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Home › Mantras › Valli Devasena Sametha Mantra
Subramanya Valli Devasena Sametha Mantra: Lord Subrahmanya with Valli, Devasena, a vel and one peacock beside a river
Valli Devasena Sametha, as worshipped in our consecrated sanctum
Mantra · With his consorts. For marriage.

Valli Devasena Sametha Mantra

ॐ वल्लीदेवसेनासमेतसुब्रह्मण्याय नमः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Valli Devasena Sametha is

Valli Devasena Sametha Subrahmanya is the same six-faced lord when he is contemplated in the company of his two consorts, the forest-born Valli and the celestial Devasena. Valli is the daughter of a hunter-chieftain of the Kurava tribe, discovered among the millet fields of the southern hills; Devasena is the daughter of Indra, given in marriage after the victory over Surapadman. Together the three form a single iconographic unit found in the sanctums of Tiruttani, Sivanmalai and other Murugan temples, where the god stands between the two goddesses, the Vel held lightly and the peacock at rest. The triad expresses the union of the wild mountain and the ordered heaven within the person of the commander, a configuration that belongs only to this deity and to no other divine household.

Two brides of the hill

The Kandapuranam, the Tamil rendering of the Skanda cycle, narrates that after the defeat of Surapadman the gods offered Devasena, Indra’s daughter, to the young general as bride. The marriage was celebrated in the heavenly court with full Vedic rites. Yet Subrahmanya’s heart also turned toward the hills. There, in the country of the hunters, a girl named Valli had been born to a doe that conceived when the sage Sivamuni looked upon it; she grew up guarding the millet crop. Disguised first as a hunter and then as an old ascetic, the god wooed her with the help of his brother Ganesha, who appeared as a wild elephant to frighten her into the ascetic’s arms. Their union was solemnised beneath the venkai tree. Thereafter the two wives stand on either side of him: Valli on the right as the beloved of the mountain, Devasena on the left as the celestial spouse. The double marriage is recorded only in the southern tradition surrounding Murugan and is never ascribed to any other god.

The mantra, in six scripts

The name mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ वल्लीदेवसेनासमेतसुब्रह्मण्याय नमः
Tamilௐ வல்லீதேவஸேநாஸமேதஸுப்ரஹ்மண்யாய நமஃ
Teluguఓం వల్లీదేవసేనాసమేతసుబ్రహ్మణ్యాయ నమః
Kannadaಓಂ ವಲ್ಲೀದೇವಸೇನಾಸಮೇತಸುಬ್ರಹ್ಮಣ್ಯಾಯ ನಮಃ
Malayalamഓം വല്ലീദേവസേനാസമേതസുബ്രഹ്മണ്യായ നമഃ
EnglishRoman transliterationoṃ vallīdevasenāsametasubrahmaṇyāya namaḥ
“Salutation to Subrahmanya who stands accompanied by Valli and Devasena.”
ॐ
oṃ — the primordial syllable
वल्लीदेवसेनासमेतसुब्रह्मण्याय
vallīdevasenāsametasubrahmaṇyāya — to Subrahmanya accompanied by Valli and Devasena
नमः
namaḥ — salutation

The syllable people get wrong

The long ī of vallī is commonly shortened to a brief i, yielding the incorrect va-lli. The syllable must be held as a full long vowel before the soft d of deva, otherwise the name of the hunter-maiden is reduced and the mantra no longer distinguishes her from any other consort.

When Valli Devasena Sametha is chanted

Weekday. Tuesday

Festival. Panguni Uthiram

Questions

In the standard iconography, and in the image at Tiruttani, Valli stands to the god’s right and Devasena to his left. Devasena is the bride given by Indra after the celestial war, representing the ordered realm of the devas; Valli is the bride won in the forest, representing the untamed hill country. The two goddesses on either side express the union of heaven and the wild hills within the person of the god.
The Kandapuranam presents the courtship as a series of disguises enacted upon the millet fields: the god appears as a tribal hunter, then as a helpless old man, while Ganesha takes the form of a rampaging elephant. Valli’s consent is obtained only after she recognises the ascetic’s true nature. This narrative of concealment and tribal setting is unique to Subrahmanya’s cycle and is not told of any other god’s marriage.
Panguni Uthiram, occurring when the Uthiram nakshatra falls in the month of Panguni, is observed in Murugan temples as the day that commemorates both marriages—the celestial wedding with Devasena and the hill wedding with Valli—being brought into a single liturgical remembrance. Processions carry the three images together. The day is not Murugan’s alone: Panguni Uthiram also commemorates other divine weddings, among them those of Śiva and Pārvatī, Rāma and Sītā, and Āṇḍāḷ and Raṅganātha.
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