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Home › Mantras › Simha Ganapathi Mantra
Ganapathi Simha Ganapathi Mantra: white lion-faced eight-armed Simha Ganapathi playing veena with lotus and jewel pot
Simha Ganapathi, as worshipped in our consecrated sanctum
Mantra · The lion-mounted form. For fearlessness.

Simha Ganapathi Mantra

ॐ सिंहगणपतये नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Simha Ganapathi is

Simha Ganapathi is the lion-mounted form of Ganesha counted among the thirty-two meditative images of the Mudgala Purana. Unlike forms that retain the mouse as vehicle, he sits astride a white lion whose mane is said to blaze with the same brilliance as the deity's own eight arms. The lion is not merely a mount but an extension of the deity's composed strength, its presence understood in the tradition as the settled power that faces what once alarmed. Simha Ganapathi is portrayed with a fair complexion and carries in his right hands the vina, the wish-granting creeper and a discus, with the fourth in the boon-giving gesture, and in his left hands a lotus, a pot of jewels and a spray of flowers, with the fourth raised in abhaya. The combination of musical instrument and discus marks him as the form in whom aesthetic grace and martial readiness coexist. Sculptures of this aspect appear most often in temples where the lion motif already holds local significance, allowing the icon to absorb regional leonine symbolism into the Ganesha cult.

The Lion-Faced Form

Simha Ganapathi is one of the thirty-two meditative forms of Ganesha whose dhyana verses are collected in the Sritattvanidhi, the nineteenth-century Mysore compendium popularly credited to the Mudgala Purana. The dhyana is a description for meditation rather than a narrative, and no Puranic episode of his appearance is attested. It calls him mṛgendra-vadana, lion-faced, and gives him eight arms. In the right hands he holds the vina, the wish-granting creeper and the discus, and shows the boon-giving gesture; in the left he holds a lotus, a pot of jewels and a spray of flowers, and shows abhaya, the gesture that removes fear. Many modern accounts describe the lion as his mount rather than his face. The vina held beside the discus joins grace with readiness to protect, and the abhaya hand together with the lion gives the form its association with fearlessness.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ सिंहगणपतये नमः
Tamilௐ ஸிம்ஹகணபதயே நமஃ
Teluguఓం సింహగణపతయే నమః
Kannadaಓಂ ಸಿಂಹಗಣಪತಯೇ ನಮಃ
Malayalamഓം സിംഹഗണപതയേ നമഃ
EnglishRoman transliterationoṃ siṃhagaṇapataye namaḥ
“Om. Salutation to Simha Ganapati.”
ॐ
oṃ — the sacred syllable
सिंहगणपतये
siṃhagaṇapataye — to Simha Ganapati, the lion-form lord of hosts
नमः
namaḥ — salutation

More Simha Ganapathi mantras

Simha Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiवीणां कल्पलतामरिं च वरदं दक्षे विधत्ते करै- -र्वामे तामरसं च रत्नकलशं सन्मञ्जरीं चाभयम् । शुण्डादण्डलसन्मृगेन्द्रवदनः शङ्खेन्दुगौरः शुभो दीव्यद्रत्ननिभांशुको गणपतिः पायादपायत् स नः ॥
Tamilவீணாம் கல்பலதாமரிம் ச வரதம் தக்ஷே விதத்தே கரை- -ர்வாமே தாமரஸம் ச ரத்நகலஶம் ஸந்மஞ்ஜரீம் சாபயம் । ஶுண்டாதண்டலஸந்ம்ருகேந்த்ரவதநஃ ஶங்கேந்துகௌரஃ ஶுபோ தீவ்யத்ரத்நநிபாம்ஶுகோ கணபதிஃ பாயாதபாயத் ஸ நஃ ॥
Teluguవీణాం కల్పలతామరిం చ వరదం దక్షే విధత్తే కరై- -ర్వామే తామరసం చ రత్నకలశం సన్మఞ్జరీం చాభయమ్ । శుణ్డాదణ్డలసన్మృగేన్ద్రవదనః శఙ్ఖేన్దుగౌరః శుభో దీవ్యద్రత్ననిభాంశుకో గణపతిః పాయాదపాయత్ స నః ॥
Kannadaವೀಣಾಂ ಕಲ್ಪಲತಾಮರಿಂ ಚ ವರದಂ ದಕ್ಷೇ ವಿಧತ್ತೇ ಕರೈ- -ರ್ವಾಮೇ ತಾಮರಸಂ ಚ ರತ್ನಕಲಶಂ ಸನ್ಮಞ್ಜರೀಂ ಚಾಭಯಮ್ । ಶುಣ್ಡಾದಣ್ಡಲಸನ್ಮೃಗೇನ್ದ್ರವದನಃ ಶಙ್ಖೇನ್ದುಗೌರಃ ಶುಭೋ ದೀವ್ಯದ್ರತ್ನನಿಭಾಂಶುಕೋ ಗಣಪತಿಃ ಪಾಯಾದಪಾಯತ್ ಸ ನಃ ॥
Malayalamവീണാം കല്പലതാമരിം ച വരദം ദക്ഷേ വിധത്തേ കരൈ- -ര്വാമേ താമരസം ച രത്നകലശം സന്മഞ്ജരീം ചാഭയമ് । ശുണ്ഡാദണ്ഡലസന്മൃഗേന്ദ്രവദനഃ ശങ്ഖേന്ദുഗൌരഃ ശുഭോ ദീവ്യദ്രത്നനിഭാംശുകോ ഗണപതിഃ പായാദപായത് സ നഃ ॥
EnglishRoman transliterationvīṇāṃ kalpalatāmariṃ ca varadaṃ dakṣe vidhatte karai- -rvāme tāmarasaṃ ca ratnakalaśaṃ sanmañjarīṃ cābhayam | śuṇḍādaṇḍalasanmṛgendravadanaḥ śaṅkhendugauraḥ śubho dīvyadratnanibhāṃśuko gaṇapatiḥ pāyādapāyat sa naḥ ||
“He holds in his right hands the vīṇā, the wish-fulfilling creeper, the discus and the boon-giving gesture, and in his left the lotus, a jewelled pot, a fine flower-spray and the gesture of fearlessness; lion-faced with a shining trunk, white as conch and moon, auspicious, clad in garments glowing like gems: may that Gaṇapati protect us from harm.”
वीणां
vīṇāṃ — the vīṇā
कल्पलताम्
kalpalatām — the wish-fulfilling creeper
अरिं
ariṃ — the discus (ari)
च
ca — and
वरदं
varadaṃ — the boon-giving gesture
दक्षे
dakṣe — on the right
विधत्ते
vidhatte — holds
करैर्
karair — in his hands
वामे
vāme — on the left
तामरसं
tāmarasaṃ — the lotus
च
ca — and
रत्नकलशं
ratnakalaśaṃ — a jewelled pot
सन्मञ्जरीं
sanmañjarīṃ — a fine flower-spray
च
ca — and
अभयम्
abhayam — the gesture of fearlessness
शुण्डादण्डलसन्मृगेन्द्रवदनः
śuṇḍādaṇḍalasanmṛgendravadanaḥ — lion-faced, with a shining staff-like trunk
शङ्खेन्दुगौरः
śaṅkhendugauraḥ — white as conch and moon
शुभो
śubho — auspicious
दीव्यद्रत्ननिभांशुको
dīvyadratnanibhāṃśuko — clad in garments glowing like gems
गणपतिः
gaṇapatiḥ — Gaṇapati
पायाद्
pāyād — may he protect
अपायत्
apāyat — from harm
स
sa — he
नः
naḥ — us

Source: Dhyāna śloka of this form in the Śrītattvanidhi's thirty-two Gaṇapati forms (no. 29 in the traditional list). One printing has विदत्ते; the others read विधत्ते (‘holds’), which is given. All sources read पायादपायत्; grammar would expect the ablative अपायात् (‘from harm’), but the received reading is kept unaltered.

The syllable people get wrong

The conjunct in siṃha is the syllable most often misheard. Speakers insert a full labial m and then a separate h, saying sim-ha, whereas the anusvāra should nasalize the preceding i and flow directly into the h, yielding a single continuous siṃha. When the nasal is omitted entirely the name collapses to siha, losing the leonine resonance the tradition attaches to that sound.

When Simha Ganapathi is chanted

Weekday. Tuesday

Questions

The dhyana verse in the Sritattvanidhi calls him mṛgendra-vadana, lion-faced; many modern accounts instead make the lion his mount. Either way the lion stands for strength held steady, which is why the form is approached for fearlessness.
Alongside the discus he carries a vina, the wish-granting creeper, a lotus, a pot of jewels and a spray of flowers, with one hand giving boons and one raised in abhaya. The vina held beside the discus joins aesthetic grace with readiness to protect.
The dhyana verse does not describe a separate lion. It calls the deity himself mṛgendra-vadana, lion-faced; the lion as a mount comes from later accounts.
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