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Home › Mantras › Nritya Ganapathi Mantra
Ganapathi Nritya Ganapathi Mantra: golden four-armed Nritya Ganapathi dancing with noose, goad, broken tusk and modaka
Nritya Ganapathi, as worshipped in our consecrated sanctum
Mantra · The dancing form. For the performing arts.

Nritya Ganapathi Mantra

ॐ नृत्य गणपतये नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Nritya Ganapathi is

Nritya Ganapathi is the dancing manifestation of Ganesha, described in the Silparatna and in the dhyana verses that catalogue the thirty-two classic forms. The figure is golden, four-armed, and caught in an arrested dance pose beneath the wish-granting tree. One hand holds a noose, another a goad, the third an axe or broken tusk, while the fourth carries a cake or rests in a gesture that keeps time. The left leg is usually bent and raised, the trunk curved in rhythmic sympathy with the limbs. This is the form under which the performing arts themselves are held to stand. Temple walls at Chidambaram and certain Hoysala sites preserve the dancing Ganesha in stone, confirming that the literary image was long translated into living sculpture.

Dance beneath the kalpavriksha

The Silparatna and related iconographic digests place Nritya Ganapathi under the kalpavriksha, the tree that grants whatever is formed in the mind. In that setting the deity does not dance for spectacle; the movement itself is the stilling of every obstructing rhythm so that art may arise unimpeded. The Mudgala Purana does not devote a separate chapter to this murti, yet the dhyana verses of the thirty-two forms, compiled in the Sritattvanidhi, include the golden dancer with the raised foot and the axe. Sculptors are instructed to show the jewellery and the sacred thread swinging as if caught mid-motion, so that even the stone appears to keep time. No other Ganesha icon is defined by the arrested karana of dance in quite this way.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ नृत्य गणपतये नमः
Tamilௐ ந்ருத்ய கணபதயே நமஃ
Teluguఓం నృత్య గణపతయే నమః
Kannadaಓಂ ನೃತ್ಯ ಗಣಪತಯೇ ನಮಃ
Malayalamഓം നൃത്യ ഗണപതയേ നമഃ
EnglishRoman transliterationoṃ nṛtya gaṇapataye namaḥ
“Salutation to the Dancing Ganapati.”
ॐ
oṃ — the primal syllable
नृत्य
nṛtya — dance
गणपतये
gaṇapataye — to the lord of the ganas
नमः
namaḥ — salutation

More Nritya Ganapathi mantras

Nritya Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiपाशाङ्कुशापूपकुठारदन्तचञ्चत्कराक्लुप्तवराङ्गुलीकम् । पीतप्रभं कल्पतरोरधस्थं भजामि नृत्तोपपदं गणेशम् ॥
Tamilபாஶாங்குஶாபூபகுடாரதந்தசஞ்சத்கராக்லுப்தவராங்குலீகம் । பீதப்ரபம் கல்பதரோரதஸ்தம் பஜாமி ந்ருத்தோபபதம் கணேஶம் ॥
Teluguపాశాఙ్కుశాపూపకుఠారదన్తచఞ్చత్కరాక్లుప్తవరాఙ్గులీకమ్ । పీతప్రభం కల్పతరోరధస్థం భజామి నృత్తోపపదం గణేశమ్ ॥
Kannadaಪಾಶಾಙ್ಕುಶಾಪೂಪಕುಠಾರದನ್ತಚಞ್ಚತ್ಕರಾಕ್ಲುಪ್ತವರಾಙ್ಗುಲೀಕಮ್ । ಪೀತಪ್ರಭಂ ಕಲ್ಪತರೋರಧಸ್ಥಂ ಭಜಾಮಿ ನೃತ್ತೋಪಪದಂ ಗಣೇಶಮ್ ॥
Malayalamപാശാങ്കുശാപൂപകുഠാരദന്തചഞ്ചത്കരാക്ലുപ്തവരാങ്ഗുലീകമ് । പീതപ്രഭം കല്പതരോരധസ്ഥം ഭജാമി നൃത്തോപപദം ഗണേശമ് ॥
EnglishRoman transliterationpāśāṅkuśāpūpakuṭhāradantacañcatkarākluptavarāṅgulīkam | pītaprabhaṃ kalpataroradhasthaṃ bhajāmi nṛttopapadaṃ gaṇeśam ||
“I worship the Gaṇeśa whose name is prefixed by Nṛtta ("dance"), golden-yellow in radiance, standing beneath the wish-fulfilling tree, his moving hands holding the noose, goad, a sweet cake, a hatchet and his tusk, and fine rings set on his fingers.”
पाशाङ्कुशापूपकुठारदन्तचञ्चत्कर
pāśāṅkuśāpūpakuṭhāradantacañcatkara — whose moving hands hold noose, goad, sweet cake, hatchet and tusk
आक्लुप्तवराङ्गुलीकम्
ākluptavarāṅgulīkam — with fine rings set on his fingers (aṅgulīka = aṅgulīyaka, finger-ring)
पीतप्रभं
pītaprabhaṃ — golden-yellow in radiance
कल्पतरोः
kalpataroḥ — of the wish-fulfilling tree
अधस्थं
adhasthaṃ — standing beneath
भजामि
bhajāmi — I worship
नृत्तोपपदं
nṛttopapadaṃ — whose name is prefixed by Nṛtta ("dance")
गणेशम्
gaṇeśam — Gaṇeśa

Source: Śrītattvanidhi (which attributes it to the Mudgala Purāṇa), dhyāna of Nritya Ganapathi, no. 15 of the 32 forms

The syllable people get wrong

The opening nṛ in Nritya contains the vocalic ṛ, a single syllabic liquid. It is almost always replaced by the two-sound sequence ri, producing Nri-tya. The correct form keeps the tongue tip curled for a brief vocalic beat with no intervening i-vowel before the tya.

When Nritya Ganapathi is chanted

Weekday. Tuesday

Questions

The Silparatna and related dhyana texts seat the dancing form under the wish-granting tree to indicate that the arts themselves arise once every obstructing rhythm has been stilled by the dance.
Four. The standard iconographic verse assigns the noose, goad, axe or tusk, and the sweet cake or time-keeping gesture to the four hands.
Sculptural manuals require one leg bent and lifted in an arrested dance unit, though they do not name a single Natya-shastra karana exclusively; the pose must simply read as mid-movement.
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