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Home › Mantras › Shiva Shadakshara Stotram
Rudra (Shiva) Shiva Shadakshara Stotram: two-armed Shiva teaching Uma on Kailasa, the serpent Vasuki at his throat and the white bull Nandi resting behind a rock
On Kailasa, Shiva teaches Uma at his left side, Vasuki at his throat and Nandi resting nearby
Mantra · Rudrayamala hymn giving a verse to each syllable of Om Namah Shivaya

Shiva Shadakshara Stotram

ॐकारं बिंदुसंयुक्तं नित्यं ध्यायंति योगिनः । कामदं मोक्षदं चैव ॐकाराय नमो नमः ॥

Also known as Omkaram Bindu Samyuktam

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Shiva Shadakshara Stotram is

The Shiva Shadakshara Stotram is a short Sanskrit hymn that praises Shiva through the six syllables of Om Namah Shivaya, taking them one at a time: Om, Na, Ma, Shi, Va and Ya. It names no author; its printed closing line places it in the Rudrayamala, in a dialogue between Uma and Maheshvara. The form is a plain acrostic in eight-syllable quarters. Each of the six verses opens on its own syllable, with Omkaram, Namanti, Mahadevam, Shivam, Vahanam and Yatra, and ends by saluting that syllable, as in nakaraya namo namah. Read in order, the verses move from the sound of Om itself to the sages, gods and people who bow to Shiva, then to his greatness as remover of grave sins, his peace and grace, his visible form with the bull, the serpent Vasuki and Shakti at his left, and finally to his presence everywhere as teacher of the gods. A seventh verse states the fruit of reciting it near Shiva.

A Tantra's acrostic on Om Namah Shivaya

The hymn carries no tale of how it came to be composed. What it does carry is its colophon, the line that closes the printed text: iti shri rudrayamale umamaheshvarasamvade, 'thus, in the Rudrayamala, in the dialogue of Uma and Maheshvara'. The Rudrayamala is a Tantra traditionally attributed to Shiva himself; its author and date are unknown, and its chapters range over initiation, the worship of the Goddess and even early alchemy. Setting a hymn inside a conversation of Uma and Maheshvara presents it as teaching that passed between Shiva and the Goddess, and the fifth verse keeps her in view: Shiva is the god who holds Shakti at his left side. The first verse also sets this hymn apart from the familiar five-syllable form. It begins with Omkara 'joined with the bindu', the dot written above the syllable that marks its closing hum, and makes that sound the object of the yogis' constant meditation before a single letter of Namah Shivaya is reached. A second, longer recension, ascribed in some printings to Adi Shankaracharya, opens with the same line but differs from the second verse onward and adds further closing verses; it is a separate text and is not the one given here. One printing also follows the fruit verse with a refrain of namah shivaya namo namah, which the other printings lack.

The mantra, in six scripts

DevanagariSanskrit & Hindiॐकारं बिंदुसंयुक्तं नित्यं ध्यायंति योगिनः । कामदं मोक्षदं चैव ॐकाराय नमो नमः ॥
Tamilௐகாரம் பிம்துஸம்யுக்தம் நித்யம் த்யாயம்தி யோகிநஃ । காமதம் மோக்ஷதம் சைவ ௐகாராய நமோ நமஃ ॥
Teluguఓంకారం బిందుసంయుక్తం నిత్యం ధ్యాయంతి యోగినః । కామదం మోక్షదం చైవ ఓంకారాయ నమో నమః ॥
Kannadaಓಂಕಾರಂ ಬಿಂದುಸಂಯುಕ್ತಂ ನಿತ್ಯಂ ಧ್ಯಾಯಂತಿ ಯೋಗಿನಃ । ಕಾಮದಂ ಮೋಕ್ಷದಂ ಚೈವ ಓಂಕಾರಾಯ ನಮೋ ನಮಃ ॥
Malayalamഓംകാരം ബിംദുസംയുക്തം നിത്യം ധ്യായംതി യോഗിനഃ । കാമദം മോക്ഷദം ചൈവ ഓംകാരായ നമോ നമഃ ॥
EnglishRoman transliterationoṃkāraṃ biṃdusaṃyuktaṃ nityaṃ dhyāyaṃti yoginaḥ | kāmadaṃ mokṣadaṃ caiva oṃkārāya namo namaḥ ||
“Yogis meditate always on the syllable Om joined with the bindu, the dot of sound. It grants what is desired and grants liberation as well; salutations again and again to the syllable Om.”
ॐकारं
oṃkāraṃ — the syllable Om
बिंदुसंयुक्तं
biṃdusaṃyuktaṃ — joined with the bindu (dot)
नित्यं
nityaṃ — always
ध्यायंति
dhyāyaṃti — meditate on
योगिनः
yoginaḥ — yogis
कामदं
kāmadaṃ — giver of what is desired
मोक्षदं
mokṣadaṃ — giver of liberation
चैव
caiva — and also
ॐकाराय
oṃkārāya — to the syllable Om
नमो
namo — salutation
नमः
namaḥ — salutation again

Shiva Shadakshara Stotram lyrics in full

Six verses, one for each syllable of Om Namah Shivaya, followed by a verse on the fruit of recitation. The printed closing line is given at the end.

All 8 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Shiva Shadakshara Stotram PDFAll 8 verses with their meanings, in Sanskrit. Free to print and keep.

Verse 1

ॐकारं बिंदुसंयुक्तं नित्यं ध्यायंति योगिनः ।
कामदं मोक्षदं चैव ॐकाराय नमो नमः ॥

Yogis meditate always on the syllable Om joined with the bindu, the dot of sound. It grants what is desired and grants liberation as well; salutations again and again to the syllable Om.

Verse 2

नमंति ऋषयो देवा नमन्त्यप्सरसां गणाः ।
नरा नमंति देवेशं नकाराय नमो नमः ॥

The sages and the gods bow down, the hosts of celestial nymphs bow down, and men bow down to the Lord of the gods. Salutations again and again to the syllable Na.

Verse 3

महादेवं महात्मानं महाध्यानपरायणम् ।
महापापहरं देवं मकाराय नमो नमः ॥

To the Great God, the great-souled one, who is absorbed in deep meditation, the god who takes away even great sins: salutations again and again to the syllable Ma.

Verse 4

शिवं शांतं जगन्नाथं लोकानुग्रहकारकम् ।
शिवमेकपदं नित्यं शिकाराय नमो नमः ॥

Shiva, the auspicious and peaceful Lord of the universe, who shows grace to all the worlds; Shiva, the one eternal goal. Salutations again and again to the syllable Shi.

Verse 5

वाहनं वृषभो यस्य वासुकिः कंठभूषणम् ।
वामे शक्तिधरं देवं वकाराय नमो नमः ॥

He whose mount is the bull and whose neck ornament is the serpent Vasuki, the god who bears Shakti on his left side: salutations again and again to the syllable Va.

Verse 6

यत्र यत्र स्थितो देवः सर्वव्यापी महेश्वरः ।
यो गुरुः सर्वदेवानां यकाराय नमो नमः ॥

The god who dwells wherever one looks, the all-pervading Great Lord, who is the teacher of all the gods: salutations again and again to the syllable Ya.

Phala Shruti 1

षडक्षरमिदं स्तोत्रं यः पठेच्छिवसंनिधौ ।
शिवलोकमवाप्नोति शिवेन सह मोदते ॥

The verse says that whoever recites this six-syllable hymn in the presence of Shiva reaches the world of Shiva and rejoices together with Shiva.

Closing

॥ इति श्री रुद्रयामले उमामहेश्वरसंवादे षडक्षरस्तोत्रं सम्पूर्णम् ॥

Thus ends the Shadakshara Stotram, from the dialogue of Uma and Maheshvara in the Rudrayamala.

The syllable people get wrong

In ṣaḍakṣaram, the name the hymn gives itself in its last verse, both the ṣ and the ḍ are retroflex: say it with the tongue tip curled back against the roof of the mouth for the 'sh' and again for the 'd', not with the flat dental d of a spelling like 'Sadakshara'.

When the Shiva Shadakshara Stotram is chanted

Weekday. Monday

Questions

Shadakshara means 'six syllables'. The hymn counts Om as the first of them and gives it a verse of its own, so the six verses run Om, Na, Ma, Shi, Va and Ya. Namah Shivaya on its own is the five-syllable Panchakshari; with Om placed before it, it becomes the six-syllable form this hymn spells out. The last verse names the hymn by that count, calling it shadaksharam idam stotram, 'this hymn of six syllables'.
The text given here does not name him. Its closing line assigns it to the Rudrayamala, in a dialogue between Uma and Maheshvara, and no human author is mentioned. Some printings credit Shankaracharya with a hymn that opens on the same line, Omkaram bindusamyuktam, but that version reads kamadam mokshadam tasmat in the first verse, begins its second verse namanti munayah sarve and adds closing verses of its own, so it is best treated as a separate recension.
It means 'Yogis meditate constantly on the syllable Om joined with the bindu.' Omkara is Om taken as a sound; bindu, literally 'dot' or 'drop', is the point written over the syllable, standing for its closing nasal resonance. The second line calls Om kamadam, 'giver of what is wished for', and mokshadam, 'giver of liberation', and the verse ends by saluting the syllable itself: omkaraya namo namah.
The two hymns share a plan but little else. The Panchakshara Stotram has five verses, starts at Na and ends every verse with namah shivaya. The Shadakshara Stotram begins a step earlier with a verse on Om, ends each verse with the syllable's name followed by namo namah, and is written in short eight-syllable quarters rather than long lines. Its pictures of Shiva are plainer too: the bull, the serpent Vasuki and Shakti at his left side.
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