము
paḍagalamayamu — made of hoods

Adivo Alladivo lyrics in full

The pallavi and three charanams, as preserved on the Tallapaka copper plates at Tirumala.

All 4 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Adivo Alladivo PDFAll 4 verses with their meanings, in Sanskrit. Free to print and keep.

Pallavi

अदिवो अल्लदिवो हरिवासमु
पदिवेल शेषुल पडगलमयमु

There it is, look, there it is: the home of Hari, a hill made of the hoods of ten thousand Sheshas.

Charanam 1

अदॆ वेंकटाचल मखिलोन्नतमु
अदिवो ब्रह्मादुल कपुरूपमु
अदिवो नित्यनिवास मखिलमुनुलकु
नदॆ चूडुँ डदॆ म्रॊक्कुँ डानंदमयमु

That is the Venkata hill, the highest of all; that is a rare wonder even to Brahma and the gods; that is the lasting home of all the sages. See it there, bow to it there: it is filled with bliss.

Charanam 2

चॆंगट नल्लदिवो शेषाचलमु
निंगि नुन्न देवतल निजवासमु
मुंगिट नल्लदिवो मूलनुन्नधनमु
बंगारुशिखराल बहुब्रह्ममयमु

Close at hand, there stands Seshachala, the true dwelling of the gods who live in the sky. Right before you is the treasure laid up in store, a hill of golden peaks that is wholly the Supreme.

Charanam 3

कैवल्यपदमु वेंकटनग मदिवो
श्रीवेंकटपतिकि सिरुलैनदि
भाविंप सकलसंपद रूपमदिवो
पावनमुल कॆल्लँ बावनमयमु

The Venkata hill is the abode of liberation; it has become the wealth of Sri Venkatapati, the Lord of Venkata. Think on it: it is the very form of all prosperity, the most purifying of all things that purify.

The syllable people get wrong

In alladivō the double l is held, al-la, and the final ō is long, so the word is al-la-di-VŌ; it is three words run together, alla (over there), adi (that) and ō (look). Clipping it to a short 'aladivo' blurs the pointing gesture the whole song is built on.

When the Adivo Alladivo is chanted

Weekday. Thursday

Questions

Word by word: adivo, 'there it is'; alladivo, 'there it is, over there'; Sri Hari vasamu, 'the dwelling of Sri Hari'. The repetition is a pointing gesture, the way a pilgrim calls out to companions when the hill first appears. The second line of the pallavi says what that dwelling is made of: padivela seshula padagala mayamu, 'formed of the hoods of ten thousand Sheshas', picturing the range as the many-headed serpent couch of Vishnu.
Both readings are current. The text engraved on the Tallapaka copper plates, and the scholarly printings made from them, read harivasamu, and that is the reading given here. The form usually sung today adds the honorific 'Sri', giving 'Sriharivasamu', which is why the song is often listed under the longer title. The meaning is unchanged: Sri is a mark of reverence, and Hari is Vishnu, worshipped on this hill as Venkateswara.
The copper plates assign it to Sriragam, the raga under which the oldest printings also file it. The tune heard today is in Madhyamavati, set to Adi tala. Neither tradition changes the words; the difference is only in the melody to which they are set.
Only once, in the third charanam: srivenkatapatiki sirulainadi, 'it has become the wealth of Sri Venkatapati', the Lord of Venkata. Everywhere else the subject is the hill itself, called by three names in turn: Venkatachala, Seshachala and Venkatanaga. The song therefore reads as praise of Tirumala as a sacred place, the abode of liberation and of the gods and sages, before it is praise of the image within, and the Lord enters it only as the one to whom the hill belongs.
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