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Home › Mantras › Sakalakalavalli Malai
Saraswathi Sakalakalavalli Malai: Kumaraguruparar singing at the Kashi ghat at dawn as four-armed Saraswati with her veena and swan appears over the Ganga
At the Kashi ghat, Kumaraguruparar sings to Saraswati as she appears over the Ganga with her veena
Mantra · Kumaraguruparar's ten Tamil verses to Saraswati, sung at Kashi

Sakalakalavalli Malai

வெண்டா மரைக்கன்றி நின்பதந் தாங்கவென் வெள்ளையுள்ளத் தண்டா மரைக்குத் தகாதுகொ லோசக மேழுமளித்

Also known as Sakalakalavalli Maalai

In Tamil and English — with the meaning of every word, and the one sound most people pronounce wrongly.

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What the Sakalakalavalli Malai is

Sakalakalavalli Malai, also printed as Sakalakalavalli Maalai, the 'garland for Sakalakalavalli', is a Tamil decad of ten verses that the seventeenth-century Shaiva poet-saint Kumaraguruparar addressed to Saraswati, whom he names the mistress of all the arts. Each verse is in kattalai kalitturai, a four-line Tamil metre, and each ends on the same refrain, 'sakala kalavalliye'. The requests are those of a working poet. Verse 2 asks to be set to the service of singing the four kinds of poetry, rich in sense and in sound. Verse 4 asks for learning and abundant speech, and calls her the guardian of both Sanskrit lore and Tamil. Verse 6 asks that music, dance and verse come easily whenever he thinks of them, and verse 8 asks for avadhana, the art of holding many compositions in mind at once. Between the requests he pictures her as sugarcane, a golden creeper, a dancing peacock and a white swan. The tenth verse asks that kings bow before his song.

A Tamil monk at Dara Shukoh's court

According to the traditional life of Kumaraguruparar, the hymn was sung at Kashi. His guru, Masilamani Desikar of the Dharmapuram monastery, had given him sannyasa and sent him north, and he reached the city around 1658, when the province was held by Dara Shukoh, son of the emperor Shah Jahan. Kumaraguruparar wanted land to restore the shrine of Kedareswarar and to found a monastery, but he knew only Tamil, and the account says the prince offered him no seat and would speak only in Hindustani, and only with someone he respected. Kumaraguruparar said he would return the next day. He bathed in the Ganga, meditated on Saraswati and sang these ten verses, and tradition holds that he came away able to speak Hindustani without having studied it. The story goes on that he rode into the court on a lion, and that the prince, now respectful, received him and heard him on Saiva Siddhanta. Asked for land, Dara is said to have replied that kites never flew over Kashi and offered whatever ground a kite circled; one circled the next day, and the Kumaraswamy Mutt at Kedar Ghat stands there. He stayed in Kashi until his death in 1688, teaching in Tamil and Hindustani.

The opening lines, in Tamil and English

Tamilவெண்டா மரைக்கன்றி நின்பதந் தாங்கவென் வெள்ளையுள்ளத் தண்டா மரைக்குத் தகாதுகொ லோசக மேழுமளித் துண்டா னுறங்க வொழித்தான்பித் தாகவுண் டாக்கும்வண்ணம் கண்டான் சுவைகொள் கரும்பே சகல கலாவல்லியே
EnglishRoman transliterationveṇṭā maraikkaṉṟi niṉpatan tāṅkaveṉ veḷḷaiyuḷḷat taṇṭā maraikkut takātuko lōcaka mēḻumaḷit tuṇṭā ṉuṟaṅka voḻittāṉpit tākavuṇ ṭākkumvaṇṇam kaṇṭāṉ cuvaikoḷ karumpē cakala kalāvalliyē
“O Goddess, is the cool lotus of my pure white heart not fit to bear your feet, as the white lotus does? You are the sweet sugarcane tasted by Brahma, who goes on creating while Vishnu, having guarded and swallowed the seven worlds, sleeps and Shiva, who destroys them, roams like one possessed, O Sakalakalavalli, mistress of all the arts.”
வெண்டா
veṇṭā — to the white
மரைக்கன்றி
maraikkaṉṟi — lotus; not only to it
நின்பதந்
niṉpatan — your feet
தாங்கவென்
tāṅkaveṉ — to bear, my
வெள்ளையுள்ளத்
veḷḷaiyuḷḷat — pure white heart's
தண்டா
taṇṭā — cool
மரைக்குத்
maraikkut — lotus, for (it)
தகாதுகொ
takātuko — is it unfit
லோசக
lōcaka — (question); the worlds
மேழுமளித்
mēḻumaḷit — seven, guarding
துண்டா
tuṇṭā — and swallowing
னுறங்க
ṉuṟaṅka — (he who ate) sleeps
வொழித்தான்பித்
voḻittāṉpit — he who destroys, mad
தாகவுண்
tākavuṇ — being; creation
டாக்கும்வண்ணம்
ṭākkumvaṇṇam — (so) bringing about
கண்டான்
kaṇṭāṉ — he (Brahma) who beheld
சுவைகொள்
cuvaikoḷ — tasting
கரும்பே
karumpē — O sugarcane
சகல
cakala — all
கலாவல்லியே
kalāvalliyē — O mistress of the arts

Sakalakalavalli Malai lyrics in full

The ten verses in kattalai kalitturai metre, printed in the traditional joined metrical form.

All 40 lines, in Tamil and English, each with its meaning. Choose a script:

Download the Sakalakalavalli Malai PDFAll 40 lines with their meanings, in Tamil. Free to print and keep.

Verse 1

வெண்டா மரைக்கன்றி நின்பதந் தாங்கவென் வெள்ளையுள்ளத்
தண்டா மரைக்குத் தகாதுகொ லோசக மேழுமளித்
துண்டா னுறங்க வொழித்தான்பித் தாகவுண் டாக்கும்வண்ணம்
கண்டான் சுவைகொள் கரும்பே சகல கலாவல்லியே

O Goddess, is the cool lotus of my pure white heart not fit to bear your feet, as the white lotus does? You are the sweet sugarcane tasted by Brahma, who goes on creating while Vishnu, having guarded and swallowed the seven worlds, sleeps and Shiva, who destroys them, roams like one possessed, O Sakalakalavalli, mistress of all the arts.

Verse 2

நாடும் பொருட்சுவை சொற்சுவை தோய்தர நாற்கவியும்
பாடும் பணியிற் பணித்தருள் வாய்பங்க யாசனத்திற்
கூடும் பசும்பொற் கொடியே கனதனக் குன்றுமைம்பாற்
காடுஞ் சுமக்குங் கரும்பே சகல கலாவல்லியே

Command me to the service of singing the four kinds of poetry, steeped in the flavour of meaning and the flavour of words that the learned seek. O fresh golden creeper seated on the lotus, O sugarcane who bears full breasts like hills and a forest of fivefold braided hair, O Sakalakalavalli.

Verse 3

அளிக்குஞ் செழுந்தமிழ்த் தெள்ளமு தார்ந்துன் னருட்கடலிற்
குளிக்கும் படிக்கென்று கூடுங்கொ லோவுளங் கொண்டுதெள்ளித்
தெளிக்கும் பனுவற் புலவோர் கவிமழை சிந்தக்கண்டு
களிக்குங் கலாப மயிலே சகல கலாவல்லியே

Will it ever come to pass that I drink the clear nectar of rich Tamil that you bestow and bathe in the ocean of your grace? O peacock with spread plumes, who dances for joy on seeing the rain of verse poured by poets who sift and refine their songs with care, O Sakalakalavalli.

Verse 4

தூக்கும் பனுவற் துறைதோய்ந்த கல்வியுஞ் சொற்சுவைதோய்
வாக்கும் பெருகப் பணித்தருள் வாய்வட நூற்கடலும்
தேக்குஞ் செழுந்தமிழ்ச் செல்வமுந் தொண்டர்செந் நாவினின்று
காக்குங் கருணைக் கடலே சகல கலாவல்லியே

Grant in abundance learning steeped in the branches of weighty texts, and speech steeped in the sweetness of words. O ocean of compassion who dwells on the devoted tongues of your servants and from there guards both the vast sea of Sanskrit lore and the rich treasure of Tamil, O Sakalakalavalli.

Verse 5

பஞ்சப் பிதந்தரு செய்யபொற் பாதபங் கேருகமென்
நெஞ்சத் தடத்தல ராததென் னேநெடுந் தாட்கமலத்
தஞ்சத் துவச முயர்த்தோன்செந் நாவு மகமும்வெள்ளைக்
கஞ்சத் தவிசொத் திருந்தாய் சகல கலாவல்லியே

Why do your red, golden lotus feet, soft and soothing as cotton, not blossom in the pond of my heart? You dwell on the tongue and in the heart of Brahma, who raises the swan banner and sits on the long-stemmed lotus, as on your own white lotus seat, O Sakalakalavalli.

Verse 6

பண்ணும் பரதமுங் கல்வியுந் தீஞ்சொற் பனுவலும்யான்
எண்ணும் பொழுதெளி தெய்தநல் காயெழு தாமறையும்
விண்ணும் புவியும் புனலுங் கனலும்வெங் காலுமன்பர்
கண்ணுங் கருத்து நிறைந்தாய் சகல கலாவல்லியே

Grant that music, dance, learning and verses of sweet words come to me easily whenever I think of them. You pervade the unwritten Veda, the sky, the earth, water, fire and the fierce wind, and fill the eyes and the minds of those who love you, O Sakalakalavalli.

Verse 7

பாட்டும் பொருளும் பொருளாற் பொருந்தும் பயனுமென்பாற்
கூட்டும் படிநின் கடைக்கணல் காயுளங் கொண்டுதொண்டர்
தீட்டுங் கலைத்தமிழ்த் தீம்பா லமுதந் தெளிக்கும்வண்ணம்
காட்டும்வெள் ளோதிமப் பேடே சகல கலாவல்லியே

Grant me your side-glance, so that poetry, its meaning, and the fruit that comes from that meaning are joined in me. O white female swan, who shows how to draw out the sweet milk-nectar from the artful Tamil that your devotees write with care, O Sakalakalavalli.

Verse 8

சொல்விற் பனமு மவதான முங்கவி சொல்லவல்ல
நல்வித்தை யுந்தந் தடிமைகொள் வாய்நளி னாசனஞ்சேர்
செல்விக் கரிதென் றொருகால முஞ்சிதை யாமைநல்கும்
கல்விப் பெருஞ்செல்வப் பேறே சகல கலாவல்லியே

Take me as your servant and give me mastery of words, the art of avadhana (holding many things in mind at once), and the good learning that can compose poetry. O gift of the great wealth of learning, which never perishes at any time and is beyond even Lakshmi seated on the lotus to give, O Sakalakalavalli.

Verse 9

சொற்கும் பொருட்கு முயிராமெய்ஞ் ஞானத்தின் றோற்றமென்ன
நிற்கின்ற நின்னை நினைப்பவர் யார்நிலந் தோய்புழைக்கை
நற்குஞ் சரத்தின் பிடியோ டரசன்ன நாணநடை
கற்கும் பதாம்புயத் தாயே சகல கலாவல்லியே

Who can truly conceive of you, who stand as the very form of true knowledge, the life of word and of meaning? O Mother whose lotus feet move with a gait that the noble she-elephant, her trunk touching the ground, and the royal swan try to learn and are put to shame, O Sakalakalavalli.

Verse 10

மண்கண்ட வெண்குடைக் கீழாக மேற்பட்ட மன்னருமென்
பண்கண் டளவிற் பணியச்செய் வாய்படைப் போன்முதலாம்
விண்கண்ட தெய்வம்பல் கோடியுண் டேனும் விளம்பிலுன்போற்
கண்கண்ட தெய்வ முளதோ சகல கலாவல்லியே

Make even the mightiest kings, under whose white parasol the earth rests, bow to me the moment they see my song. Though there are countless gods in heaven, beginning with Brahma the creator, if the truth be told, is there any god so plainly seen and felt as you, O Sakalakalavalli?

The syllable people get wrong

The refrain word கலாவல்லியே, kalāvalliyē, is often flattened to 'kala-valli-ye': the second syllable is a long ā and carries the weight, the ll is doubled and held, and the final ē is a long 'ay', so say 'ka-LAA-val-li-yay'.

When the Sakalakalavalli Malai is chanted

Weekday. Friday

Festival. Saraswati Puja and Vijayadashami

Questions

Kumaraguruparar (1625-1688), born at Srivaikuntam in present-day Thoothukudi district to Shanmukha Sikhamani Kavirayar and Sivakama Sundari Ammaiyar. The traditional account says he did not speak until he was five, gained speech after his parents prayed at Tiruchendur, and then sang Kandar Kalivenba to Murugan. Before going north he wrote the Pillaitamil on Meenakshi of Madurai and the ethical work Neethi Neri Vilakkam. The Sakalakalavalli Malai belongs to his thirty years at Kashi.
Sakala means 'all', kala means 'art' or 'branch of learning', and valli is the Tamil word for a creeper, used as a title for a goddess or a lady. So the name is 'she who is the creeper of all the arts', the lady to whom every art clings. Verse 2 plays on the image, calling her a fresh golden creeper on the lotus seat, and verse 6 lists the arts it means: music, dance, learning and verse. Maalai, 'garland', is the Tamil term for a poem strung from verses.
The tenth verse ends by asking: though there are countless gods in heaven, beginning with Brahma the creator, is there any god so plainly seen as you? Kan kanda deivam is literally 'the god the eye has seen', a deity present and felt rather than distant. The first half of the same verse asks that even kings who rule the earth under a white parasol bow the moment they see his song, a request that fits the hymn's traditional setting at a royal court.
Verse 1 asks why the poet's pure white heart is not fit to hold Saraswati's feet as the white lotus does. It then sets out the three gods: Vishnu, having guarded and swallowed the seven worlds, sleeps; Shiva, who destroys them, roams like one possessed; only Brahma goes on creating, and he is the one who tastes her, the sugarcane. The verse makes creation depend on the creator's union with speech. Verse 5 returns to the idea, seating her on Brahma's tongue and in his heart.
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