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Home › Mantras › Maha Ganapathi Mantra
Ashta Dravya Maha Ganapathi Maha Ganapathi Mantra: ten-armed vermilion Maha Ganapathi seated with green Shakti and traditional attributes
Maha Ganapathi, as worshipped in our consecrated sanctum
Mantra · The long tantric form, combining several bija syllables.

Maha Ganapathi Mantra

ॐ श्रीं ह्रीं क्लीं ग्लौं गं गणपतये वरवरद सर्वजनं मे वशमानय स्वाहा

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Maha Ganapathi is

Maha Ganapathi, “the great Ganapathi”, is Ganesha worshipped as the Supreme Being himself. The Sritattvanidhi, a nineteenth-century compendium of iconography, lists him thirteenth among its thirty-two forms of Ganesha, and he is one of the most widely worshipped of them. He is red, three-eyed, with a crescent moon on his head and ten arms, which hold among other things a pomegranate, a mace, a discus, a sugarcane bow, a noose, a lotus, a sheaf of rice and his own broken tusk. His shakti sits on his knee, marking this as a form worshipped together with the goddess. Among the Ganapatyas, who hold Ganesha to be the highest god, the Maha Ganapatya school named after this form was reckoned one of their six principal schools.

The mula mantra on the Sri Vidya path

His mula mantra is oṃ śrīṃ hrīṃ klīṃ glauṃ gaṃ gaṇapataye varavarada sarvajanaṃ me vaśamānaya svāhā, twenty-eight syllables in which the seeds śrīṃ, hrīṃ, klīṃ, glauṃ and gaṃ precede his name and a petition closes it. Gaṃ and glauṃ are seeds of Ganapati himself. The mantra belongs both to Ganesha’s own worshippers, among whom the Maha Ganapatya school took its name from this form, and to the Sri Vidya tradition of the goddess Lalita. Since no rite begins without Ganapathi, many Sri Vidya lineages give this mantra near the start of the path, often together with the mantra of Bala. In that setting it comes with its seer, its metre, the deity it addresses, the placing of its syllables on the body, and the verse by which he is pictured before japa. A formal course of japa, a purashcharana, is often closed with a homa.

The mantra, in six scripts

The seed mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ श्रीं ह्रीं क्लीं ग्लौं गं गणपतये वरवरद सर्वजनं मे वशमानय स्वाहा
Tamilௐ ஶ்ரீம் ஹ்ரீம் க்லீம் க்லௌம் கம் கணபதயே வரவரத ஸர்வஜநம் மே வஶமாநய ஸ்வாஹா
Teluguఓం శ్రీం హ్రీం క్లీం గ్లౌం గం గణపతయే వరవరద సర్వజనం మే వశమానయ స్వాహా
Kannadaಓಂ ಶ್ರೀಂ ಹ್ರೀಂ ಕ್ಲೀಂ ಗ್ಲೌಂ ಗಂ ಗಣಪತಯೇ ವರವರದ ಸರ್ವಜನಂ ಮೇ ವಶಮಾನಯ ಸ್ವಾಹಾ
Malayalamഓം ശ്രീം ഹ്രീം ക്ലീം ഗ്ലൌം ഗം ഗണപതയേ വരവരദ സര്വജനം മേ വശമാനയ സ്വാഹാ
EnglishRoman transliterationoṃ śrīṃ hrīṃ klīṃ glauṃ gaṃ gaṇapataye varavarada sarvajanaṃ me vaśamānaya svāhā
“Om. Śrīṃ hrīṃ klīṃ glauṃ gaṃ: to Ganapati, O giver of the finest boons, bring all people into accord with me. Svāhā.”
ॐ
oṃ — the sacred syllable
श्रीं
śrīṃ — seed syllable of Lakshmi
ह्रीं
hrīṃ — seed syllable of the Goddess
क्लीं
klīṃ — seed syllable of attraction
ग्लौं
glauṃ — seed syllable of Ganapati as the earth
गं
gaṃ — seed syllable of Ganapati
गणपतये
gaṇapataye — to Ganapati
वरवरद
varavarada — O giver of the finest boons
सर्वजनं
sarvajanaṃ — all people
मे
me — to me
वशमानय
vaśamānaya — bring into accord
स्वाहा
svāhā — the call that closes an offering

More Maha Ganapathi mantras

Maha Ganapathi Dhyana Shloka

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiहस्तीन्द्राननमिन्दुचूडमरुणच्छायं त्रिणेत्रं रसादाश्लिष्टं प्रियया सपद्मकरया स्वाङ्कस्थया सन्ततम् । बीजापूरगदेक्षुकार्मुकलसच्चक्राब्जपाशोत्पलव्रीह्यग्रस्वविषाणरत्नकलशान् हस्तैर्वहन्तं भजे ॥
Tamilஹஸ்தீந்த்ராநநமிந்துசூடமருணச்சாயம் த்ரிணேத்ரம் ரஸாதாஶ்லிஷ்டம் ப்ரியயா ஸபத்மகரயா ஸ்வாங்கஸ்தயா ஸந்ததம் । பீஜாபூரகதேக்ஷுகார்முகலஸச்சக்ராப்ஜபாஶோத்பலவ்ரீஹ்யக்ரஸ்வவிஷாணரத்நகலஶாந் ஹஸ்தைர்வஹந்தம் பஜே ॥
Teluguహస్తీన్ద్రాననమిన్దుచూడమరుణచ్ఛాయం త్రిణేత్రం రసాదాశ్లిష్టం ప్రియయా సపద్మకరయా స్వాఙ్కస్థయా సన్తతమ్ । బీజాపూరగదేక్షుకార్ముకలసచ్చక్రాబ్జపాశోత్పలవ్రీహ్యగ్రస్వవిషాణరత్నకలశాన్ హస్తైర్వహన్తం భజే ॥
Kannadaಹಸ್ತೀನ್ದ್ರಾನನಮಿನ್ದುಚೂಡಮರುಣಚ್ಛಾಯಂ ತ್ರಿಣೇತ್ರಂ ರಸಾದಾಶ್ಲಿಷ್ಟಂ ಪ್ರಿಯಯಾ ಸಪದ್ಮಕರಯಾ ಸ್ವಾಙ್ಕಸ್ಥಯಾ ಸನ್ತತಮ್ । ಬೀಜಾಪೂರಗದೇಕ್ಷುಕಾರ್ಮುಕಲಸಚ್ಚಕ್ರಾಬ್ಜಪಾಶೋತ್ಪಲವ್ರೀಹ್ಯಗ್ರಸ್ವವಿಷಾಣರತ್ನಕಲಶಾನ್ ಹಸ್ತೈರ್ವಹನ್ತಂ ಭಜೇ ॥
Malayalamഹസ്തീന്ദ്രാനനമിന്ദുചൂഡമരുണച്ഛായം ത്രിണേത്രം രസാദാശ്ലിഷ്ടം പ്രിയയാ സപദ്മകരയാ സ്വാങ്കസ്ഥയാ സന്തതമ് । ബീജാപൂരഗദേക്ഷുകാര്മുകലസച്ചക്രാബ്ജപാശോത്പലവ്രീഹ്യഗ്രസ്വവിഷാണരത്നകലശാന് ഹസ്തൈര്വഹന്തം ഭജേ ॥
EnglishRoman transliterationhastīndrānanaminducūḍamaruṇacchāyaṃ triṇetraṃ rasādāśliṣṭaṃ priyayā sapadmakarayā svāṅkasthayā santatam | bījāpūragadekṣukārmukalasaccakrābjapāśotpalavrīhyagrasvaviṣāṇaratnakalaśān hastairvahantaṃ bhaje ||
“I worship him who has the face of the lord of elephants, is crowned with the moon, red in hue and three-eyed, ever lovingly embraced by his beloved seated on his lap with a lotus in her hand, and who carries in his hands a citron, mace, sugarcane bow, shining discus, lotus, noose, water-lily, ear of rice, his own tusk and a jewelled pot.”
हस्तीन्द्राननम्
hastīndrānanam — with the face of the king of elephants
इन्दुचूडम्
inducūḍam — crowned with the moon
अरुणच्छायं
aruṇacchāyaṃ — red in hue
त्रिणेत्रं
triṇetraṃ — three-eyed
रसात्
rasāt — lovingly
आश्लिष्टं
āśliṣṭaṃ — embraced
प्रियया
priyayā — by his beloved
सपद्मकरया
sapadmakarayā — who has a lotus in her hand
स्वाङ्कस्थया
svāṅkasthayā — seated on his lap
सन्ततम्
santatam — constantly
बीजापूरगदेक्षुकार्मुकलसच्चक्राब्जपाशोत्पलव्रीह्यग्रस्वविषाणरत्नकलशान्
bījāpūragadekṣukārmukalasaccakrābjapāśotpalavrīhyagrasvaviṣāṇaratnakalaśān — citron, mace, sugarcane bow, shining discus, lotus, noose, blue water-lily, ear of rice, his own tusk and jewelled pot
हस्तैः
hastaiḥ — in his hands
वहन्तं
vahantaṃ — carrying
भजे
bhaje — I worship

Source: Śrītattvanidhi (which attributes it to the Mudgala Purāṇa), dhyāna of Maha Ganapathi, no. 13 of the 32 forms

The syllable people get wrong

In glauṃ the g and l form one cluster and the vowel is the diphthong au, so it is a single beat, glaum, not ga-laum. Each of the five seed syllables before gaṇapataye is one beat closed by the nasal ṃ, and none of them should be stretched into two.

When Maha Ganapathi is chanted

Weekday. Tuesday

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