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Home › Mantras › Guru Paduka Stotram
Guru (Dakshinamoorthy) Guru Paduka Stotram: a disciple bowing to his guru's wooden sandals by the Tunga river as a boat crosses to the far bank
A disciple bowing to his guru's wooden sandals beside the Tunga river as a boat carries people safely across
Mantra · Nine salutations to the Guru's sandals, a boat across samsara

Guru Paduka Stotram

अनन्तसंसारसमुद्रतारनौकायिताभ्यां गुरुभक्तिदाभ्याम् । वैराग्यसाम्राज्यदपूजनाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Also known as Ananta Samsara Samudra Tara

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Guru Paduka Stotram is

The Guru Paduka Stotram is a Sanskrit hymn of nine verses that salutes not the Guru directly but the Guru's padukas, the wooden sandals that stand for the teacher's feet. Every verse ends on the same line, namo namah shri-guru-padukabhyam, and the grammar keeps the sandals as a pair throughout. The images change from verse to verse: a boat across the ocean of worldly existence (verse 1), rain clouds over a forest fire of misfortune (2), a line of suns against the dark (6), Garuda against serpents (6 and 9), the undersea fire that dries up an ocean of dullness (6). Read as a sequence, the verses also name the four qualifications that Vedanta asks of a seeker: dispassion in verse 1, the six virtues beginning with inner calm in verse 7, and discernment, dispassion and liberation together in verse 9. The hymn is popularly ascribed to Adi Shankaracharya; its oldest known printing credits a later Sringeri teacher.

Shankara's name, a Sringeri pontiff's book

Most people who chant this hymn learned it as a work of Adi Shankaracharya, and a popular account holds that he composed it on first meeting his own teacher, Govinda Bhagavatpada. No early manuscript is known to support that story. The hymn's oldest known printing is in Bhakti Sudha Tarangini, an anthology of devotional hymns issued by the Sri Vani Vilas Press, Srirangam, in 1913, where the colophon names its composer as Sachchidananda Shivabhinava Nrisimha Bharati, head of the Sringeri Sharada Peetham from 1879 until his death in March 1912. Born Shivaswami, he was brought to Sringeri as a boy of seven and adopted by his predecessor as successor. He is remembered for restoring Kalady, Shankara's birthplace, where he consecrated temples to Shankara and to the goddess Sharada in 1910, and the same press published a complete edition of Shankara's works under his guidance. A hymn to the Guru's sandals written by a pontiff devoted to Shankara could easily have passed into circulation under Shankara's name. The 1913 book has the same nine verses in a different order, opening with the lotus-feet verse, and a few different readings. The sandal image itself is older: in the Ramayana, Bharata places Rama's sandals on the throne of Ayodhya and rules as their regent.

The mantra, in six scripts

DevanagariSanskrit & Hindiअनन्तसंसारसमुद्रतारनौकायिताभ्यां गुरुभक्तिदाभ्याम् । वैराग्यसाम्राज्यदपूजनाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥
Tamilஅநந்தஸம்ஸாரஸமுத்ரதாரநௌகாயிதாப்யாம் குருபக்திதாப்யாம் । வைராக்யஸாம்ராஜ்யதபூஜநாப்யாம் நமோ நமஃ ஶ்ரீகுருபாதுகாப்யாம் ॥
Teluguఅనన్తసంసారసముద్రతారనౌకాయితాభ్యాం గురుభక్తిదాభ్యామ్ । వైరాగ్యసామ్రాజ్యదపూజనాభ్యాం నమో నమః శ్రీగురుపాదుకాభ్యామ్ ॥
Kannadaಅನನ್ತಸಂಸಾರಸಮುದ್ರತಾರನೌಕಾಯಿತಾಭ್ಯಾಂ ಗುರುಭಕ್ತಿದಾಭ್ಯಾಮ್ । ವೈರಾಗ್ಯಸಾಮ್ರಾಜ್ಯದಪೂಜನಾಭ್ಯಾಂ ನಮೋ ನಮಃ ಶ್ರೀಗುರುಪಾದುಕಾಭ್ಯಾಮ್ ॥
Malayalamഅനന്തസംസാരസമുദ്രതാരനൌകായിതാഭ്യാം ഗുരുഭക്തിദാഭ്യാമ് । വൈരാഗ്യസാമ്രാജ്യദപൂജനാഭ്യാം നമോ നമഃ ശ്രീഗുരുപാദുകാഭ്യാമ് ॥
EnglishRoman transliterationanantasaṃsārasamudratāranaukāyitābhyāṃ gurubhaktidābhyām | vairāgyasāmrājyadapūjanābhyāṃ namo namaḥ śrīgurupādukābhyām ||
“Salutations again and again to the holy sandals of the Guru, which serve as a boat for crossing the endless ocean of worldly existence and which grant devotion to the Guru. Worship of them bestows the kingdom of dispassion.”
अनन्तसंसारसमुद्रतारनौकायिताभ्यां
anantasaṃsārasamudratāranaukāyitābhyāṃ — which are a boat for crossing the endless ocean of worldly life
गुरुभक्तिदाभ्याम्
gurubhaktidābhyām — which grant devotion to the Guru
वैराग्यसाम्राज्यदपूजनाभ्यां
vairāgyasāmrājyadapūjanābhyāṃ — whose worship gives the kingdom of dispassion
नमो
namo — salutation
नमः
namaḥ — salutation
श्रीगुरुपादुकाभ्याम्
śrīgurupādukābhyām — to the two holy sandals of the Guru

Guru Paduka Stotram lyrics in full

The nine verses in the order chanted today, each closing on the same salutation.

All 9 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Guru Paduka Stotram PDFAll 9 verses with their meanings, in Sanskrit. Free to print and keep.

Verse 1

अनन्तसंसारसमुद्रतारनौकायिताभ्यां गुरुभक्तिदाभ्याम् ।
वैराग्यसाम्राज्यदपूजनाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which serve as a boat for crossing the endless ocean of worldly existence and which grant devotion to the Guru. Worship of them bestows the kingdom of dispassion.

Verse 2

कवित्ववाराशिनिशाकराभ्यां दौर्भाग्यदावाम्बुदमालिकाभ्याम् ।
दूरीकृतानम्रविपत्तिताभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which are the moon that makes the ocean of poetic gift swell, and a bank of rain clouds over the forest fire of misfortune. They drive away the host of troubles of those who bow to them.

Verse 3

नता ययोः श्रीपतितां समीयुः कदाचिदप्याशु दरिद्रवर्याः ।
मूकाश्च वाचस्पतितां हि ताभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru. The verse says that by bowing to them even the poorest of the poor quickly came to be lords of wealth, and even the mute became masters of speech.

Verse 4

नालीकनीकाशपदाहृताभ्यां नानाविमोहादिनिवारिकाभ्याम् ।
नमज्जनाभीष्टततिप्रदाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which are worn on feet like lotuses and which ward off delusion in its many forms. They grant the many wishes of the people who bow to them.

Verse 5

नृपालिमौलिव्रजरत्नकान्तिसरिद्विराजज्झषकन्यकाभ्याम् ।
नृपत्वदाभ्यां नतलोकपङ्क्तेः नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which shine like little fish gleaming in a river formed by the light of the jewels on the crowns of rows of kings. They grant sovereignty to the throngs of people who bow to them.

Verse 6

पापान्धकारार्कपरम्पराभ्यां तापत्रयाहीन्द्रखगेश्वराभ्याम् ।
जाड्याब्धिसंशोषणवाडवाभ्याम् नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which are a line of suns against the darkness of sin, and Garuda, king of birds, against the serpent of the three kinds of suffering. They are the undersea fire that dries up the ocean of dullness.

Verse 7

शमादिषट्कप्रदवैभवाभ्यां समाधिदानव्रतदीक्षिताभ्याम् ।
रमाधवाङ्घ्रिस्थिरभक्तिदाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, whose splendour bestows the six virtues beginning with inner calm, and which are pledged to the gift of samadhi. They grant steady devotion to the feet of Vishnu, the lord of Lakshmi.

Verse 8

स्वार्चापराणामखिलेष्टदाभ्यां स्वाहासहायाक्षधुरन्धराभ्याम् ।
स्वान्ताच्छभावप्रदपूजनाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which grant every wish to those devoted to worshipping them, and which are foremost in upholding Shiva, whose eye is fire. Worship of them gives a pure state of the inner mind.

Verse 9

कामादिसर्पव्रजगारुडाभ्यां विवेकवैराग्यनिधिप्रदाभ्याम् ।
बोधप्रदाभ्यां द्रुतमोक्षदाभ्यां नमो नमः श्रीगुरुपादुकाभ्याम् ॥

Salutations again and again to the holy sandals of the Guru, which are Garuda to the swarm of serpents such as desire, and which bestow the treasure of discernment and dispassion. They give awakening and swift liberation.

The syllable people get wrong

In the refrain word pādukābhyām (पादुकाभ्याम्) the first two a's are long and the u is short, so it is 'paa-du-kaa-bhyaam', not 'pa-DOO-ka'; the bh is a breathy b, and the ending is one syllable, 'bhyaam', not 'bee-yam'.

When the Guru Paduka Stotram is chanted

Festival. Guru Purnima paduka puja

Questions

It is widely sung as a composition of Adi Shankaracharya, and many printed collections carry his name. The oldest known printing, the 1913 Bhakti Sudha Tarangini from the Sri Vani Vilas Press, gives it instead to Sachchidananda Shivabhinava Nrisimha Bharati, the Sringeri pontiff who died in 1912, in a book of his own hymns. The attribution to Shankara rests on devotional tradition; the 1913 colophon is the earliest written record of an author.
It means 'Salutations, salutations to the two holy sandals of the Guru.' Namo namah repeats the bow for emphasis. Padukabhyam is the dative dual of paduka: dual because sandals come as a pair, dative because the salutation is offered to them. Every epithet in the verses takes the same -abhyam ending, so each line of the hymn is a further description of that one pair of sandals.
In Indian devotional custom the feet of a revered person are the place of humility and refuge, and sandals that have carried those feet stand in for them when the person is absent. The Ramayana gives the classic example, with Bharata ruling Ayodhya in the name of Rama's sandals. Vedanta Desika built a thousand-verse poem, the Paduka Sahasram, on the sandals of Ranganatha at Srirangam; this nine-verse hymn applies the same idea to one's own teacher.
No. The form chanted today opens with ananta samsara, the boat verse, and closes with the verse on Garuda and the serpents of desire. The 1913 Sringeri edition prints the same nine verses in another order, opening with the lotus-feet verse and ending with the verse on worship. It also differs in a few words, for example reading 'the host of troubles' (vipat-tatibhyam) in verse 2 and 'breakers of the serpents' in verse 9.
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