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HomeMantras › Navagraha Stotram Mantra
Navagraha Vintage devotional illustration of the nine Navagraha planetary deities gathered around Lord Surya
Navagraha Stotram, as worshipped in our consecrated sanctum
Mantra · All nine in one recitation.

Navagraha Stotram Mantra

नमः सूर्याय चन्द्राय मङ्गलाय बुधाय च । गुरुशुक्रशनिभ्यश्च राहवे केतवे नमः ॥

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Navagraha Stotram is

The Navagraha Stotram is the compact Sanskrit address that names all nine grahas in a single metrical breath: Surya, Chandra, Mangala, Budha, Guru, Shukra, Shani, Rahu and Ketu. Attributed in many southern manuscript colophons to Vyasa, the stotra functions as a collective salutation rather than a hymn to any one light. Each name appears in the dative, so the verse itself performs the act of offering. Temple practice places the recitation before the stone or metal Navagraha panel, where the nine figures stand on a single plinth in fixed directional order. The stotra therefore binds the separate planetary intelligences into one liturgical unit, acknowledging their joint governance of the ecliptic without isolating any single graha for independent praise.

Nine Names in One Verse

Traditional accounts preserved in smarta paddhatis and in the prefatory verses of certain South Indian palm-leaf collections state that Vyasa composed the Navagraha Stotram so that householders might honour the entire planetary court without reciting nine separate hymns. The verse opens with the luminous pair Surya and Chandra, proceeds through the five tara-grahas in the order of their weekday lordship, and closes with the two nodes Rahu and Ketu. By ending on the shadow grahas the stotra mirrors the astronomical fact that the nodes complete the set of influences recognised by classical Jyotisha. Temple legends linked to the Navagraha shrines at Kumbakonam and Tirunallar recount that the verse was first installed when the nine images were set on a common peetha, ensuring that no graha would receive homage in isolation from the others. The stotra thus became the verbal counterpart of that architectural unity.

The mantra, in six scripts

The seed mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiनमः सूर्याय चन्द्राय मङ्गलाय बुधाय च । गुरुशुक्रशनिभ्यश्च राहवे केतवे नमः ॥
Tamilநமஃ ஸூர்யாய சந்த்ராய மங்கலாய புதாய ச । குருஶுக்ரஶநிப்யஶ்ச ராஹவே கேதவே நமஃ ॥
Teluguనమః సూర్యాయ చన్ద్రాయ మఙ్గలాయ బుధాయ చ । గురుశుక్రశనిభ్యశ్చ రాహవే కేతవే నమః ॥
Kannadaನಮಃ ಸೂರ್ಯಾಯ ಚನ್ದ್ರಾಯ ಮಙ್ಗಲಾಯ ಬುಧಾಯ ಚ । ಗುರುಶುಕ್ರಶನಿಭ್ಯಶ್ಚ ರಾಹವೇ ಕೇತವೇ ನಮಃ ॥
Malayalamനമഃ സൂര്യായ ചന്ദ്രായ മങ്ഗലായ ബുധായ ച । ഗുരുശുക്രശനിഭ്യശ്ച രാഹവേ കേതവേ നമഃ ॥
EnglishRoman transliterationnamaḥ sūryāya candrāya maṅgalāya budhāya ca | guruśukraśanibhyaśca rāhave ketave namaḥ ||
“Salutation to Surya, to Chandra, to Mangala, to Budha, and to Guru, Shukra and Shani, to Rahu and to Ketu.”
नमः
namaḥ — salutation
सूर्याय
sūryāya — to Surya
चन्द्राय
candrāya — to Chandra
मङ्गलाय
maṅgalāya — to Mangala
बुधाय
budhāya — to Budha
ca — and
गुरुशुक्रशनिभ्यश्च
guruśukraśanibhyaśca — and to Guru, Shukra and Shani
राहवे
rāhave — to Rahu
केतवे
ketave — to Ketu
नमः
namaḥ — salutation

The syllable people get wrong

Inside the compound guruśukraśanibhyaśca the syllable śu of śukra begins with the palatal sibilant ś, which must be formed against the hard palate. Speakers routinely substitute the dental s, producing sukra and thereby flattening the distinct sibilant colour that the stotra gives to the name of the planet Venus.

Questions

Classical Jyotisha counts the two nodes as chaya-grahas, shadow planets that complete the set of nine. By reserving the final cadence for Rahu and Ketu the verse mirrors their astronomical status as the points where the lunar orbit crosses the ecliptic, distinct from the seven bodies that possess visible discs. The order therefore follows the traditional enumeration rather than weekday sequence alone.
The grammar is collective: every name stands in the dative and the single verb of salutation governs them all. The stotra therefore functions as one utterance directed at the entire planetary court, preserving the unity of the Navagraha panel in which the nine figures share a single stone plinth and a single ritual moment.
Individual beeja mantras isolate one graha for focused japa. The Navagraha Stotram, by contrast, refuses isolation; its purpose is the simultaneous acknowledgement of all nine influences as they stand together in the ecliptic scheme of Jyotisha and in the architecture of the Navagraha shrine.
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