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HomeMantras › Vishnu Sahasranama
Sudarshana Vintage devotional illustration of four-armed Lord Narayana holding a conch, discus, mace and lotus beside a temple tank
Vishnu Sahasranama, as worshipped at our temple
Mantra · The thousand names. Recited on Ekadashi.

Vishnu Sahasranama

ॐ विश्वं विष्णुर्वषट्कारो भूतभव्यभवत्प्रभुः

In Devanagari, Tamil, Telugu, Kannada, Malayalam and English — with the meaning of every word, and the one syllable most people pronounce wrongly.

Who Vishnu Sahasranama is

The Vishnu Sahasranama is the ordered recitation of one thousand names of Vishnu preserved in the Anushasana Parva of the Mahabharata. It is not a seed-syllable but a stotra in which each name isolates an attribute, a cosmic function or a deed of the Lord who reclines upon Ananta, who strode the three worlds as Vamana, and who abides as the inner controller of every being. Bhishma, fixed upon his bed of arrows, delivers the litany in reply to Yudhishthira’s inquiry concerning the highest dharma and the one deity worthy of constant remembrance. Subsequent acharyas—Shankara, Parashara Bhatta, Madhva and others—composed verse-by-verse commentaries that treat the thousand names as a complete theological lexicon. To speak of the Sahasranama is therefore to speak of Vishnu under the aspect of inexhaustible nameability: the one whose glory no finite catalogue can exhaust, yet who is approached precisely through this catalogue transmitted from the dying grandsire to the eldest Pandava.

Bhishma on the Bed of Arrows

In the Anushasana Parva of the Mahabharata, after the great war has ended, Yudhishthira approaches Bhishma who lies upon the shaft-strewn field awaiting the sun’s northward turn. The new king asks which single deity is to be worshipped, which is the highest dharma, and by the recitation of whose names a person may pass beyond sorrow. Bhishma answers by declaring Vishnu the supreme refuge and then utters the thousand names, each name a facet of the same undivided reality. The epic frames the recitation as both battlefield testament and theological summa: the warrior who has upheld dharma through exile and war now exhausts language itself in praise of the Lord who upholds the worlds. Later tradition regards this moment as the authoritative origin of the Sahasranama, so that every subsequent chanting re-enters the conversation between the stricken patriarch and the righteous king on the Kurukshetra plain. The names that follow—beginning with Vishva and Vishnu—unfold from that dialogue and remain inseparable from it.

The mantra, in six scripts

The seed mantra, and the form most devotees chant daily. No initiation is required — it is open to anyone, including a parent chanting for a child.

DevanagariSanskrit & Hindiॐ विश्वं विष्णुर्वषट्कारो भूतभव्यभवत्प्रभुः
Tamilௐ விஶ்வம் விஷ்ணுர்வஷட்காரோ பூதபவ்யபவத்ப்ரபுஃ
Teluguఓం విశ్వం విష్ణుర్వషట్కారో భూతభవ్యభవత్ప్రభుః
Kannadaಓಂ ವಿಶ್ವಂ ವಿಷ್ಣುರ್ವಷಟ್ಕಾರೋ ಭೂತಭವ್ಯಭವತ್ಪ್ರಭುಃ
Malayalamഓം വിശ്വം വിഷ്ണുര്വഷട്കാരോ ഭൂതഭവ്യഭവത്പ്രഭുഃ
EnglishRoman transliterationoṃ viśvaṃ viṣṇur vaṣaṭkāro bhūta-bhavya-bhavat-prabhuḥ
“Oṃ. The universe; Vishnu; the one addressed with the ritual cry vaṣaṭ; the lord of what has been, what is, and what will be.”
oṃ — the primordial syllable
विश्वं
viśvaṃ — the universe
विष्णुः
viṣṇuḥ — Vishnu
वषट्कारः
vaṣaṭkāraḥ — the one uttered with vaṣaṭ
भूतभव्यभवत्प्रभुः
bhūta-bhavya-bhavat-prabhuḥ — lord of past, future and present

Aim is the mantra, in a sense. The rest is address and salutation; the seed syllable carries the goddess. Where a practitioner has been given a very short practice, it is often Aim alone.

The syllable people get wrong

In the name viṣṇu the conjunct ṣṇ joins the retroflex sibilant ṣ directly to the retroflex nasal ṇ. Speakers often insert a faint vowel between them or flatten the pair into a single ‘shn’ sound, losing the successive retroflex contacts that the word requires.

When Vishnu Sahasranama is chanted

Weekday. Thursday

Festival. Ekadashi, above all Vaikuntha Ekadashi, when the Sahasranama is customarily recited in temples and households

Questions

The opening name Vishva, ‘the universe,’ establishes that the Lord who will be praised under a thousand designations is already identical with the totality of existence. Subsequent names particularise that totality; the first name refuses any separation between the divine and the world that is named.
Within the Mahabharata it is presented as a stotra, a hymn of praise composed of discrete names. Later liturgical practice often frames the entire recitation with seed-syllables and dhyana verses, yet the core remains the sequential utterance of the thousand names first spoken by Bhishma.
The thousand names constitute Bhishma’s direct answer to Yudhishthira inside the Anushasana Parva. The epic setting is not an optional frame story; it is the narrative ground from which the litany arises and to which every traditional commentary returns.
Not sure a mantra is enough?

Have your chart read before you decide

Chanting is yours to do, and free. But which deity your situation calls for — and whether a mantra alone is the right response — depends on your chart. Sometimes it is; sometimes it is not.

Brahmashree Shivaaya
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Chanting is yours to do. Some things are performed for you.

Where a matter carries real weight — an examination that decides a course, a performance, a child whose studies have stalled — devotees sponsor the homa alongside their own practice. Performed individually at our Yagna Ashram in your name and gotra, on a muhurta calculated from your chart, and telecast live so you can watch it done for you.

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