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Home › Mantras › Tryakshara Ganapathi Mantra
Ganapathi Tryakshara Ganapathi Mantra: three-eyed golden Tryakshara Ganapathi with noose, goad, mango, tusk and modaka
Tryakshara Ganapathi, as worshipped in our consecrated sanctum
Mantra · The form named for the three letters of Oṃ.

Tryakshara Ganapathi Mantra

ॐ गं नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Tryakshara Ganapathi is

Tryakshara Ganapathi is the form of Ganesha named for the three letters a, u and m that together make up the sacred syllable Oṃ. He is counted among the thirty-two forms whose dhyana verses are traditionally linked to the Mudgala Purana. The dhyana describes him as golden in colour, with four arms: the right hand holds his own tusk and the left a mango, the other two carry the noose and the goad, and the tip of his trunk holds a modaka. His large ears move to and fro and are adorned with chāmaras, the fly-whisks of royal honour. The name Tryakshara does not describe a general quality of the elephant-headed lord; it identifies him with the praṇava itself, so that the god and the syllable Oṃ are contemplated as one.

The Three Letters of Oṃ

No separate legend is attached to Tryakshara Ganapathi. Like most of the thirty-two forms, he is known through his dhyana verse and through the image set out in the nineteenth-century Kannada digest Śrītattvanidhi, which describes the forms for worship rather than telling their stories. His meaning lies in the name. Tryakshara means ‘of three letters’, and the three letters are a, u and m, which together make the syllable Oṃ. To contemplate this form is to see Ganapati as the praṇava, the sound with which every mantra begins. The details of the dhyana are kept in view while chanting: the golden body, the tusk and the mango in two of the hands, the noose and the goad in the other two, and the modaka held at the tip of the trunk.

The mantra, in six scripts

The seed mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ गं नमः
Tamilௐ கம் நமஃ
Teluguఓం గం నమః
Kannadaಓಂ ಗಂ ನಮಃ
Malayalamഓം ഗം നമഃ
EnglishRoman transliterationoṃ gaṃ namaḥ
“Om. Salutation to the seed-syllable Gam.”
ॐ
oṃ — the praṇava
गं
gaṃ — Ganapati’s seed-syllable
नमः
namaḥ — salutation

More Tryakshara Ganapathi mantras

Tryakshara Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiगजेन्द्रवदनं साक्षाच्चलत्कर्णसुचामरम् । हेमवर्णं चतुर्बाहुं पाशाङ्कुशधरं वरम् । स्वदन्तं दक्षिणे हस्ते सव्ये त्वाम्रफलं तथा । पुष्करैर्मोदकं चैव धारयन्तमनुस्मरेत् ॥
Tamilகஜேந்த்ரவதநம் ஸாக்ஷாச்சலத்கர்ணஸுசாமரம் । ஹேமவர்ணம் சதுர்பாஹும் பாஶாங்குஶதரம் வரம் । ஸ்வதந்தம் தக்ஷிணே ஹஸ்தே ஸவ்யே த்வாம்ரபலம் ததா । புஷ்கரைர்மோதகம் சைவ தாரயந்தமநுஸ்மரேத் ॥
Teluguగజేన్ద్రవదనం సాక్షాచ్చలత్కర్ణసుచామరమ్ । హేమవర్ణం చతుర్బాహుం పాశాఙ్కుశధరం వరమ్ । స్వదన్తం దక్షిణే హస్తే సవ్యే త్వామ్రఫలం తథా । పుష్కరైర్మోదకం చైవ ధారయన్తమనుస్మరేత్ ॥
Kannadaಗಜೇನ್ದ್ರವದನಂ ಸಾಕ್ಷಾಚ್ಚಲತ್ಕರ್ಣಸುಚಾಮರಮ್ । ಹೇಮವರ್ಣಂ ಚತುರ್ಬಾಹುಂ ಪಾಶಾಙ್ಕುಶಧರಂ ವರಮ್ । ಸ್ವದನ್ತಂ ದಕ್ಷಿಣೇ ಹಸ್ತೇ ಸವ್ಯೇ ತ್ವಾಮ್ರಫಲಂ ತಥಾ । ಪುಷ್ಕರೈರ್ಮೋದಕಂ ಚೈವ ಧಾರಯನ್ತಮನುಸ್ಮರೇತ್ ॥
Malayalamഗജേന്ദ്രവദനം സാക്ഷാച്ചലത്കര്ണസുചാമരമ് । ഹേമവര്ണം ചതുര്ബാഹും പാശാങ്കുശധരം വരമ് । സ്വദന്തം ദക്ഷിണേ ഹസ്തേ സവ്യേ ത്വാമ്രഫലം തഥാ । പുഷ്കരൈര്മോദകം ചൈവ ധാരയന്തമനുസ്മരേത് ॥
EnglishRoman transliterationgajendravadanaṃ sākṣāccalatkarṇasucāmaram | hemavarṇaṃ caturbāhuṃ pāśāṅkuśadharaṃ varam | svadantaṃ dakṣiṇe haste savye tvāmraphalaṃ tathā | puṣkarairmodakaṃ caiva dhārayantamanusmaret ||
“One should meditate on the excellent one with the face of a lordly elephant, his moving ears like fine fly-whisks, golden in colour, four-armed, holding the noose and goad; holding his own tusk in the right hand and a mango in the left, and a modaka with the tip of his trunk.”
गजेन्द्रवदनं
gajendravadanaṃ — with the face of a lordly elephant
साक्षाच्
sākṣāc — verily
चलत्कर्णसुचामरम्
calatkarṇasucāmaram — whose moving ears are like fine fly-whisks
हेमवर्णं
hemavarṇaṃ — golden in colour
चतुर्बाहुं
caturbāhuṃ — four-armed
पाशाङ्कुशधरं
pāśāṅkuśadharaṃ — holding the noose and the goad
वरम्
varam — the excellent one
स्वदन्तं
svadantaṃ — his own tusk
दक्षिणे
dakṣiṇe — in the right
हस्ते
haste — hand
सव्ये
savye — in the left
तु
tu — and
आम्रफलं
āmraphalaṃ — a mango
तथा
tathā — likewise
पुष्करैर्
puṣkarair — with the tip of the trunk
मोदकं
modakaṃ — a modaka (sweet)
च
ca — and
एव
eva — also
धारयन्तम्
dhārayantam — holding
अनुस्मरेत्
anusmaret — one should meditate on

Source: Dhyāna śloka of this form in the Śrītattvanidhi's thirty-two Gaṇapati forms (no. 19 in the Stotranidhi list). Stotranidhi prints आम्रपलं, a misprint; Drik Panchang and Hindupedia read आम्रफलं (mango), which is given.

The syllable people get wrong

The anusvāra that closes gaṃ is the syllable’s own difficulty. Many speakers turn it into a hard final n, producing ‘gan’, or lengthen the vowel into ‘gaam’. The traditional close is a light nasal hum that dissolves against the soft palate without any full dental or retroflex stop, leaving the seed weightless yet complete.

When Tryakshara Ganapathi is chanted

Weekday. Tuesday

Questions

The name Tryakshara means ‘of three letters’. It refers to the three letters a, u and m that make up the syllable Oṃ, so this form is Ganapati contemplated as the praṇava itself. The mantra on this page, oṃ gaṃ namaḥ, is the general salutation to Ganapati with his seed-syllable gaṃ; the name of the form does not come from it.
The dhyana gives him a golden body and four arms. His own tusk is in the right hand and a mango in the left, the noose and the goad are in the other two, and a modaka is held at the tip of the trunk. His ears are adorned with chāmaras, the fly-whisks of royal honour.
Yes. He is one of the thirty-two forms described in the nineteenth-century Kannada digest Śrītattvanidhi, which sets out the image of each form for worship. It gives him the same golden, four-armed figure found in the dhyana verse.
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