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Home › Mantras › Dwimukha Ganapathi Mantra
Ganapathi Dwimukha Ganapathi Mantra: blue-green two-faced Dwimukha Ganapathi holding noose, goad, jewel pot and broken tusk
Dwimukha Ganapathi, as worshipped in our consecrated sanctum
Mantra · The two-faced form. For clarity in decision.

Dwimukha Ganapathi Mantra

ॐ द्विमुखगणपतये नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Dwimukha Ganapathi is

Dwimukha Ganapathi is the two-faced manifestation of Ganesha recorded in the Mudgala Purāṇa’s list of thirty-two forms. The dual visage—one countenance turned forward, one turned behind—embodies the capacity to hold two directions, two moments, or two opposing claims within a single regard. Iconographic verses describe either two faces upon one elephant head or, in some accounts, two trunks as well; the decisive mark remains the second pair of eyes that see what the first cannot. The dhyana gives him a greenish-blue complexion, a red robe and a jewelled crown, and he holds his tusk, a noose, a goad and a pot filled with gems, yet none of these define him; the name dvi-mukha itself states the duality without metaphor. Tradition approaches this form when a decision must be weighed without partiality to either side.

The Double Regard

The Mudgala Purāṇa, the first text to list the thirty-two names of Ganesha, does not tell a separate story for this form. The meditation verses that describe each of the thirty-two come from the Śrītattvanidhi, a nineteenth-century compilation. There Dwimukha, “the two-faced”, is pictured with a greenish-blue complexion, wearing a red robe and a jewelled crown, and holding his tusk, a noose, a goad and a pot filled with gems. The form takes its meaning from the name itself: two faces held within a single regard. For this reason devotional tradition approaches him when a choice lies between two courses of equal weight, seeking the stillness in which both sides can be seen together without collapsing into either.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ द्विमुखगणपतये नमः
Tamilௐ த்விமுககணபதயே நமஃ
Teluguఓం ద్విముఖగణపతయే నమః
Kannadaಓಂ ದ್ವಿಮುಖಗಣಪತಯೇ ನಮಃ
Malayalamഓം ദ്വിമുഖഗണപതയേ നമഃ
EnglishRoman transliterationoṃ dvimukhagaṇapataye namaḥ
“Om. Salutation to the two-faced Ganapati.”
ॐ
oṃ — the sacred syllable
द्विमुखगणपतये
dvimukhagaṇapataye — to the two-faced Ganapati
नमः
namaḥ — salutation

More Dwimukha Ganapathi mantras

Dwimukha Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiस्वदन्तपाशाङ्कुशरत्नपात्रं करैर्दधानो हरिनीलगात्रः । रक्तांशुको रत्नकिरीटमाली भूत्यै सदा मे द्विमुखो गणेशः ॥
Tamilஸ்வதந்தபாஶாங்குஶரத்நபாத்ரம் கரைர்ததாநோ ஹரிநீலகாத்ரஃ । ரக்தாம்ஶுகோ ரத்நகிரீடமாலீ பூத்யை ஸதா மே த்விமுகோ கணேஶஃ ॥
Teluguస్వదన్తపాశాఙ్కుశరత్నపాత్రం కరైర్దధానో హరినీలగాత్రః । రక్తాంశుకో రత్నకిరీటమాలీ భూత్యై సదా మే ద్విముఖో గణేశః ॥
Kannadaಸ್ವದನ್ತಪಾಶಾಙ್ಕುಶರತ್ನಪಾತ್ರಂ ಕರೈರ್ದಧಾನೋ ಹರಿನೀಲಗಾತ್ರಃ । ರಕ್ತಾಂಶುಕೋ ರತ್ನಕಿರೀಟಮಾಲೀ ಭೂತ್ಯೈ ಸದಾ ಮೇ ದ್ವಿಮುಖೋ ಗಣೇಶಃ ॥
Malayalamസ്വദന്തപാശാങ്കുശരത്നപാത്രം കരൈര്ദധാനോ ഹരിനീലഗാത്രഃ । രക്താംശുകോ രത്നകിരീടമാലീ ഭൂത്യൈ സദാ മേ ദ്വിമുഖോ ഗണേശഃ ॥
EnglishRoman transliterationsvadantapāśāṅkuśaratnapātraṃ karairdadhāno harinīlagātraḥ | raktāṃśuko ratnakirīṭamālī bhūtyai sadā me dvimukho gaṇeśaḥ ||
“Holding in his hands his own tusk, the noose, the goad and a jewelled vessel, bluish-green of body, clad in red, wearing a jewelled crown and garland: may the two-faced Gaṇeśa always be for my well-being.”
स्वदन्तपाशाङ्कुशरत्नपात्रं
svadantapāśāṅkuśaratnapātraṃ — his own tusk, the noose, the goad and a jewelled vessel
करैर्
karair — in his hands
दधानो
dadhāno — holding
हरिनीलगात्रः
harinīlagātraḥ — bluish-green of body
रक्तांशुको
raktāṃśuko — clad in red
रत्नकिरीटमाली
ratnakirīṭamālī — wearing a jewelled crown and garland
भूत्यै
bhūtyai — for well-being
सदा
sadā — always
मे
me — for me
द्विमुखो
dvimukho — two-faced
गणेशः
gaṇeśaḥ — Gaṇeśa

Source: Dhyāna śloka of this form in the Śrītattvanidhi's thirty-two Gaṇapati forms (no. 27 in the Stotranidhi list). Stotranidhi and Drik Panchang agree letter for letter. The verse has no finite verb; ‘may he be’ is understood.

The syllable people get wrong

The opening syllable dvi of the name is commonly spoken as an English “dwee” with a lengthened vowel, or else collapsed into a plain “di” that loses the labial glide entirely. Tradition requires a short, distinct v-glide immediately after the d, so that the sound remains dvi and does not drift toward either foreign diphthong or simplified dental.

When Dwimukha Ganapathi is chanted

Weekday. Tuesday

Questions

Tradition reads the dual visage as the visible sign of the capacity to regard two directions or two claims at once, the precise function that distinguishes this meditation form within the list of thirty-two.
Scriptural descriptions leave the orientation open: one face may regard what lies behind in time or what stands opposite in space; the essential point is the simultaneous holding of both fields of vision.
Tradition associates him with clarity that arises not from choosing one side but from the stillness in which both sides are seen together, the meaning carried by his two faces.
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