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Home › Mantras › Subrahmanya Mantra
Subramanya Subrahmanya Mantra: six-faced twelve-armed Lord Shanmukha holding a vel beside one peacock
Subrahmanya, as worshipped in our consecrated sanctum
Mantra · The principal mantra. For courage and Mangal affliction.

Subrahmanya Mantra

ॐ शरवणभवाय नमः

Also known as Subramanya Swamy Mantra

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Subrahmanya is

Subrahmanya is the six-faced commander of the celestial armies, born of Shiva’s fiery essence and reared among the reeds of the celestial lake Saravana. In the Tamil country he is Murugan, the youthful spear-bearer whose shrines crown every hill from Tiruttani to Palani; in the Sanskrit puranas he is Skanda or Kartikeya, the son who received the lance called Vel from his mother and who alone could confront the asura Taraka. His form carries the peacock as vehicle and the rooster as banner, signs of vigilance and the conquest of darkness. Tradition places him as the deity who governs the planet Mars, yet his identity remains inseparable from the mountain landscapes and the fragrant forests where the Krittikas nursed him. Every epithet—Guha, the hidden one; Shanmukha, the six-faced—points to a single presence whose mythology never merges with that of any other god.

Birth among the reeds

The Skanda Purana and the earlier Kumara-sambhava of Kalidasa recount that Shiva’s accumulated tapas burst forth as six sparks of unbearable brilliance. Agni, unable to bear them, cast the sparks into the cool waters of Ganga; she in turn deposited them among the dense reeds of the lake Saravana. There the six infants took form and were suckled by the six Krittika stars. When Parvati gathered the children into one body, the boy retained six faces and twelve arms, receiving the name Saravanabhava, ‘he who arose in the reed thicket.’ The same texts describe how the gods, oppressed by Taraka, sought this child as their general. Brahma invested him with command, and the army of the devas marched under the peacock standard. The Sanskrit texts end that war with Taraka’s fall; in the Tamil Kanda Purāṇam the decisive battle, on the southern ocean shore at Tiruchendur, ends with the fall of the asura Surapadman, after which Subrahmanya took his seat upon the hills, forever linked to the place of his reed-born origin and to the martial charge entrusted to him alone.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ शरवणभवाय नमः
Tamilௐ ஶரவணபவாய நமஃ
Teluguఓం శరవణభవాయ నమః
Kannadaಓಂ ಶರವಣಭವಾಯ ನಮಃ
Malayalamഓം ശരവണഭവായ നമഃ
EnglishRoman transliterationoṃ śaravaṇabhavāya namaḥ
“Salutation to the one who came into being within the reed thicket.”
ॐ
oṃ — the primordial syllable
शरवणभवाय
śaravaṇabhavāya — to the one born in the reed thicket
नमः
namaḥ — salutation

More Subrahmanya mantras

Subrahmanya Dhyana Shloka (Shadananam)

The verse recited to picture the deity before japa.

DevanagariSanskrit & Hindiषडाननं कुङ्कुमरक्तवर्णं महामतिं दिव्यमयूरवाहनम्। रुद्रस्य सूनुं सुरसैन्यनाथं गुहं सदाहं शरणं प्रपद्ये॥
Tamilஷடாநநம் குங்குமரக்தவர்ணம் மஹாமதிம் திவ்யமயூரவாஹநம்। ருத்ரஸ்ய ஸூநும் ஸுரஸைந்யநாதம் குஹம் ஸதாஹம் ஶரணம் ப்ரபத்யே॥
Teluguషడాననం కుఙ్కుమరక్తవర్ణం మహామతిం దివ్యమయూరవాహనమ్। రుద్రస్య సూనుం సురసైన్యనాథం గుహం సదాహం శరణం ప్రపద్యే॥
Kannadaಷಡಾನನಂ ಕುಙ್ಕುಮರಕ್ತವರ್ಣಂ ಮಹಾಮತಿಂ ದಿವ್ಯಮಯೂರವಾಹನಮ್। ರುದ್ರಸ್ಯ ಸೂನುಂ ಸುರಸೈನ್ಯನಾಥಂ ಗುಹಂ ಸದಾಹಂ ಶರಣಂ ಪ್ರಪದ್ಯೇ॥
Malayalamഷഡാനനം കുങ്കുമരക്തവര്ണം മഹാമതിം ദിവ്യമയൂരവാഹനമ്। രുദ്രസ്യ സൂനും സുരസൈന്യനാഥം ഗുഹം സദാഹം ശരണം പ്രപദ്യേ॥
EnglishRoman transliterationṣaḍānanaṃ kuṅkumaraktavarṇaṃ mahāmatiṃ divyamayūravāhanam। rudrasya sūnuṃ surasainyanāthaṃ guhaṃ sadāhaṃ śaraṇaṃ prapadye॥
“I always take refuge in Guha, the six-faced one, red as kumkuma, of great wisdom, who rides the divine peacock, the son of Rudra and leader of the army of the gods.”
षडाननं
ṣaḍānanaṃ — the six-faced one
कुङ्कुमरक्तवर्णं
kuṅkumaraktavarṇaṃ — red in colour like kumkuma
महामतिं
mahāmatiṃ — of great wisdom
दिव्यमयूरवाहनम्
divyamayūravāhanam — whose mount is the divine peacock
रुद्रस्य
rudrasya — of Rudra (Shiva)
सूनुं
sūnuṃ — the son
सुरसैन्यनाथं
surasainyanāthaṃ — lord of the army of the gods
गुहं
guhaṃ — Guha, a name of Skanda
सदा
sadā — always
अहं
ahaṃ — I (sadā + ahaṃ = sadāhaṃ)
शरणं
śaraṇaṃ — refuge
प्रपद्ये
prapadye — I take refuge (in)

Source: Traditional Subrahmanya dhyana verse, chanted in South Indian worship. Some editions end the verse गुहं सदा शरणमहं प्रपद्ये.

The syllable people get wrong

The retroflex ṇ in sara-va-ṇa is frequently flattened to a dental n, producing the incorrect sa-ra-va-na. Speakers must curl the tongue back for the ṇ before the following bha, otherwise the name of the reed lake itself is lost and the mantra no longer names the precise birthplace.

When Subrahmanya is chanted

Weekday. Tuesday

Festival. Skanda Shashti

Questions

The six faces commemorate the six sparks that fell into Saravana and the six Krittika mothers who nursed them. When Parvati embraced the infants they fused into one body yet kept the six countenances, each facing a cardinal or intermediate direction so that the commander of the divine host might survey every quarter of the battlefield at once. The Skanda Purana treats this multiplicity as unique to him; no other deity of the pantheon is described as retaining the separate faces of his own multiple births.
The peacock, called Paravani, is said in the southern Agamas to have been the form assumed by the asura Surapadman after his defeat. Subrahmanya spared the transformed demon and accepted him as mount, thereby turning the very force of opposition into the means of movement. The bird’s outspread tail mirrors the spread of the commander’s six faces, and its cry is held to announce the presence of the Vel. This association belongs exclusively to Subrahmanya’s cycle of myths and is not shared with any other deity who rides a bird.
Jyotisha texts identify Subrahmanya with Angaraka or Mangala because both embody the fiery, martial principle that arises from Shiva’s own tejas. The same sparks that became the child also kindled the red planet. Temples dedicated to him therefore observe Tuesday, the weekday of Mars, and the iconography sometimes places the planet’s symbol near the Vel. The correspondence remains internal to his mythology and does not extend to other warlike figures who lack the reed-birth narrative.
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