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Home › Mantras › Skanda Gayatri Mantra
Skanda (Subramanya) Skanda Gayatri Mantra: six-faced twelve-armed Lord Shanmukha holding a vel beside one peacock
Shanmukha, as worshipped in our consecrated sanctum
Mantra · The Gayatri form addressed to Skanda.

Skanda Gayatri Mantra

ॐ तत्पुरुषाय विद्महे महासेनाय धीमहि तन्नः षण्मुखः प्रचोदयात्

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Skanda HomamThe Skanda Homam, performed for youBook →

What the Skanda Gayatri is

The Skanda Gayatri is the ancient Gayatri formula redirected toward Skanda, the spear-bearing son of Shiva who is also Mahasena, lord of the divine host. It retains the three-part architecture of the Rigvedic Gayatri—recognition of the deity as that Purusha, meditative placement of him as the great general, and the petition that he impel the devotee’s own intelligence—yet every epithet is specific to the war-god born of Shiva’s fire. The mantra is found in the Mahānārāyaṇa Upaniṣad, the tenth book of the Taittirīya Āraṇyaka, a late-Vedic text that sets out a series of such Gayatris. Those who recite it approach Skanda not only as the slayer of Taraka but as the inner awakener of buddhi, the commander whose impulse can turn the mind as decisively as he once turned the tide of the gods’ war. The epithet Ṣaṇmukha, “the six-faced,” in its final line names the form in which the six infants of the reeds became one.

Impelling the Gods’ Commander

The Skanda Purana and the mantra-shastra traditions present the Skanda Gayatri as the contemplative counterpart to Skanda’s installation as senapati. After the six-faced child had been gathered and armed, the gods still required that his consciousness be fully yoked to their deliverance. Brahma and the sages are described as having given him not only the vel and the peacock but the formulas that bind a divine general to the welfare of the worlds. The Gayatri addressed to him crystallises that binding: he is first acknowledged as tat purusha, that indwelling Person; then he is meditated upon as Mahasena, the great army’s lord; finally the reciter asks that Ṣaṇmukha, the six-faced, himself perform the pracodana—the impelling—of intelligence. The structure deliberately echoes the Savitri Gayatri, yet the light requested here is the tactical and spiritual clarity of the commander who sees the entire field at once. In this sense the mantra re-enacts the original moment when the gods placed their hope in the newly born Skanda and asked that his awareness become their own directing force.

The mantra, in six scripts

DevanagariSanskrit & Hindiॐ तत्पुरुषाय विद्महे महासेनाय धीमहि तन्नः षण्मुखः प्रचोदयात्
Tamilௐ தத்புருஷாய வித்மஹே மஹாஸேநாய தீமஹி தந்நஃ ஷண்முகஃ ப்ரசோதயாத்
Teluguఓం తత్పురుషాయ విద్మహే మహాసేనాయ ధీమహి తన్నః షణ్ముఖః ప్రచోదయాత్
Kannadaಓಂ ತತ್ಪುರುಷಾಯ ವಿದ್ಮಹೇ ಮಹಾಸೇನಾಯ ಧೀಮಹಿ ತನ್ನಃ ಷಣ್ಮುಖಃ ಪ್ರಚೋದಯಾತ್
Malayalamഓം തത്പുരുഷായ വിദ്മഹേ മഹാസേനായ ധീമഹി തന്നഃ ഷണ്മുഖഃ പ്രചോദയാത്
EnglishRoman transliterationoṃ tatpuruṣāya vidmahe mahāsenāya dhīmahi tannaḥ ṣaṇmukhaḥ pracodayāt
“We know that Supreme Person; we meditate on the lord of the great army; may Ṣaṇmukha, the six-faced, impel our intelligence.”
ॐ
oṃ — the sacred syllable
तत्पुरुषाय
tatpuruṣāya — to that Supreme Person
विद्महे
vidmahe — we know / we contemplate
महासेनाय
mahāsenāya — on the lord of the great army
धीमहि
dhīmahi — we meditate
तन्नः
tannaḥ — may that one, for us
षण्मुखः
ṣaṇmukhaḥ — the six-faced one
प्रचोदयात्
pracodayāt — impel / direct

The syllable people get wrong

In ṣaṇmukhaḥ the opening ṣ is retroflex, formed with the tongue-tip curled back, and the ṇ that follows is retroflex too. Speakers often say a plain “sh” and a dental n, giving “shanmukha.” Keep both sounds retroflex and sound the aspirated kh. In pracodayāt keep the final ā long rather than clipping it to a short a.

When the Skanda Gayatri is chanted

Weekday. Tuesday

Festival. Skanda Shashti

Questions

The namah formulas offer salutation; the Gayatri adds the classical three-step movement of recognition, meditation and petition for the impelling of buddhi. By naming Skanda as both tat purusha and Mahasena, it places the war-god inside the oldest Vedic architecture of contemplative speech. The difference is therefore structural and functional: one bows, the other asks that the commander’s own clarity become the movement of the reciter’s intelligence.
Mahasena, “lord of the great army,” is the title Skanda receives at the moment the gods invest him with command against Taraka. The Gayatri deliberately chooses this epithet so that the meditation is fixed not on the child of the reeds alone but on the fully installed general. The title keeps the martial and protective dimension audible inside a metre otherwise associated with solar illumination.
Not in the Rigveda, but it is Vedic. The form tatpuruṣāya vidmahe mahāsenāya dhīmahi tannaḥ ṣaṇmukhaḥ pracodayāt is found in the Mahānārāyaṇa Upaniṣad, the tenth book of the Taittirīya Āraṇyaka, a late-Vedic text. The version widely chanted today, kārttikeyāya vidmahe śaktihastāya dhīmahi tannaḥ skandaḥ pracodayāt, is a different formula addressed to the same god.
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