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Home › Mantras › Ekadanta Ganapathi Mantra
Ganapathi Ekadanta Ganapathi Mantra: dark-blue Ekadanta Ganapathi with one intact tusk, broken tusk piece, axe, rosary and laddu
Ekadanta Ganapathi, as worshipped in our consecrated sanctum
Mantra · The single-tusked form. For focus and singleness of purpose.

Ekadanta Ganapathi Mantra

ॐ एकदन्ताय नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Ekadanta Ganapathi is

Ekadanta Ganapathi is the single-tusked manifestation whose very name records the deliberate sacrifice of one ivory tusk. In the meditation verses for the thirty-two forms he appears with a blue body and four arms, holding his broken tusk, a rosary, an axe and a laddu. The remaining tusk curves unbroken. Popular tradition links this form to the act of scribe-ship: the deity who accepted incompleteness of body in order to complete a text. He is therefore contemplated wherever singleness of purpose is the inner theme—one tusk, one task, one-pointed mind. The belly is large, the ears like winnowing fans, yet the gaze is quiet, fixed on the work of inscription rather than on outer display.

Tusk Offered for the Text

The Mahābhārata, in an opening passage found in the older printed editions, tells that Vyāsa asked Gaṇeśa to write the poem down as he dictated it. Gaṇeśa agreed on condition that the dictation never pause, and Vyāsa in turn asked that he write nothing he had not understood, composing knotty verses to give himself time. The epic itself says nothing of a broken tusk. Later folk tradition adds that when the pen failed, Gaṇeśa snapped off one tusk and went on writing with it, and this is the telling most devotees know. The Mudgala Purāṇa gives Ekadanta a different role, as the form that overcomes the demon Madāsura. The form called Ekadanta carries the mark of the single tusk, and contemplation of it turns on singleness of purpose: one tusk, one task, one-pointed mind.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ एकदन्ताय नमः
Tamilௐ ஏகதந்தாய நமஃ
Teluguఓం ఏకదన్తాయ నమః
Kannadaಓಂ ಏಕದನ್ತಾಯ ನಮಃ
Malayalamഓം ഏകദന്തായ നമഃ
EnglishRoman transliterationoṃ ekadantāya namaḥ
“Salutation to the single-tusked one.”
ॐ
oṃ — the primal syllable
एकदन्ताय
ekadantāya — to the single-tusked one
नमः
namaḥ — salutation

More Ekadanta Ganapathi mantras

Ekadanta Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiलम्बोदरं श्यामतनुं गणेशं कुठारमक्षस्रजमूर्ध्वगात्रम् । सलड्डुकं दन्तमधः कराभ्यां वामेतराभ्यां च दधानमीडे ॥
Tamilலம்போதரம் ஶ்யாமதநும் கணேஶம் குடாரமக்ஷஸ்ரஜமூர்த்வகாத்ரம் । ஸலட்டுகம் தந்தமதஃ கராப்யாம் வாமேதராப்யாம் ச ததாநமீடே ॥
Teluguలమ్బోదరం శ్యామతనుం గణేశం కుఠారమక్షస్రజమూర్ధ్వగాత్రమ్ । సలడ్డుకం దన్తమధః కరాభ్యాం వామేతరాభ్యాం చ దధానమీడే ॥
Kannadaಲಮ್ಬೋದರಂ ಶ್ಯಾಮತನುಂ ಗಣೇಶಂ ಕುಠಾರಮಕ್ಷಸ್ರಜಮೂರ್ಧ್ವಗಾತ್ರಮ್ । ಸಲಡ್ಡುಕಂ ದನ್ತಮಧಃ ಕರಾಭ್ಯಾಂ ವಾಮೇತರಾಭ್ಯಾಂ ಚ ದಧಾನಮೀಡೇ ॥
Malayalamലമ്ബോദരം ശ്യാമതനും ഗണേശം കുഠാരമക്ഷസ്രജമൂര്ധ്വഗാത്രമ് । സലഡ്ഡുകം ദന്തമധഃ കരാഭ്യാം വാമേതരാഭ്യാം ച ദധാനമീഡേ ॥
EnglishRoman transliterationlambodaraṃ śyāmatanuṃ gaṇeśaṃ kuṭhāramakṣasrajamūrdhvagātram | salaḍḍukaṃ dantamadhaḥ karābhyāṃ vāmetarābhyāṃ ca dadhānamīḍe ||
“I praise Gaṇeśa, big-bellied and dark of body, who holds the axe and the rosary raised aloft, and in his two lower hands, left and right, a laddu and his tusk.”
लम्बोदरं
lambodaraṃ — big-bellied
श्यामतनुं
śyāmatanuṃ — dark of body
गणेशं
gaṇeśaṃ — Gaṇeśa
कुठारम्
kuṭhāram — the axe
अक्षस्रजम्
akṣasrajam — the rosary
ऊर्ध्वगात्रम्
ūrdhvagātram — raised aloft (in the upper hands)
सलड्डुकं
salaḍḍukaṃ — together with a laddu
दन्तम्
dantam — the tusk
अधः
adhaḥ — below
कराभ्यां
karābhyāṃ — with the two hands
वामेतराभ्यां
vāmetarābhyāṃ — the left and the other (right)
च
ca — and
दधानम्
dadhānam — holding
ईडे
īḍe — I praise

Source: Dhyāna śloka of this form in the Śrītattvanidhi's thirty-two Gaṇapati forms (no. 22 in the Stotranidhi list). Stotranidhi and Drik Panchang agree letter for letter. ऊर्ध्वगात्रम् is read here, as Drik Panchang reads it, as the axe and rosary held in the upper hands.

The syllable people get wrong

The opening e of ekadantāya is a pure monophthong. Many speakers prefix a palatal glide, producing “yekadantāya.” The tongue must remain neutral and unraised at the start; the vowel alone begins the word, without the y-sound that turns it into a diphthong foreign to the name.

When Ekadanta Ganapathi is chanted

Weekday. Tuesday

Questions

The unbroken tusk remains as the sign of original completeness; the broken one, retained in the hand, recalls the popular story that he broke it so that Vyāsa’s dictation could continue without interruption.
Popular tradition identifies them. The epic’s own opening passage describes Gaṇeśa as Vyāsa’s scribe but does not mention the tusk, and the Mudgala Purāṇa’s Ekadanta is the conqueror of the demon Madāsura rather than the scribe.
The meditation verses of the Mudgala tradition assign him a blue or ink-dark complexion, echoing the colour of the ink with which the epic was set down.
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