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Home › Mantras › Chandi Mantra
Chandi (Durga) Chandi Mantra: eight-armed Goddess Chandi Durga seated on a lion in a forest
Chandi, as worshipped in our consecrated sanctum
Mantra · The Devi Mahatmyam invocation. Recited during Navaratri.

Chandi Mantra

ॐ ऐं ह्रीं क्लीं चामुण्डायै विच्चे

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Chandi is

Chandi is the name given to the Goddess in her most martial and uncompromising aspect within the Devi Mahatmyam, the portion of the Markandeya Purana that stands as the foundational narrative of Shakta worship. She is the power the assembled gods invoke when their own strength fails against the asuras. The text calls her Chandika, she who is fierce, and later Chamunda after she decapitates Chanda and Munda and drinks the blood of Raktabija so that his clones cannot multiply. Her presence is not abstract; it is the very narrative of the seven hundred verses known as the Chandi Path. In living tradition she is the deity to whom the entire Devi Mahatmyam is offered, and her identity remains bound to those three episodes of cosmic restoration rather than to any single local shrine or later stotra composition.

Three Caritas of Restoration

The Devi Mahatmyam, also called the Durga Saptashati or Chandi Path, unfolds in three caritas framed as the sage Medhas’s instruction to the despondent king Suratha and the merchant Samadhi. In the first carita the demons Madhu and Kaitabha arise from the ear-wax of the sleeping Vishnu; Brahma praises the Goddess as Yoganidra, she withdraws from Vishnu so that he wakes, and she deludes the demons so that he may destroy them on the ocean of dissolution. In the second and most celebrated carita she emerges from the combined tejas of the gods as a radiant female form and battles the buffalo-demon Mahishasura through a long series of confrontations, finally striking off his head when he emerges from the buffalo body. In the third she manifests as Kaushiki from the body of Parvati; the dark Kali, named Chamunda, slays Chanda and Munda and drinks the blood of Raktabija, and the Goddess herself slays Nishumbha and Shumbha. It is this narrative arc, rather than any independent hymn, that defines Chandi for the tradition that recites her.

The mantra, in six scripts

The seed mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ ऐं ह्रीं क्लीं चामुण्डायै विच्चे
Tamilௐ ஐம் ஹ்ரீம் க்லீம் சாமுண்டாயை விச்சே
Teluguఓం ఐం హ్రీం క్లీం చాముణ్డాయై విచ్చే
Kannadaಓಂ ಐಂ ಹ್ರೀಂ ಕ್ಲೀಂ ಚಾಮುಣ್ಡಾಯೈ ವಿಚ್ಚೇ
Malayalamഓം ഐം ഹ്രീം ക്ലീം ചാമുണ്ഡായൈ വിച്ചേ
EnglishRoman transliterationoṃ aiṃ hrīṃ klīṃ cāmuṇḍāyai vicce
“The navarna formula salutes Chamunda by means of the seed-syllables aim, hrim and klim, closed by the traditional word vicce.”
ॐ
oṃ — the primordial sound
ऐं
aiṃ — seed-syllable of Vāc and directed knowledge
ह्रीं
hrīṃ — seed-syllable of the Goddess’s heart and māyā
क्लीं
klīṃ — seed-syllable of attraction
चामुण्डायै
cāmuṇḍāyai — to Cāmuṇḍā
विच्चे
vicce — traditional closing seal of the navārṇa

More Chandi mantras

Ya Devi Sarvabhuteshu (Shakti), Devi Mahatmya 5

The verse of salutation, recited before or after japa.

DevanagariSanskrit & Hindiया देवी सर्वभूतेषु शक्तिरूपेण संस्थिता। नमस्तस्यै नमस्तस्यै नमस्तस्यै नमो नमः॥
Tamilயா தேவீ ஸர்வபூதேஷு ஶக்திரூபேண ஸம்ஸ்திதா। நமஸ்தஸ்யை நமஸ்தஸ்யை நமஸ்தஸ்யை நமோ நமஃ॥
Teluguయా దేవీ సర్వభూతేషు శక్తిరూపేణ సంస్థితా। నమస్తస్యై నమస్తస్యై నమస్తస్యై నమో నమః॥
Kannadaಯಾ ದೇವೀ ಸರ್ವಭೂತೇಷು ಶಕ್ತಿರೂಪೇಣ ಸಂಸ್ಥಿತಾ। ನಮಸ್ತಸ್ಯೈ ನಮಸ್ತಸ್ಯೈ ನಮಸ್ತಸ್ಯೈ ನಮೋ ನಮಃ॥
Malayalamയാ ദേവീ സര്വഭൂതേഷു ശക്തിരൂപേണ സംസ്ഥിതാ। നമസ്തസ്യൈ നമസ്തസ്യൈ നമസ്തസ്യൈ നമോ നമഃ॥
EnglishRoman transliterationyā devī sarvabhūteṣu śaktirūpeṇa saṃsthitā | namastasyai namastasyai namastasyai namo namaḥ ||
“To the Goddess who dwells in all beings in the form of power: salutation to her, salutation to her, salutation to her, salutation again and again.”
या
yā — who
देवी
devī — the Goddess
सर्वभूतेषु
sarvabhūteṣu — in all beings
शक्तिरूपेण
śaktirūpeṇa — in the form of power (shakti)
संस्थिता
saṃsthitā — abides
नमस्तस्यै
namastasyai — salutation to her (namaḥ + tasyai)
नमस्तस्यै
namastasyai — salutation to her
नमस्तस्यै
namastasyai — salutation to her
नमो
namo — salutation (namaḥ)
नमः
namaḥ — salutation

Source: Devi Mahatmya (Durga Saptashati), chapter 5, the Aparajita Stuti (verses 5.32–34 in the sanskritdocuments numbering).

The syllable people get wrong

The final word vicce contains a doubled palatal consonant. Reciters often reduce it to a single ch sound, producing something like vi-che. The traditional articulation holds the doubled consonant, vic-ce, beginning the c at the close of the first syllable and releasing it into the second, without inserting an extra vowel; the final e is long, as Sanskrit e always is.

When Chandi is chanted

Weekday. Friday

Festival. Navaratri

Questions

Within the Devi Mahatmyam the names remain fluid. The Goddess is praised as Durga, as Chandika and, after the slaughter of Chanda and Munda, as Chamunda. Chandi serves as the overarching designation for her as the heroine of the entire thirteen-chapter text.
The Chandi Path is the ritual recitation of the Devi Mahatmyam, the thirteen chapters that form part of the Markandeya Purana. The seven hundred mantras of those chapters are collectively understood as offered to Chandi.
Vicce is the traditional seal of the nine-syllabled formula addressed to Chamunda. Commentarial tradition treats it as an indeclinable that completes the offering of the three bijas; its precise grammatical origin belongs to tantric rather than purely Paninian explanation.
Not sure a mantra is enough?

Have your chart read before you decide

Chanting is yours to do, and free. But which deity your situation calls for — and whether a mantra alone is the right response — depends on your chart. Sometimes it is; sometimes it is not.

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