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Home › Mantras › Shantakaram Bhujagashayanam
Lakshmi Narayana Shantakaram Bhujagashayanam: cloud-blue Vishnu reclining on Adishesha, Brahma on the navel lotus, yogis in meditation
Vishnu resting on the serpent Adishesha, Brahma on the lotus from his navel, as two yogis meditate on him
Mantra · Vishnu at rest on the serpent, sky-vast and cloud-dark, in one verse

Shantakaram Bhujagashayanam

शान्ताकारं भुजगशयनं पद्मनाभं सुरेशं विश्वाधारं गगनसदृशं मेघवर्णं शुभाङ्गम् । लक्ष्मीकान्तं कमलनयनं योगिभिर्ध्यानगम्यं वन्दे विष्णुं भवभयहरं सर्वलोकैकनाथम् ॥

Also known as Vishnu Dhyana Shloka

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Shantakaram Bhujagashayanam is

Shantakaram Bhujagashayanam, the Vishnu dhyana shloka that begins 'shantakaram bhujagashayanam padmanabham suresham', is a single Sanskrit verse for holding one image of Vishnu in the mind before worship. No printing names an author. It belongs to the dhyanam, the group of meditation verses that prayer books set before the Vishnu Sahasranama, and it is also learned on its own as a daily prayer. Grammatically the whole verse hangs on one verb, vande, 'I bow', with thirteen descriptions gathered around the name Vishnu. The first half paints the reclining Lord: peaceful in form, lying on the serpent, the lotus rising from his navel, vast as the sky and the colour of a rain cloud. The second half turns to relationship and refuge: Lakshmi's beloved, lotus-eyed, reached by yogis in meditation, the one who removes the fear of worldly existence. Printed with it here is the Meghashyamam verse that follows it in Sahasranama books and closes on the same refrain, sarvalokaikanatham.

The third meditation before the thousand names

The thousand names of Vishnu come from the Anushasana Parva of the Mahabharata, but the way they are recited carries a longer frame. After the opening verses to Vishnu and to Vyasa, the dialogue between Yudhishthira and Bhishma, and the nyasa that names the hymn's seer, metre and deity, the book announces 'atha dhyanam', 'now the meditation'. In Swami Krishnananda's edition three pictures follow in turn. The first seats Mukunda on a pearl-strewn shore of the ocean of milk beneath clouds raining nectar. The second sees the universe as his body, the earth his feet and the sky his navel. Shantakaram comes third and lays him at rest on the serpent; the Meghashyamam verse then shows him adorned in yellow silk with the Kaustubha jewel on his chest. The reclining picture is the form worshipped at the Padmanabhaswamy Temple in Thiruvananthapuram, where the Lord lies on Adi Shesha and Brahma rises on a lotus from his navel, and the verse's own word padmanabha is the temple's name for him. The verse is composed in mandakranta, the 'slow-stepping' metre of seventeen syllables to a line that Kalidasa chose for the Meghaduta, his poem of a messenger cloud; its companion verse is in the shorter shalini metre.

The mantra, in six scripts

DevanagariSanskrit & Hindiशान्ताकारं भुजगशयनं पद्मनाभं सुरेशं विश्वाधारं गगनसदृशं मेघवर्णं शुभाङ्गम् । लक्ष्मीकान्तं कमलनयनं योगिभिर्ध्यानगम्यं वन्दे विष्णुं भवभयहरं सर्वलोकैकनाथम् ॥
Tamilஶாந்தாகாரம் புஜகஶயநம் பத்மநாபம் ஸுரேஶம் விஶ்வாதாரம் ககநஸத்ருஶம் மேகவர்ணம் ஶுபாங்கம் । லக்ஷ்மீகாந்தம் கமலநயநம் யோகிபிர்த்யாநகம்யம் வந்தே விஷ்ணும் பவபயஹரம் ஸர்வலோகைகநாதம் ॥
Teluguశాన్తాకారం భుజగశయనం పద్మనాభం సురేశం విశ్వాధారం గగనసదృశం మేఘవర్ణం శుభాఙ్గమ్ । లక్ష్మీకాన్తం కమలనయనం యోగిభిర్ధ్యానగమ్యం వన్దే విష్ణుం భవభయహరం సర్వలోకైకనాథమ్ ॥
Kannadaಶಾನ್ತಾಕಾರಂ ಭುಜಗಶಯನಂ ಪದ್ಮನಾಭಂ ಸುರೇಶಂ ವಿಶ್ವಾಧಾರಂ ಗಗನಸದೃಶಂ ಮೇಘವರ್ಣಂ ಶುಭಾಙ್ಗಮ್ । ಲಕ್ಷ್ಮೀಕಾನ್ತಂ ಕಮಲನಯನಂ ಯೋಗಿಭಿರ್ಧ್ಯಾನಗಮ್ಯಂ ವನ್ದೇ ವಿಷ್ಣುಂ ಭವಭಯಹರಂ ಸರ್ವಲೋಕೈಕನಾಥಮ್ ॥
Malayalamശാന്താകാരം ഭുജഗശയനം പദ്മനാഭം സുരേശം വിശ്വാധാരം ഗഗനസദൃശം മേഘവര്ണം ശുഭാങ്ഗമ് । ലക്ഷ്മീകാന്തം കമലനയനം യോഗിഭിര്ധ്യാനഗമ്യം വന്ദേ വിഷ്ണും ഭവഭയഹരം സര്വലോകൈകനാഥമ് ॥
EnglishRoman transliterationśāntākāraṃ bhujagaśayanaṃ padmanābhaṃ sureśaṃ viśvādhāraṃ gaganasadṛśaṃ meghavarṇaṃ śubhāṅgam | lakṣmīkāntaṃ kamalanayanaṃ yogibhirdhyānagamyaṃ vande viṣṇuṃ bhavabhayaharaṃ sarvalokaikanātham ||
“I bow to Vishnu, whose form is peace, who rests on the serpent, from whose navel grows the lotus, the lord of the gods, the support of the universe, boundless like the sky, the colour of a rain cloud, with auspicious limbs. He is the beloved of Lakshmi, lotus-eyed, reached by yogis through meditation, the remover of the fear of worldly existence, the one lord of all the worlds.”
शान्ताकारं
śāntākāraṃ — whose form is peace
भुजगशयनं
bhujagaśayanaṃ — lying on the serpent
पद्मनाभं
padmanābhaṃ — lotus-naveled
सुरेशं
sureśaṃ — lord of the gods
विश्वाधारं
viśvādhāraṃ — support of the universe
गगनसदृशं
gaganasadṛśaṃ — like the sky
मेघवर्णं
meghavarṇaṃ — rain-cloud coloured
शुभाङ्गम्
śubhāṅgam — of auspicious limbs
लक्ष्मीकान्तं
lakṣmīkāntaṃ — Lakshmi's beloved
कमलनयनं
kamalanayanaṃ — lotus-eyed
योगिभिर्ध्यानगम्यं
yogibhirdhyānagamyaṃ — reached by yogis in meditation
वन्दे
vande — I bow to
विष्णुं
viṣṇuṃ — Vishnu
भवभयहरं
bhavabhayaharaṃ — remover of the fear of worldly existence
सर्वलोकैकनाथम्
sarvalokaikanātham — sole lord of all worlds

Shantakaram Bhujagashayanam lyrics in full

The Shantakaram verse with the Meghashyamam verse that follows it in Vishnu Sahasranama prayer books.

All 2 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Shantakaram Bhujagashayanam PDFAll 2 verses with their meanings, in Sanskrit. Free to print and keep.

Verse 1

शान्ताकारं भुजगशयनं पद्मनाभं सुरेशं विश्वाधारं गगनसदृशं मेघवर्णं शुभाङ्गम् ।
लक्ष्मीकान्तं कमलनयनं योगिभिर्ध्यानगम्यं वन्दे विष्णुं भवभयहरं सर्वलोकैकनाथम् ॥

I bow to Vishnu, whose form is peace, who rests on the serpent, from whose navel grows the lotus, the lord of the gods, the support of the universe, boundless like the sky, the colour of a rain cloud, with auspicious limbs. He is the beloved of Lakshmi, lotus-eyed, reached by yogis through meditation, the remover of the fear of worldly existence, the one lord of all the worlds.

Verse 2

मेघश्यामं पीतकौशेयवासं श्रीवत्साङ्कं कौस्तुभोद्भासिताङ्गम् ।
पुण्योपेतं पुण्डरीकायताक्षं विष्णुं वन्दे सर्वलोकैकनाथम् ॥

I bow to Vishnu, the one lord of all the worlds, dark as a rain cloud and clothed in yellow silk, marked with the Shrivatsa, his body shining with the Kaustubha gem. He is full of holiness, with long eyes like the white lotus.

The syllable people get wrong

The second word is bhujagaśayanaṃ, with bhujaga, not bhujaṅga; both mean serpent, and many sing 'bhujanga-shayanam', but the metre needs five light syllables in a row here, so say it with no nasal: bhu-ja-ga-sha-ya-nam.

When the Shantakaram Bhujagashayanam is chanted

Weekday. Thursday

Questions

Not of the Mahabharata text itself. The thousand names that Bhishma recites are in the Anushasana Parva, but Shantakaram belongs to the dhyanam, the meditation verses that the recitation tradition places before those names. In Swami Krishnananda's edition it is the third of these verses, after the ocean-of-milk verse beginning 'kshirodanvat pradeshe' and the cosmic-body verse beginning 'bhuh padau'. No author is named for it in any printing.
It is a compound of three words. Bhava is becoming, the round of birth and death that the tradition calls worldly existence; bhaya is fear; hara is the one who takes away. Together they name Vishnu as the remover of the fear of that round. It is the epithet that sits next to 'vande vishnum' in the last line, so the verse's one act of bowing is offered to Vishnu in exactly this role.
It depends on the prayer book. Vishnu Sahasranama books, especially in South India, print Meghashyamam next, a verse that describes Vishnu in yellow silk with the Shrivatsa mark and Kaustubha gem and ends on the same words, sarvalokaikanatham. Many North Indian collections titled Vishnu Stuti pair Shantakaram instead with 'yam brahma varunendra rudra marutah', which is the first verse of the closing chapter of the Bhagavata Purana.
Both are recited before the Vishnu Sahasranama, but they do different work. Shuklambaradharam opens the whole recitation and asks for the removal of obstacles, picturing Vishnu in white garments, moon-coloured and four-armed. Shantakaram comes later, in the meditation section, and gives a full image to hold in the mind: dark as a rain cloud, reclining on the serpent, the lotus at his navel, with Lakshmi beside him as her beloved.
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