Today Fri 9 Oct TithiChaturdashi NakshatraUttara Phalguni PlaceAshburnUse my location Full Panchang & horoscope →

Rituals

All HomasAradhanaNadi AstrologyMantra Guides

Astrology

All Free ToolsVedic AstrologyToday's PanchangFree KundliDaily Horoscope

More

BlogAsk NirnayaContact

Your account

Sign inCart
Home › Mantras › Sankatahara Ganapathi Mantra
Sankata Hara Ganesha Sankatahara Ganapathi Mantra: four-armed Lord Sankatahara Ganapathi beneath a crescent moon
Sankatahara Ganapathi, as worshipped in our consecrated sanctum
Mantra · For a difficulty already underway. Chanted on Sankashti Chaturthi.

Sankatahara Ganapathi Mantra

ॐ संकटहरगणपतये नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Sankatahara Ganapathi is

Sankatahara Ganapathi is the aspect whose very name states that he takes away sankata, the acute difficulty already present and closing in. He is not the deity of vague beginnings but of circumstances that have become concrete and heavy. The form is bound to the monthly observance of Sankashti Chaturthi, the fourth day of the dark fortnight, when the still-visible moon governs the night’s worship. Iconographic notes attached to this name describe a composed yet unyielding expression, the noose held in readiness to draw the entangled free. Regional paddhatis in Maharashtra, Tamil Nadu and coastal Andhra preserve short mantras that incorporate the compound sankatahara or sankatanashana, used in household settings where a particular hardship has already been named and on the evening of the vow-day after the moon is sighted.

Narada and the Sankata Stotra

The Narada Purana and the stotra anthologies that draw from it preserve the Sankata Nashana Ganesha Stotra, in which Narada is the speaker. The stotra runs to eight verses, names twelve names of the deity and closes with verses that describe the loosening of distress. Independent of that longer hymn, shorter mantras built on the compound sankatahara arose inside the monthly rite of Sankashti Chaturthi. On that day the worshipper fasts until the moon appears, then offers the address to the deity whose title matches the difficulty already under way. The tradition therefore ties Sankatahara Ganapathi to a calendrical rhythm and to the acknowledgment that a concrete hardship is present, setting this form apart from the preventive remembrance that belongs to the root mantra and from the scholarly focus that belongs to Vidya Ganapati. The name and the observance remain inseparable in the household manuals of the regions that keep the vow.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ संकटहरगणपतये नमः
Tamilௐ ஸம்கடஹரகணபதயே நமஃ
Teluguఓం సంకటహరగణపతయే నమః
Kannadaಓಂ ಸಂಕಟಹರಗಣಪತಯೇ ನಮಃ
Malayalamഓം സംകടഹരഗണപതയേ നമഃ
EnglishRoman transliterationoṃ saṃkaṭaharagaṇapataye namaḥ
“Om. To Gaṇapati who takes away sankata, salutation.”
ॐ
oṃ — the primal sound
संकटहरगणपतये
saṃkaṭaharagaṇapataye — to Gaṇapati who takes away difficulty
नमः
namaḥ — salutation

More Sankatahara Ganapathi mantras

Sankatahara Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiबालार्कारुणकान्तिर्वामे बालां वहन्नङ्के लसदिन्दीवरहस्तां गौराङ्गीं रत्नशोभाढ्याम् । दक्षेऽङ्कुशवरदानं वामे पाशं च पायसं पात्रं नीलांशुकलसमानः पीठे पद्मारुणे तिष्ठन् । सङ्कटहरणः पायात् सङ्कटपूगाद्गजाननो नित्यम् ॥
Tamilபாலார்காருணகாந்திர்வாமே பாலாம் வஹந்நங்கே லஸதிந்தீவரஹஸ்தாம் கௌராங்கீம் ரத்நஶோபாட்யாம் । தக்ஷேங்குஶவரதாநம் வாமே பாஶம் ச பாயஸம் பாத்ரம் நீலாம்ஶுகலஸமாநஃ பீடே பத்மாருணே திஷ்டந் । ஸங்கடஹரணஃ பாயாத் ஸங்கடபூகாத்கஜாநநோ நித்யம் ॥
Teluguబాలార్కారుణకాన్తిర్వామే బాలాం వహన్నఙ్కే లసదిన్దీవరహస్తాం గౌరాఙ్గీం రత్నశోభాఢ్యామ్ । దక్షేఽఙ్కుశవరదానం వామే పాశం చ పాయసం పాత్రం నీలాంశుకలసమానః పీఠే పద్మారుణే తిష్ఠన్ । సఙ్కటహరణః పాయాత్ సఙ్కటపూగాద్గజాననో నిత్యమ్ ॥
Kannadaಬಾಲಾರ್ಕಾರುಣಕಾನ್ತಿರ್ವಾಮೇ ಬಾಲಾಂ ವಹನ್ನಙ್ಕೇ ಲಸದಿನ್ದೀವರಹಸ್ತಾಂ ಗೌರಾಙ್ಗೀಂ ರತ್ನಶೋಭಾಢ್ಯಾಮ್ । ದಕ್ಷೇಽಙ್ಕುಶವರದಾನಂ ವಾಮೇ ಪಾಶಂ ಚ ಪಾಯಸಂ ಪಾತ್ರಂ ನೀಲಾಂಶುಕಲಸಮಾನಃ ಪೀಠೇ ಪದ್ಮಾರುಣೇ ತಿಷ್ಠನ್ । ಸಙ್ಕಟಹರಣಃ ಪಾಯಾತ್ ಸಙ್ಕಟಪೂಗಾದ್ಗಜಾನನೋ ನಿತ್ಯಮ್ ॥
Malayalamബാലാര്കാരുണകാന്തിര്വാമേ ബാലാം വഹന്നങ്കേ ലസദിന്ദീവരഹസ്താം ഗൌരാങ്ഗീം രത്നശോഭാഢ്യാമ് । ദക്ഷേഽങ്കുശവരദാനം വാമേ പാശം ച പായസം പാത്രം നീലാംശുകലസമാനഃ പീഠേ പദ്മാരുണേ തിഷ്ഠന് । സങ്കടഹരണഃ പായാത് സങ്കടപൂഗാദ്ഗജാനനോ നിത്യമ് ॥
EnglishRoman transliterationbālārkāruṇakāntirvāme bālāṃ vahannaṅke lasadindīvarahastāṃ gaurāṅgīṃ ratnaśobhāḍhyām | dakṣe'ṅkuśavaradānaṃ vāme pāśaṃ ca pāyasaṃ pātraṃ nīlāṃśukalasamānaḥ pīṭhe padmāruṇe tiṣṭhan | saṅkaṭaharaṇaḥ pāyāt saṅkaṭapūgādgajānano nityam ||
“Red-radiant like the rising sun, bearing on his left lap the young goddess, fair-limbed and rich with jewels, a shining blue lotus in her hand; holding the goad and showing the boon-giving gesture on the right, the noose and a bowl of pāyasa on the left; resplendent in blue garments and seated on a seat red as a lotus: may the elephant-faced Remover of Distress always protect us from the mass of troubles.”
बालार्कारुणकान्तिः
bālārkāruṇakāntiḥ — with the red radiance of the rising sun
वामे
vāme — on the left
बालां
bālāṃ — the young goddess
वहन्
vahan — bearing
अङ्के
aṅke — on his lap
लसदिन्दीवरहस्तां
lasadindīvarahastāṃ — with a shining blue lotus in her hand
गौराङ्गीं
gaurāṅgīṃ — fair-limbed
रत्नशोभाढ्याम्
ratnaśobhāḍhyām — rich in the splendour of jewels
दक्षे
dakṣe — on the right
अङ्कुशवरदानं
aṅkuśavaradānaṃ — the goad and the boon-giving gesture
वामे
vāme — on the left
पाशं
pāśaṃ — the noose
च
ca — and
पायसं
pāyasaṃ — pāyasa (sweet milk-rice)
पात्रं
pātraṃ — a bowl (of)
नीलांशुकलसमानः
nīlāṃśukalasamānaḥ — resplendent in blue garments
पीठे
pīṭhe — on a seat
पद्मारुणे
padmāruṇe — red as a lotus
तिष्ठन्
tiṣṭhan — abiding, seated
सङ्कटहरणः
saṅkaṭaharaṇaḥ — the Remover of Distress
पायात्
pāyāt — may he protect
सङ्कटपूगात्
saṅkaṭapūgāt — from the mass of troubles
गजाननो
gajānano — the elephant-faced
नित्यम्
nityam — always

Source: Śrītattvanidhi (which attributes it to the Mudgala Purāṇa), dhyāna of Sankatahara Ganapathi, no. 32 of the 32 forms

The syllable people get wrong

The ṭa in saṃkaṭa is a retroflex stop produced with the tongue tip curled back to the domed palate. It is routinely replaced by a dental 't' as in English 'cat', yielding 'sankata' instead of 'saṃkaṭa'. At the same time the anusvāra before ka is often dropped or sounded as a dental 'n'. Before a velar it must be the velar nasal ṅ, the 'ng' of 'sing', so the word is said saṅkaṭa. Both slips appear together when the word is read from Roman or from scripts that do not mark retroflexion clearly, flattening the name’s central consonant.

When Sankatahara Ganapathi is chanted

Weekday. Tuesday

Festival. Saṅkaṣṭi Caturthī

Questions

Sankashti Chaturthi is the fourth lunar day of every waning fortnight. The ritual manuals that prescribe the vow state that the moon must be sighted before the final offering, and that the deity addressed on that night is Ganapathi under the name Sankatahara. The timing is not arbitrary: the dark fortnight is traditionally associated with the pressure of unfinished difficulties, and the name of the form matches that pressure. Other Chaturthis, such as Vinayaka Chaturthi in the bright fortnight of Bhadrapada, carry different emphases and do not require the same epithet.
The Sankata Nashana Stotra, framed as Narada’s instruction in the Narada Purana, is a hymn of eight verses that names twelve names of the deity and closes with its phala-shruti. The short mantra oṃ saṃkaṭaharagaṇapataye namaḥ is not a condensation of those twelve names; it is an independent liturgical unit that isolates the single compound sankatahara and joins it to the dative of Ganapati. Household practice on Sankashti Chaturthi may employ either the full stotra, the short mantra, or both in sequence. The two share the same epithet and the same monthly occasion, yet they remain distinct compositions.
Yes. Sankatahara Ganapathi is the thirty-second of the thirty-two forms, whose dhyana verses are collected in the Sritattvanidhi, the nineteenth-century Mysore compendium popularly credited to the Mudgala Purana. He is red like the rising sun and four-armed, with his consort seated on his left lap holding a blue lotus. His hands hold the goad, the noose and a pot of payasam, and one shows the boon-giving gesture. The same name is also the focus of the monthly Sankashti vow, so the title serves both as one of the thirty-two forms and as the deity of that observance.
Not sure a mantra is enough?

Have your chart read before you decide

Chanting is yours to do, and free. But which deity your situation calls for — and whether a mantra alone is the right response — depends on your chart. Sometimes it is; sometimes it is not.

Brahmashree Shivaaya
Chief Operating Officer & Head of Astrological & Spiritual Solutions
  • Over 30 years in the Guru–Sishya Parampara, from the age of five
  • He reads every chart himself — 60 minutes, one to one, never delegated
  • Charts are read only between sunrise and sunset, following tradition
Book a consultation Ask Nirnaya — free
+91 96295 55442 WhatsApp us support@astrobhava.com We’re open now · Mon–Sat, 9:30–18:00 IST (0:00–8:30 EDT your time)
Continue

Related

Chanting is yours to do. Some things are performed for you.

Where a matter carries real weight, devotees sponsor the homa alongside their own practice. Performed for you and any family members you name, at our Yagna Ashram, in your name and gotra, on a muhurta calculated from your chart, and telecast live so you can watch it done for you.

Nirnaya

AstroBhava’s automated guide

Nirnaya is AstroBhava’s automated guide. What you tell it — including birth details — is kept to recommend rites and is reviewed by our team to improve it. It does not predict. Conversations are anonymised 12 months after your last message; you can delete them sooner from your account. Privacy policy

Speak to someone at the ashram

Message the ashram on WhatsApp or by email. We answer Mon–Sat, 9:30–18:00 IST (0:00–8:30 EDT your time).

Message on WhatsAppsupport@astrobhava.com

WhatsApp opens in a new tab; nothing is sent from this page.