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Home › Mantras › Lalita Pancharatnam
Tripura Sundari Lalita Pancharatnam: a devotee at a river at dawn remembering Goddess Lalita, who appears with sugarcane bow, flower arrows and goad
At daybreak a devotee by the river remembers the smiling face, the hands and the feet of the Goddess
Mantra · Five dawn verses on Lalita's face, arms, feet, glory and names

Lalita Pancharatnam

प्रातः स्मरामि ललितावदनारविन्दं बिम्बाधरं पृथुलमौक्तिकशोभिनासम् । आकर्णदीर्घनयनं मणिकुण्डलाढ्यं मन्दस्मितं मृगमदोज्ज्वलफालदेशम् ॥

Also known as Pratah Smarami Lalita Vadanaravindam

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

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What the Lalita Pancharatnam is

The Lalitha Pancharatnam, printed in Sanskrit as the Lalita Pancharatnam and also called the Lalita Panchakam, is a dawn hymn of five 'gem' verses to Lalita Tripurasundari, worshipped at the centre of Sri Vidya practice. Its colophon names Shankara Bhagavatpada, disciple of Govinda Bhagavatpada, as the author. Every verse opens on the word pratah, at dawn, and each uses a different verb, so the five read as steps. Verse 1 remembers (smarami) her face, from lips red as the bimba fruit to the musk glowing on her forehead. Verse 2 worships (bhajami) her arms, which hold the sugarcane bow, the flower arrows and the goad. Verse 3 bows (namami) to her feet, marked with the lotus, goad, banner and discus. Verse 4 praises (stuve) her as the cause of creation, sustenance and dissolution, known through the Upanishads yet beyond speech and mind. Verse 5 speaks (vadami) eight of her names aloud. A sixth verse states the fruit of reading the five at daybreak.

Shankara's morning pattern given a face

No legend of composition is told about the Lalita Pancharatnam; its setting is the hour it names. It belongs to the pratah-smarana form, verses said on waking, and the hymns ascribed to Shankara include a three-verse Pratah Smarana Stotram on the Self. That earlier hymn opens its verses with 'pratah smarami', 'pratar bhajami' and 'pratar namami', a sequence the tradition reads as offering mind, speech and body to the Supreme before the day begins. The Lalita hymn keeps those three openings word for word and adds two more, 'pratah stuve' and 'pratar vadami'. Where the older hymn remembers a formless witness of waking, dream and sleep, this one remembers a goddess with a face, hands and feet, and only in Verse 4 rises to the same language of a reality beyond scripture, speech and mind. The images come from the Sri Vidya picture of Lalita, whose Sahasranama calls her sugarcane bow the mind and her five flower arrows the five subtle elements. Verse 2 puts the bow, the arrows and the goad in her hands but leaves out the noose she usually carries. Verse 5 gathers into one goddess Kamala, a name of Lakshmi, and Vagdevata, the goddess of speech, beside Kameshvari, consort of Kameshvara, and Shambhavi, wife of Shambhu. The closing verse fixes the hour once more with the word prabhate, at daybreak.

The mantra, in six scripts

DevanagariSanskrit & Hindiप्रातः स्मरामि ललितावदनारविन्दं बिम्बाधरं पृथुलमौक्तिकशोभिनासम् । आकर्णदीर्घनयनं मणिकुण्डलाढ्यं मन्दस्मितं मृगमदोज्ज्वलफालदेशम् ॥
Tamilப்ராதஃ ஸ்மராமி லலிதாவதநாரவிந்தம் பிம்பாதரம் ப்ருதுலமௌக்திகஶோபிநாஸம் । ஆகர்ணதீர்கநயநம் மணிகுண்டலாட்யம் மந்தஸ்மிதம் ம்ருகமதோஜ்ஜ்வலபாலதேஶம் ॥
Teluguప్రాతః స్మరామి లలితావదనారవిన్దం బిమ్బాధరం పృథులమౌక్తికశోభినాసమ్ । ఆకర్ణదీర్ఘనయనం మణికుణ్డలాఢ్యం మన్దస్మితం మృగమదోజ్జ్వలఫాలదేశమ్ ॥
Kannadaಪ್ರಾತಃ ಸ್ಮರಾಮಿ ಲಲಿತಾವದನಾರವಿನ್ದಂ ಬಿಮ್ಬಾಧರಂ ಪೃಥುಲಮೌಕ್ತಿಕಶೋಭಿನಾಸಮ್ । ಆಕರ್ಣದೀರ್ಘನಯನಂ ಮಣಿಕುಣ್ಡಲಾಢ್ಯಂ ಮನ್ದಸ್ಮಿತಂ ಮೃಗಮದೋಜ್ಜ್ವಲಫಾಲದೇಶಮ್ ॥
Malayalamപ്രാതഃ സ്മരാമി ലലിതാവദനാരവിന്ദം ബിമ്ബാധരം പൃഥുലമൌക്തികശോഭിനാസമ് । ആകര്ണദീര്ഘനയനം മണികുണ്ഡലാഢ്യം മന്ദസ്മിതം മൃഗമദോജ്ജ്വലഫാലദേശമ് ॥
EnglishRoman transliterationprātaḥ smarāmi lalitāvadanāravindaṃ bimbādharaṃ pṛthulamauktikaśobhināsam | ākarṇadīrghanayanaṃ maṇikuṇḍalāḍhyaṃ mandasmitaṃ mṛgamadojjvalaphāladeśam ||
“At dawn I remember the lotus face of Lalita, with lips red as the bimba fruit and a nose graced by a large pearl. Her long eyes reach toward her ears, she is adorned with jewelled earrings, she smiles gently, and her forehead glows with musk.”
प्रातः
prātaḥ — at dawn
स्मरामि
smarāmi — I remember
ललितावदनारविन्दं
lalitāvadanāravindaṃ — Lalita's lotus face
बिम्बाधरं
bimbādharaṃ — with lips red as the bimba fruit
पृथुलमौक्तिकशोभिनासम्
pṛthulamauktikaśobhināsam — nose graced by a large pearl
आकर्णदीर्घनयनं
ākarṇadīrghanayanaṃ — eyes long to the ears
मणिकुण्डलाढ्यं
maṇikuṇḍalāḍhyaṃ — rich with jewelled earrings
मन्दस्मितं
mandasmitaṃ — gently smiling
मृगमदोज्ज्वलफालदेशम्
mṛgamadojjvalaphāladeśam — forehead glowing with musk

Lalitha Pancharatnam lyrics in full

Five verses greeting Lalita at dawn, followed by the verse that names the fruit of reading them.

All 7 verses, in Sanskrit, Tamil, Telugu, Kannada, Malayalam and English, each with its meaning. Choose a script:

Download the Lalitha Pancharatnam PDFAll 7 verses with their meanings, in Sanskrit. Free to print and keep.

Verse 1

प्रातः स्मरामि ललितावदनारविन्दं बिम्बाधरं पृथुलमौक्तिकशोभिनासम् ।
आकर्णदीर्घनयनं मणिकुण्डलाढ्यं मन्दस्मितं मृगमदोज्ज्वलफालदेशम् ॥

At dawn I remember the lotus face of Lalita, with lips red as the bimba fruit and a nose graced by a large pearl. Her long eyes reach toward her ears, she is adorned with jewelled earrings, she smiles gently, and her forehead glows with musk.

Verse 2

प्रातर्भजामि ललिताभुजकल्पवल्लीं रक्ताङ्गुलीयलसदङ्गुलिपल्लवाढ्याम् ।
माणिक्यहेमवलयाङ्गदशोभमानां पुण्ड्रेक्षुचापकुसुमेषुसृणीर्दधानाम् ॥

At dawn I worship the arms of Lalita, which are like wish-granting creepers, their tender finger-shoots shining with red rings. They gleam with bracelets and armlets of ruby and gold, and hold the sugarcane bow, the flower arrows and the goad.

Verse 3

प्रातर्नमामि ललिताचरणारविन्दं भक्तेष्टदाननिरतं भवसिन्धुपोतम् ।
पद्मासनादिसुरनायकपूजनीयं पद्माङ्कुशध्वजसुदर्शनलाञ्छनाढ्यम् ॥

At dawn I bow to the lotus feet of Lalita, ever intent on granting the wishes of devotees, a boat across the ocean of worldly life. They are worshipped by Brahma and the other lords of the gods, and bear the marks of the lotus, the goad, the banner and the discus.

Verse 4

प्रातः स्तुवे परशिवां ललितां भवानीं त्रय्यन्तवेद्यविभवां करुणानवद्याम् ।
विश्वस्य सृष्टिविलयस्थितिहेतुभूतां विद्येश्वरीं निगमवाङ्मनसातिदूराम् ॥

At dawn I praise Lalita, Bhavani, the supreme auspicious one, whose glory is known through the Upanishads and who is flawless in her compassion. She is the cause of the creation, dissolution and sustenance of the universe, the sovereign of knowledge, far beyond the reach of scripture, speech and mind.

Verse 5

प्रातर्वदामि ललिते तव पुण्यनाम कामेश्वरीति कमलेति महेश्वरीति ।
श्रीशाम्भवीति जगतां जननी परेति वाग्देवतेति वचसा त्रिपुरेश्वरीति ॥

At dawn, O Lalita, I speak aloud your sacred names: Kameshvari, Kamala, Maheshvari, Shri Shambhavi, Mother of the worlds, the Supreme, Goddess of Speech, and Tripureshvari.

Phala Shruti 1

यः श्लोकपञ्चकमिदं ललिताम्बिकायाः सौभाग्यदं सुललितं पठति प्रभाते ।
तस्मै ददाति ललिता झटिति प्रसन्ना विद्यां श्रियं विमलसौख्यमनन्तकीर्तिम् ॥

The verse says that whoever recites at daybreak these five graceful verses on Mother Lalita, which bestow good fortune, is quickly blessed by a pleased Lalita with knowledge, prosperity, pure happiness and endless renown.

Closing

इति श्रीमत्परमहंसपरिव्राजकाचार्यस्य श्रीगोविन्दभगवत्पूज्यपादशिष्यस्य श्रीमच्छङ्करभगवतः कृतौ श्रीललितापञ्चरत्नं सम्पूर्णम् ॥

Thus ends the Lalita Pancharatnam, a work of the revered Shri Shankara, the renunciate teacher of the highest order and disciple of the revered Shri Govinda Bhagavatpada.

The syllable people get wrong

In the closing verse, jhaṭiti ('swiftly') is often said as 'jatiti'; it begins with the breathy jh, a j followed by a puff of air, and its middle ṭ is a retroflex t, struck with the tongue turned up behind the teeth ridge: JHA-ti-ti.

When the Lalita Pancharatnam is chanted

Weekday. Friday

Festival. Lalita Panchami, in Sharad Navaratri

Questions

It means 'At dawn I remember the lotus face of Lalita'. Pratah is dawn, smarami is 'I remember', and vadanaravindam joins vadana, face, with aravinda, lotus. The rest of Verse 1 fills in that face: lips like the red bimba fruit, a large pearl on the nose, eyes so long they reach toward the ears, jewelled earrings, a gentle smile, and a forehead bright with musk.
Five verses form the hymn and a sixth states its fruit. The sixth verse itself calls what came before a shloka-panchakam, a set of five verses on Mother Lalita, and so the hymn is named a pancharatnam, five gems, or a panchakam. The verse says that whoever reads the five at daybreak is quickly blessed by a pleased Lalita with knowledge, prosperity, pure happiness and lasting renown.
Both words mean the forehead, so the line reads the same either way: a forehead glowing with musk. This page follows the reading of the 1910 printed collection of Shankara's hymns, phaladesham. Printings also differ in Verse 2, where most read rakta, red rings on her fingers, and a few read ratna, jewelled rings. Neither difference changes the picture of the goddess the verse draws.
The Sahasranama is a long Puranic litany of a thousand names, set in a dialogue between Hayagriva and the sage Agastya. The Pancharatnam is a short poem ascribed to Shankara, written in the first person and tied to the dawn. It names only eight forms of the goddess, in Verse 5, and spends its other verses describing her face, arms and feet as a devotee pictures her on waking.
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