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Home › Mantras › Sharabeshwara Mantra
Rudra (Shiva) Sharabeshwara Mantra: Shiva as Sharabha, a calm winged lion-bird with four arms and folded wings, on a snowy peak with two sages joining palms
On a Himalayan peak the winged Sharabha stands calm, wings folded, as two sages bow before him
Mantra · Shiva as Sharabha, king of birds: two dhyanas and the Ashtakam

Sharabeshwara Mantra

चन्द्रार्कौ वह्निदृष्टिः कुलिशवरनखश्चञ्चलात्युग्रजिह्वः काली दुर्गा च पक्षौ हृदयजठरगो भैरवो वाडवाग्निः । ऊरूस्थौ व्याधिमृत्यू शरभवरखगश्चण्डवातातिवेगः संहर्ता सर्वशत्रून्स जयति शरभः सालुवः पक्षिराजः ॥

Also known as Sharabhesha Ashtakam

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Sharabeshwara Mantra is

The Sharabeshwara mantra, as people search for it, is gathered on this page as the Sharabhesha Ashtakam with its two meditation verses, addressed to Shiva as Sharabha, the winged being also called Saluva and Pakshiraja, king of birds. Dhyanam 1 is the dhyana printed before the Sharabha Sahasranama; it maps the gods onto Sharabha's body, with Kali and Durga as the two wings, Bhairava and the undersea fire within, and disease and death held on the thighs. Dhyanam 2 is the Ashtakam's own meditation verse. The eight verses that follow, which the printed colophon assigns to the Akasha Bhairava Kalpa, a dialogue between Uma and Maheshvara, each end on 'namo'stu tubhyam sharabheshvaraya'. They move from Shiva's names to his emblems, then to the virtues and limbs of yoga he grants, and close on the five faces and the five-syllable mantra. One phala verse follows. Other Sharabha mantras belong to a Tantric line that tradition learns from a teacher; they are not printed here.

Sharabha and the fury of Narasimha

Two Puranas tell why Shiva took this form: the Shiva Purana, in the Sharabha chapters of its Shatarudra Samhita, and the Linga Purana, in chapters 95 and 96 of its first part. In their telling, Narasimha's fury did not settle after Hiranyakashipu was gone, and its heat unsettled the worlds, so the gods went to Shiva for help. Shiva first sent Virabhadra, his fierce attendant, with orders to speak gently. In the Linga Purana, Virabhadra recalls the earlier descents as fish, tortoise and boar, and asks Narasimha to set the form aside now that its task is done. When words did not calm him, Shiva appeared as Sharabha, part beast and part bird, winged and many-armed, with a voice like thunder at the close of an age. Sharabha held Narasimha fast and lifted him into the sky until the fury was spent. Narasimha then praised Shiva with a hymn of one hundred and eight names and asked that Shiva alone remove any pride that might arise in his mind. The Shiva Purana closes gently: Shiva answers that Vishnu is merged in him as water in water, names him his foremost devotee and a giver of boons, and the Sharabha form vanishes. Vaishnava tradition tells the episode differently and does not accept this account.

The mantra, in six scripts

DevanagariSanskrit & Hindiचन्द्रार्कौ वह्निदृष्टिः कुलिशवरनखश्चञ्चलात्युग्रजिह्वः काली दुर्गा च पक्षौ हृदयजठरगो भैरवो वाडवाग्निः । ऊरूस्थौ व्याधिमृत्यू शरभवरखगश्चण्डवातातिवेगः संहर्ता सर्वशत्रून्स जयति शरभः सालुवः पक्षिराजः ॥
Tamilசந்த்ரார்கௌ வஹ்நித்ருஷ்டிஃ குலிஶவரநகஶ்சஞ்சலாத்யுக்ரஜிஹ்வஃ காலீ துர்கா ச பக்ஷௌ ஹ்ருதயஜடரகோ பைரவோ வாடவாக்நிஃ । ஊரூஸ்தௌ வ்யாதிம்ருத்யூ ஶரபவரககஶ்சண்டவாதாதிவேகஃ ஸம்ஹர்தா ஸர்வஶத்ரூந்ஸ ஜயதி ஶரபஃ ஸாலுவஃ பக்ஷிராஜஃ ॥
Teluguచన్ద్రార్కౌ వహ్నిదృష్టిః కులిశవరనఖశ్చఞ్చలాత్యుగ్రజిహ్వః కాలీ దుర్గా చ పక్షౌ హృదయజఠరగో భైరవో వాడవాగ్నిః । ఊరూస్థౌ వ్యాధిమృత్యూ శరభవరఖగశ్చణ్డవాతాతివేగః సంహర్తా సర్వశత్రూన్స జయతి శరభః సాలువః పక్షిరాజః ॥
Kannadaಚನ್ದ್ರಾರ್ಕೌ ವಹ್ನಿದೃಷ್ಟಿಃ ಕುಲಿಶವರನಖಶ್ಚಞ್ಚಲಾತ್ಯುಗ್ರಜಿಹ್ವಃ ಕಾಲೀ ದುರ್ಗಾ ಚ ಪಕ್ಷೌ ಹೃದಯಜಠರಗೋ ಭೈರವೋ ವಾಡವಾಗ್ನಿಃ । ಊರೂಸ್ಥೌ ವ್ಯಾಧಿಮೃತ್ಯೂ ಶರಭವರಖಗಶ್ಚಣ್ಡವಾತಾತಿವೇಗಃ ಸಂಹರ್ತಾ ಸರ್ವಶತ್ರೂನ್ಸ ಜಯತಿ ಶರಭಃ ಸಾಲುವಃ ಪಕ್ಷಿರಾಜಃ ॥
Malayalamചന്ദ്രാര്കൌ വഹ്നിദൃഷ്ടിഃ കുലിശവരനഖശ്ചഞ്ചലാത്യുഗ്രജിഹ്വഃ കാലീ ദുര്ഗാ ച പക്ഷൌ ഹൃദയജഠരഗോ ഭൈരവോ വാഡവാഗ്നിഃ । ഊരൂസ്ഥൌ വ്യാധിമൃത്യൂ ശരഭവരഖഗശ്ചണ്ഡവാതാതിവേഗഃ സംഹര്താ സര്വശത്രൂന്സ ജയതി ശരഭഃ സാലുവഃ പക്ഷിരാജഃ ॥
EnglishRoman transliterationcandrārkau vahnidṛṣṭiḥ kuliśavaranakhaścañcalātyugrajihvaḥ kālī durgā ca pakṣau hṛdayajaṭharago bhairavo vāḍavāgniḥ | ūrūsthau vyādhimṛtyū śarabhavarakhagaścaṇḍavātātivegaḥ saṃhartā sarvaśatrūnsa jayati śarabhaḥ sāluvaḥ pakṣirājaḥ ||
“The moon and sun are his eyes and fire is his third sight; his claws are like the thunderbolt and his darting tongue is terrible; Kali and Durga are his two wings, and Bhairava and the undersea fire dwell in his heart and belly. Disease and death sit on his thighs; he is the best of winged beings, swifter than a raging gale, the destroyer of all enemies: victory to Sharabha, Saluva, king of birds.”
चन्द्रार्कौ
candrārkau — the moon and sun (his eyes)
वह्निदृष्टिः
vahnidṛṣṭiḥ — fire his sight
कुलिशवरनखश्चञ्चलात्युग्रजिह्वः
kuliśavaranakhaścañcalātyugrajihvaḥ — claws like the best of thunderbolts, his darting, fierce tongue
काली
kālī — Kali
दुर्गा
durgā — Durga
च
ca — and
पक्षौ
pakṣau — his two wings
हृदयजठरगो
hṛdayajaṭharago — dwelling in heart and belly
भैरवो
bhairavo — Bhairava
वाडवाग्निः
vāḍavāgniḥ — the undersea fire

Sharabeshwara Mantra lyrics in full

Two meditation verses, the eight verses of the Sharabhesha Ashtakam and its one phala verse.

All 11 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Sharabeshwara Mantra PDFAll 11 verses with their meanings, in Sanskrit. Free to print and keep.

Dhyanam 1

चन्द्रार्कौ वह्निदृष्टिः कुलिशवरनखश्चञ्चलात्युग्रजिह्वः काली दुर्गा च पक्षौ हृदयजठरगो भैरवो वाडवाग्निः ।
ऊरूस्थौ व्याधिमृत्यू शरभवरखगश्चण्डवातातिवेगः संहर्ता सर्वशत्रून्स जयति शरभः सालुवः पक्षिराजः ॥

The moon and sun are his eyes and fire is his third sight; his claws are like the thunderbolt and his darting tongue is terrible; Kali and Durga are his two wings, and Bhairava and the undersea fire dwell in his heart and belly. Disease and death sit on his thighs; he is the best of winged beings, swifter than a raging gale, the destroyer of all enemies: victory to Sharabha, Saluva, king of birds.

Dhyanam 2

ज्वलनकुटिलकेशं सूर्यचन्द्राग्निनेत्रं निशिततरनखाग्रोद्धूतहेमाभदेहम् ।
शरभमथ मुनीन्द्रैः सेव्यमानं सिताङ्गं प्रणतभयविनाशं भावयेत्पक्षिराजम् ॥

One should meditate on Sharabha, the king of birds, whose curling hair blazes like fire, whose eyes are the sun, moon and fire, and whose gold-bright body bristles with razor-sharp claws. He is white of limb, attended by the foremost sages, and he destroys the fear of all who bow to him.

Verse 1

देवादिदेवाय जगन्मयाय शिवाय नालीकनिभाननाय ।
शर्वाय भीमाय शराधिपाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To the god of gods, who pervades the whole world, to Shiva whose face is like a lotus; to Sharva, the terrible one, lord of arrows: salutation to you, Lord Sharabheshvara.

Verse 2

हराय भीमाय हरिप्रियाय भवाय शान्ताय परात्पराय ।
मृडाय रुद्राय विलोचनाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To Hara, the terrible one, dear to Vishnu; to Bhava, the peaceful one, higher than the highest; to Mrida the gracious, to Rudra, the one with the third eye: salutation to you, Lord Sharabheshvara.

Verse 3

शीतांशुचूडाय दिगम्बराय सृष्टिस्थितिध्वंसनकारणाय ।
जटाकलापाय जितेन्द्रियाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To him who wears the cool moon on his crest and the sky as his garment, the cause of creation, preservation and dissolution; to him with a mass of matted locks, master of the senses: salutation to you, Lord Sharabheshvara.

Verse 4

कलङ्ककण्ठाय भवान्तकाय कपालशूलात्तकराम्बुजाय ।
भुजङ्गभूषाय पुरान्तकाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To him whose throat bears the dark mark, who ends the round of worldly birth, whose lotus hands hold a skull and a trident; to him adorned with serpents, destroyer of the three cities: salutation to you, Lord Sharabheshvara.

Verse 5

शमादिषट्काय यमान्तकाय यमादियोगाष्टकसिद्धिदाय ।
उमाधिनाथाय पुरातनाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To him who is the six virtues beginning with inner calm, the ender of Yama, who grants success in the eight limbs of yoga beginning with restraint; to the lord of Uma, the ancient one: salutation to you, Lord Sharabheshvara.

Verse 6

घृणादिपाशाष्टकवर्जिताय खिलीकृतास्मत्पथि पूर्वगाय ।
गुणादिहीनाय गुणत्रयाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To him free of the eight bonds beginning with disgust, who goes before us on the path that had become overgrown; to him beyond all qualities, yet who is the three gunas: salutation to you, Lord Sharabheshvara.

Verse 7

कालाय वेदामृतकन्दलाय कल्याणकौतूहलकारणाय ।
स्थूलाय सूक्ष्माय स्वरूपगाय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To him who is Time, the fresh shoot of the nectar of the Vedas, the cause of auspicious joy; to him who is gross and subtle and abides in his own true nature: salutation to you, Lord Sharabheshvara.

Verse 8

पञ्चाननायानिलभास्कराय पञ्चाशदर्णाद्यपराक्षयाय ।
पञ्चाक्षरेशाय जगद्धिताय नमोऽस्तु तुभ्यं शरभेश्वराय ॥

To the five-faced one, who is wind and sun, the imperishable one beyond the fifty letters and all that begins with them; to the lord of the five-syllable mantra, who works for the good of the world: salutation to you, Lord Sharabheshvara.

Phala Shruti 1

इमं स्तवं जपेद्यस्तु शरभेशाष्टकं नरः ।
तस्य नश्यन्ति पापानि रिपवश्च सुरोत्तमाः ॥

O best of gods, the verse says that for the person who recites this hymn, the Sharabhesha Ashtakam, both sins and enemies are destroyed.

The syllable people get wrong

In śarabheśvarāya the third syllable is bhe, with a breathy bh, and the second is a full short ra: sha-ra-bhe-shva-raa-ya. The search spelling 'Sharabeshwara' drops the h, and 'Sharbeshwar' drops the ra; the śv is one cluster, as in 'Ishvara'.

When the Sharabeshwara Mantra is chanted

Weekday. Monday

Questions

It means 'salutation be to you, Sharabheshvara', and it closes all eight verses of the Ashtakam. Namah is salutation, astu means 'let there be', tubhyam is 'to you', and Sharabheshvara joins Sharabha with ishvara, the ruler. Each verse builds a chain of names in the dative case, such as devadidevaya, 'to the god of gods', or pancaksareshaya, 'to the master of the five-syllable mantra', and the refrain gathers them into one bow.
The last line of Dhyanam 1 names him three ways at once: Sharabha, Saluva and Pakshiraja, king of birds. The bird title follows from the form the Puranas give him, winged and beaked, and from the dhyana, which makes Kali and Durga his wings and calls him the best of winged beings, swifter than a raging gale. Dhyanam 2 repeats the title in its closing word, pakshirajam, after describing his fire-bright hair and eyes of sun, moon and fire.
No. Verse 2 calls Shiva haripriya, dear to Hari, that is, to Vishnu, and the Ashtakam never mentions Narasimha at all; its verses praise Shiva through his emblems, his yoga and his five faces. The Shiva Purana itself ends the Sharabha episode with Shiva calling Vishnu his foremost devotee. Narasimha's own story and mantras are on our Narasimha page.
The best-known shrine is in the Kampahareshvara temple at Thirubuvanam, near Kumbakonam in Tamil Nadu, built in the reign of Kulottunga Chola III, where Sharabha has a sanctum of his own. Nearby Chola temples also carry the form: the Airavatesvara temple at Darasuram keeps a black basalt Sharabha in a small separate shrine, and an image at Vikramasolishwaram is counted among the earliest of the Chola Sharabha images.
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