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Home › Mantras › Shuklambaradharam Vishnum
Ganapathi Shuklambaradharam Vishnum: moon-pale, white-clad, four-armed Ganesha appearing as a priest begins his dawn rite by the river
Ganesha, clad in white and pale as the moon, as the priest begins his rite
Mantra · The white-clad, moon-bright verse said to Vishnu and to Ganesha alike

Shuklambaradharam Vishnum

शुक्लाम्बरधरं विष्णुं शशिवर्णं चतुर्भुजम् । प्रसन्नवदनं ध्यायेत् सर्वविघ्नोपशान्तये ॥

Also known as Shuklam Baradharam

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Shuklambaradharam Vishnum is

Shuklambaradharam Vishnum is the opening of a single Sanskrit shloka that stands in two places at once: it is the first of the prefatory verses recited before the Vishnu Sahasranama, and it is the verse many families and priests say to Ganesha before starting a rite, a journey or a piece of study. No author is recorded. The verse is an anushtubh of four eight-syllable quarters and works as a dhyana, a form to hold in the mind. Its first line gives four features: shuklambaradharam, wearing white cloth; vishnum, the all-pervading one; shashivarnam, the colour of the moon; and chaturbhujam, four-armed. The second line adds prasannavadanam, a calm and gracious face, then the only verb, dhyayet, 'one should meditate', set in the third person rather than spoken to the deity. The last word gives the purpose, sarvavighnopashantaye, for the quieting of every obstacle. Because the only name in the verse, Vishnu, can also be read as a description, each tradition finds its own deity in it.

One verse read by two traditions

The verse has no composition story; its history is the history of where it is placed. In most printed editions of the Vishnu Sahasranama it heads a short run of prefatory verses that come before Vaishampayana begins the Mahabharata narrative, so it is not part of the Anushasana Parva text itself. The verse that follows, Yasya dviradavaktradyah, asks the reciter to take refuge in Vishvaksena, whose hundreds of attendants, led by the elephant-faced one, keep obstacles away. Read in that sequence, Vaishnava teachers take the white-clad, four-armed figure as Vishnu, and Sri Vaishnava teaching also applies it to Vishvaksena, who in their belief clears hindrances from the path of Vishnu's devotees. Smarta households read the same words as a Ganapati dhyana. Their explanation rests on the word vishnum: Ganesha is called Vishnu because he pervades everything. The white garments and moonlike colour are taken as a deliberate change from the red cloth and vermilion body with which he is usually pictured, and his four hands are said to hold the goad, the noose, a bowl of modakas and the gesture of reassurance. Sandhyavandanam manuals for Smartas of the Apastamba Sutra print it as the Ganapati dhyanam that opens the daily twilight rite, with the temples struck lightly with the knuckles at five marked points in the verse. Some sandhya manuals note that Vaishnavas leave this step out.

The mantra, in six scripts

DevanagariSanskrit & Hindiशुक्लाम्बरधरं विष्णुं शशिवर्णं चतुर्भुजम् । प्रसन्नवदनं ध्यायेत् सर्वविघ्नोपशान्तये ॥
Tamilஶுக்லாம்பரதரம் விஷ்ணும் ஶஶிவர்ணம் சதுர்புஜம் । ப்ரஸந்நவதநம் த்யாயேத் ஸர்வவிக்நோபஶாந்தயே ॥
Teluguశుక్లామ్బరధరం విష్ణుం శశివర్ణం చతుర్భుజమ్ । ప్రసన్నవదనం ధ్యాయేత్ సర్వవిఘ్నోపశాన్తయే ॥
Kannadaಶುಕ್ಲಾಮ್ಬರಧರಂ ವಿಷ್ಣುಂ ಶಶಿವರ್ಣಂ ಚತುರ್ಭುಜಮ್ । ಪ್ರಸನ್ನವದನಂ ಧ್ಯಾಯೇತ್ ಸರ್ವವಿಘ್ನೋಪಶಾನ್ತಯೇ ॥
Malayalamശുക്ലാമ്ബരധരം വിഷ്ണും ശശിവര്ണം ചതുര്ഭുജമ് । പ്രസന്നവദനം ധ്യായേത് സര്വവിഘ്നോപശാന്തയേ ॥
EnglishRoman transliterationśuklāmbaradharaṃ viṣṇuṃ śaśivarṇaṃ caturbhujam | prasannavadanaṃ dhyāyet sarvavighnopaśāntaye ||
“One should meditate on the all-pervading Lord who wears white garments, who is bright like the moon, who has four arms and a serene, smiling face. The verse says this meditation brings the removal of all obstacles.”
शुक्लाम्बरधरं
śuklāmbaradharaṃ — wearing white garments
विष्णुं
viṣṇuṃ — Vishnu, the all-pervading one
शशिवर्णं
śaśivarṇaṃ — moon-coloured
चतुर्भुजम्
caturbhujam — four-armed
प्रसन्नवदनं
prasannavadanaṃ — with a serene, gracious face
ध्यायेत्
dhyāyet — one should meditate on
सर्वविघ्नोपशान्तये
sarvavighnopaśāntaye — for the calming of all obstacles

Shuklambaradharam Vishnum lyrics in full

One four-quarter verse, as printed at the head of the Vishnu Sahasranama.

All 1 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Shuklambaradharam Vishnum PDFAll 1 verses with their meanings, in Sanskrit. Free to print and keep.

Verse 1

शुक्लाम्बरधरं विष्णुं शशिवर्णं चतुर्भुजम् ।
प्रसन्नवदनं ध्यायेत् सर्वविघ्नोपशान्तये ॥

One should meditate on the all-pervading Lord who wears white garments, who is bright like the moon, who has four arms and a serene, smiling face. The verse says this meditation brings the removal of all obstacles.

The syllable people get wrong

In सर्वविघ्नोपशान्तये (sarvavighnopaśāntaye), the gh of vighna is aspirated and is often flattened to 'vigna'; give the g a breath, then join vighna to upaśāntaye through a single o: sar-va-vigh-no-pa-shaan-ta-ye, holding the long ā of śān.

When the Shuklambaradharam Vishnum is chanted

Weekday. Tuesday

Questions

It is used as both. Printed at the head of the Vishnu Sahasranama, it is read as a meditation on Vishnu, and Sri Vaishnava teaching also connects it with Vishvaksena, the remover of obstacles in Vishnu's household. Smarta families recite it as the Ganapati dhyana before any puja, Homa or new work, reading vishnum as 'the all-pervading one'. The words do not change between the two uses; only the form held in mind does.
In the Ganesha reading, vishnum is not a proper name but a description. The word comes from the root vish, to pervade, so it means 'the one who pervades all things', a quality every tradition grants its supreme deity. Some reciters avoid the question by saying shuklambaradharam devam, 'the white-clad god', in place of vishnum; that variant is heard in Ganesha worship but is not the reading printed before the Vishnu Sahasranama.
No. The thousand names and the dialogue between Yudhishthira and Bhishma are part of the Mahabharata's Anushasana Parva. Shuklambaradharam belongs to the prefatory verses that recitation tradition has placed before that text, followed by a verse to Vishvaksena, two verses honouring Vyasa and two praising Vishnu as changeless and freeing. Only after these does Vaishampayana's narration, the Mahabharata portion, begin.
The gesture comes from the Smarta sandhyavandanam. Manuals for followers of the Apastamba Sutra print the verse as the Ganapati dhyanam that opens the twilight rite and mark five points in the first line, at which the temples are struck lightly with the knuckles. Other manuals describe striking the forehead with both fists. The gesture belongs to the Ganesha use of the verse, not to the Vishnu Sahasranama recitation.
Both are single verses about obstacles, but they work differently. Vakratunda Mahakaya calls Ganesha by name and makes a request in the first person: make my work free of obstacles. Shuklambaradharam names no elephant feature and asks for nothing directly; it describes a form, white-clad, moon-coloured and four-armed, and says that one should meditate on it, with the removal of obstacles stated as the purpose of that meditation.
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