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Home › Mantras › Uma Maheshwara Stotram
Uma Maheshwari Uma Maheshwara Stotram: Shiva and Parvati seated together on Kailasa with the bull Nandi, worshipped by Brahma, Vishnu and Indra
On Kailasa, Brahma, Vishnu and Indra worship Shiva and Parvati seated together, Nandi before them
Mantra · Twelve salutations to Shiva and Parvati, praised as one pair

Uma Maheshwara Stotram

नमः शिवाभ्यां नवयौवनाभ्यां परस्पराश्लिष्टवपुर्धराभ्याम् । नगेन्द्रकन्यावृषकेतनाभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Also known as Namah Shivabhyam Navayauvanabhyam

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Uma Maheshwari HomamThe Uma Maheshwari Homam, performed for youBook →

What the Uma Maheshwara Stotram is

The Uma Maheshwara Stotram is a Sanskrit hymn that salutes Shiva and Parvati together as a single pair, and tradition ascribes it to Adi Shankaracharya; the printed closing line names it a work of Shri Shankaracharya. Its twelve verses share one frame. Each opens 'namah shivabhyam', a dual form in which one word names both Shiva and his consort Shivaa, and each ends with the refrain 'namo namah shankaraparvatibhyam'. In between, every line stacks epithets that fit the two at once: the bull as mount and banner, the ash and sandal paste on their bodies, eyes of sun, moon and fire, matted locks, garlands of bilva leaves and jasmine. The gods who honour them appear in turn, Narayana worshipping their sandals, then Brahma, Vishnu and Indra, and finally gods and demons alike. Verse 5 calls the couple the supreme medicine and ties them to the five-syllable mantra. A thirteenth verse, the phala shruti, calls the hymn 'the twelve' and states its fruit.

The Seated Couple and Their Full-Moon Vow

No account survives of when or where the hymn was composed. Its attribution to Adi Shankaracharya rests on the closing line of the printed text and on the tradition that counts it among the short stotras credited to him. What the verses picture, though, is a familiar image. Temple sculpture in India, Nepal and as far as Central Asia has long shown Uma and Maheshvara seated together on one throne, the bull and the lion crouched beneath their feet, sometimes on Kailasa, sometimes with the child Skanda in the Goddess's lap. The hymn's own details, the bull banner beside the mountain king's daughter and the deities who dwell on Mount Kailasa, belong to that scene. The pair also has a vow of its own. According to tradition the Uma-Maheshvara Vrata comes from the Matsya Purana, and the story told with it begins with the sage Durvasa, whose garland Indra set on the elephant Airavata instead of wearing it himself. The sage's curse cost the gods their dominion, and Durvasa is said to have kept the fast to Uma and Maheshvara. Most calendars place the vow on the full moon of Bhadrapada, while one regional tradition keeps it on the bright fourteenth of the same month. Households keep it for harmony at home, and newly married couples are among those who observe it.

The mantra, in six scripts

DevanagariSanskrit & Hindiनमः शिवाभ्यां नवयौवनाभ्यां परस्पराश्लिष्टवपुर्धराभ्याम् । नगेन्द्रकन्यावृषकेतनाभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥
Tamilநமஃ ஶிவாப்யாம் நவயௌவநாப்யாம் பரஸ்பராஶ்லிஷ்டவபுர்தராப்யாம் । நகேந்த்ரகந்யாவ்ருஷகேதநாப்யாம் நமோ நமஃ ஶங்கரபார்வதீப்யாம் ॥
Teluguనమః శివాభ్యాం నవయౌవనాభ్యాం పరస్పరాశ్లిష్టవపుర్ధరాభ్యామ్ । నగేన్ద్రకన్యావృషకేతనాభ్యాం నమో నమః శఙ్కరపార్వతీభ్యామ్ ॥
Kannadaನಮಃ ಶಿವಾಭ್ಯಾಂ ನವಯೌವನಾಭ್ಯಾಂ ಪರಸ್ಪರಾಶ್ಲಿಷ್ಟವಪುರ್ಧರಾಭ್ಯಾಮ್ । ನಗೇನ್ದ್ರಕನ್ಯಾವೃಷಕೇತನಾಭ್ಯಾಂ ನಮೋ ನಮಃ ಶಙ್ಕರಪಾರ್ವತೀಭ್ಯಾಮ್ ॥
Malayalamനമഃ ശിവാഭ്യാം നവയൌവനാഭ്യാം പരസ്പരാശ്ലിഷ്ടവപുര്ധരാഭ്യാമ് । നഗേന്ദ്രകന്യാവൃഷകേതനാഭ്യാം നമോ നമഃ ശങ്കരപാര്വതീഭ്യാമ് ॥
EnglishRoman transliterationnamaḥ śivābhyāṃ navayauvanābhyāṃ parasparāśliṣṭavapurdharābhyām | nagendrakanyāvṛṣaketanābhyāṃ namo namaḥ śaṅkarapārvatībhyām ||
“Salutations to Shiva and Shivaa, the ever-youthful pair whose bodies are held in each other's embrace; to the daughter of the king of mountains and to the one whose banner bears the bull. Salutations again and again to Shankara and Parvati.”
नमः
namaḥ — salutation
शिवाभ्यां
śivābhyāṃ — to Shiva and Shivaa, the pair
नवयौवनाभ्यां
navayauvanābhyāṃ — to the ever-youthful two
परस्पराश्लिष्टवपुर्धराभ्याम्
parasparāśliṣṭavapurdharābhyām — whose bodies embrace each other
नगेन्द्रकन्यावृषकेतनाभ्यां
nagendrakanyāvṛṣaketanābhyāṃ — to the mountain king's daughter and the bull-bannered one
नमो
namo — salutation
नमः
namaḥ — salutation again
शङ्करपार्वतीभ्याम्
śaṅkarapārvatībhyām — to Shankara and Parvati

Uma Maheshwara Stotram lyrics in full

Twelve verses with the shared refrain, followed by the phala shruti. The printed closing line is given at the end.

All 14 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Uma Maheshwara Stotram PDFAll 14 verses with their meanings, in Sanskrit. Free to print and keep.

Verse 1

नमः शिवाभ्यां नवयौवनाभ्यां परस्पराश्लिष्टवपुर्धराभ्याम् ।
नगेन्द्रकन्यावृषकेतनाभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, the ever-youthful pair whose bodies are held in each other's embrace; to the daughter of the king of mountains and to the one whose banner bears the bull. Salutations again and again to Shankara and Parvati.

Verse 2

नमः शिवाभ्यां सरसोत्सवाभ्यां नमस्कृताभीष्टवरप्रदाभ्याम् ।
नारायणेनार्चितपादुकाभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who delight in joyful festivals and who grant the wished-for boons to those who bow to them, whose sandals are worshipped by Narayana. Salutations again and again to Shankara and Parvati.

Verse 3

नमः शिवाभ्यां वृषवाहनाभ्यां विरिञ्चिविष्ण्विन्द्रसुपूजिताभ्याम् ।
विभूतिपाटीरविलेपनाभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who ride the bull, who are worshipped with devotion by Brahma, Vishnu and Indra, and whose bodies are smeared with sacred ash and sandal paste. Salutations again and again to Shankara and Parvati.

Verse 4

नमः शिवाभ्यां जगदीश्वराभ्यां जगत्पतिभ्यां जयविग्रहाभ्याम् ।
जम्भारिमुख्यैरभिवन्दिताभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, the rulers of the universe and lords of the world, whose forms are victory itself, and who are saluted by Indra and the other chief gods. Salutations again and again to Shankara and Parvati.

Verse 5

नमः शिवाभ्यां परमौषधाभ्यां पञ्चाक्षरीपञ्जररञ्जिताभ्याम् ।
प्रपञ्चसृष्टिस्थितिसंहृताभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who are the supreme medicine, who delight in the cage of the five-syllable mantra, and who create, sustain and dissolve the world. Salutations again and again to Shankara and Parvati.

Verse 6

नमः शिवाभ्यामतिसुन्दराभ्याम् अत्यन्तमासक्तहृदम्बुजाभ्याम् ।
अशेषलोकैकहितङ्कराभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who are exceedingly beautiful, whose lotus hearts are deeply attached to each other, and who alone do good to all the worlds. Salutations again and again to Shankara and Parvati.

Verse 7

नमः शिवाभ्यां कलिनाशनाभ्यां कङ्कालकल्याणवपुर्धराभ्याम् ।
कैलासशैलस्थितदेवताभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who destroy the evils of the Kali age, who bear forms both skeletal and auspicious, and who are the deities dwelling on Mount Kailasa. Salutations again and again to Shankara and Parvati.

Verse 8

नमः शिवाभ्यामशुभापहाभ्याम् अशेषलोकैकविशेषिताभ्याम् ।
अकुण्ठिताभ्यां स्मृतिसम्भृताभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who remove what is inauspicious, who stand singularly above all the worlds, whose power is never blunted, and who are held in remembrance. Salutations again and again to Shankara and Parvati.

Verse 9

नमः शिवाभ्यां रथवाहनाभ्यां रवीन्दुवैश्वानरलोचनाभ्याम् ।
राकाशशाङ्काभमुखाम्बुजाभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who ride in a chariot, whose eyes are the sun, the moon and fire, and whose lotus faces shine like the full moon. Salutations again and again to Shankara and Parvati.

Verse 10

नमः शिवाभ्यां जटिलन्धराभ्यां जरामृतिभ्यां च विवर्जिताभ्याम् ।
जनार्दनाब्जोद्भवपूजिताभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, who bear matted locks, who are free from old age and death, and who are worshipped by Vishnu and by the lotus-born Brahma. Salutations again and again to Shankara and Parvati.

Verse 11

नमः शिवाभ्यां विषमेक्षणाभ्यां बिल्वच्छदामल्लिकदामभृद्भ्याम् ।
शोभावतीशान्तवतीश्वराभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, the one with uneven (three) eyes, who wear garlands of bilva leaves and jasmine, the lord and lady of beauty and of peace. Salutations again and again to Shankara and Parvati.

Verse 12

नमः शिवाभ्यां पशुपालकाभ्यां जगत्रयीरक्षणबद्धहृद्भ्याम् ।
समस्तदेवासुरपूजिताभ्यां नमो नमः शङ्करपार्वतीभ्याम् ॥

Salutations to Shiva and Shivaa, the protectors of all beings, whose hearts are bound to guarding the three worlds, and who are worshipped by all gods and demons. Salutations again and again to Shankara and Parvati.

Phala Shruti 1

स्तोत्रं त्रिसन्ध्यं शिवपार्वतीभ्यां भक्त्या पठेद्द्वादशकं नरो यः ।
स सर्वसौभाग्यफलानि भुङ्क्ते शतायुरान्ते शिवलोकमेति ॥

The verse says that a person who recites with devotion, at the three junctions of the day, this hymn of twelve verses to Shiva and Parvati enjoys the fruits of every good fortune, lives a hundred years, and at the end reaches the world of Shiva.

Closing

इति श्रीशङ्कराचार्यकृतम् उमामहेश्वरस्तोत्रं सम्पूर्णम् ॥

Thus ends the Uma Maheshwara Stotram composed by Shri Shankaracharya.

The syllable people get wrong

In śivābhyāṃ, the word that opens every verse, the ā after the v is long and the ending -ābhyāṃ marks the dual, so it is said shi-VAA-bhyaam with the middle vowel held; a clipped 'shivabhyam' loses the sign that two are being addressed, and the final ṃ is a soft nasal rather than a full m.

When the Uma Maheshwara Stotram is chanted

Weekday. Monday

Festival. Uma-Maheshvara Vrata, the full moon of Bhadrapada

Questions

Shivaya is singular, 'to Shiva'. Shivabhyam is the dual, 'to the two Shivas', the form Sanskrit uses when one name covers a pair, here Shiva and the Goddess as Shivaa. The refrain then spells the pair out as Shankara and Parvati. Every epithet in the hymn carries the same dual ending, so each quality, from youthfulness to the three eyes, is offered to both together rather than to one with the other added.
Tradition ascribes it to him, and the printed closing line calls it the work of Shri Shankaracharya. Several printings carry no closing line at all and give the verses alone. No early account of its composition is known, so the attribution rests on the tradition that hands it down with the other short hymns credited to him rather than on any dated record.
The thirteenth. It breaks the pattern of the other twelve: it neither opens with 'namah shivabhyam' nor closes with the refrain, and it names the hymn 'dvadashakam', the set of twelve, which shows that the twelve salutations were counted as the hymn proper. The verse says that one who reads it with devotion enjoys the fruits of every good fortune, lives a hundred years and at the end reaches the world of Shiva.
Both praise Shiva with the Goddess, but they picture the pair differently. The Ardhanarishvara Stotram addresses one body divided down the middle, turning from 'to her' to 'to him' within each line. The Uma Maheshwara Stotram keeps the two as distinct persons, the mountain king's daughter and the rider of the bull, and salutes them jointly in the dual. Its picture is closer to the seated Uma-Maheshvara image than to the half-and-half form.
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